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Art Bath Series Continues This Spring March-May With J'Nai Bridges, Arturo O'Farrill, and More

The producers of ART BATH today announced their spring season of immersive performance salons, offering an opportunity to see some of New York City's most renowned music, dance, opera, and visual artists in an unconventional environment. The intimate salons take place on March 25, April 29, and May 13 at 8:00 p.m., at Manhattan's Blue Building, a restored warehouse space on East 46th Street.

Opera Maine To Stage Comic Opera CINDERELLA

Opera Maine invites you to spectacular live singing and theater for its 29th season mainstage production of Cinderella (La Cenerentola) by Gioachino Rossini at Merrill Auditorium on Thursday, July 27 at 7:30 p.m. and Sunday, July 30 at 2:30 p.m. The story of the opera, written by librettist Jacopo Ferretti, tells the familiar and beloved tale of Cinderella, but it is not the Disney version with a pumpkin carriage or glass slippers. It is filled with hijinks and fun, and brilliant music.

CINDERELLA to be Presented at Opera Maine This Summer

Opera Maine is inviting you to spectacular live singing and theater for its 29th season mainstage production of Cinderella (La Cenerentola) by Gioachino Rossini at Merrill Auditorium on Thursday, July 27 at 7:30 p.m. and Sunday, July 30 at 2:30 p.m.

Cincinnati Opera 2022 Summer Festival Continues With FIERCE And THE PIRATES OF PENZANCE

This July 6 through 10, Cincinnati Opera continues its 2022 Summer Festival with two uplifting productions: the world premiere of Fierce (July 6, 9, 10 at SCPA's Corbett Theater), with music by William Menefield and libretto by Sheila Williams, and Gilbert and Sullivan's hilarious The Pirates of Penzance (July 7, 8, 10 at Cincinnati Music Hall).

Metropolitan Opera Announces Cast Change for TOSCA

Liudmyla Monastyrska will sing the title role of Puccini's Tosca during the 2022–23 season, replacing Hibla Gerzmava in four performances March and April 2023. As previously announced, Angela Gheorghiu will sing the April 8 and 12, 2023, performances.

VIDEOS: Get A First Look At Met Opera's TOSCA

Puccini's thrilling masterpiece Tosca returns to the Metropolitan Opera for 15 performances December 2, 2021-March 12, 2022. Check out video from the final dress rehearsal!

BWW Review: Radvanovsky's TOSCA a Winner for the Met

What is there to say about Puccini’s TOSCA that hasn’t been said in the last hundred-plus years since its premiere in Rome (to echo the locations in the opera)? It is a marvel of brevity, with librettists Illica and Giacosa shaving locations, characters and action from the original play, written by the French dramatist Victorien Sardou for the legendary actress Sarah Bernhardt, without sacrificing its impact. It has a gorgeous score, but for a grand opera, it is also quite intimate, with the action mainly revolving around three characters who carry their emotions on their sleeves and interact like their lives depend on it.

Abridged English-Language Version of THE MAGIC FLUTE to Return to the Met

The Metropolitan Opera will welcome back its youngest opera lovers with a family-friendly holiday presentation of Mozart’s The Magic Flute for nine performances December 10, 2021–January 5, 2022. This English-language adaptation of the classic fairy tale, performed in a 115-minute abridged version, is a holiday treat for audiences of all ages.

VIDEOS: Get A First Look At Met Opera's TOSCA

Puccini's thrilling masterpiece Tosca returns to the Metropolitan Opera for 15 performances December 2, 2021-March 12, 2022. Check out video from the final dress rehearsal!

BWW Review: THE MARRIAGE OF FIGARO at Home Computer Screens

On October 22, 2021, Opera Philadelphia began streaming its rendition of Mozart’s The Marriage of Figaro. This staging is a judiciously cut two-hour-and-forty-eight-minute production by Opera Philadelphia, Lyric Opera of Kansas City, San Diego Opera, and Palm Beach Opera. Each company is choosing its own conductor and cast.

Opera Philadelphia to Stream Mozart's THE MARRIAGE OF FIGARO, October 22

September marks two years since Opera Philadelphia's orchestra, chorus, staff, and principal singers have gathered at the historic Academy of Music to produce opera. As the company works to bring live opera back to its longtime home, it continues to bring the art form into fans' homes by producing new operatic films and revisiting favorite productions streamed on the Opera Philadelphia Channel.

BWW Reviews: Santa Fe's Back with a MIDSUMMER Treat and a LORD-ly Mishap

There are a number of parallels between the two operas I saw in Santa Fe (NM) this past weekend: The Benjamin Britten/Peter Pears treatment of Shakespeare’s A MIDSUMMER NIGHT’S DREAM and the world premiere of the John Corigliano/Mark Adamo THE LORD OF CRIES. The first was, for me at least, an all-around, marvelous success, while the other was a disappointment.

BWW Review: THE MARRIAGE OF FIGARO at Santa Fe Opera

The singing in this performance made it one of the best Figaros I’ve seen in many years. Despite singing recitative, vocal runs, and high notes with silvery tones for three and a half hours, Ying Fang as Susanna never sounded the least bit tired. Her character was a 20th century woman with dreams of equality. At the behest of conductor Harry Bicket, she and all the other leading artists decorated the repeats in their arias.

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