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PHANTOM at Pantages Extends Run Through 10/31
by Nicole Rosky - Aug 20, 2010

Cameron Mackintosh and The Really Useful Theatre Company, Inc. are proud to announce that, due to popular demand, they are extending the final engagement of the national tour of Andrew Lloyd Webber's THE PHANTOM OF THE OPERA by two weeks. Added performances October 19th through 31st will go on sale to the public on Sunday August 29th at 10am. The national tour of THE PHANTOM OF THE OPERA, known as The Music Box Company has been running continuously for 17 years, and will play its farewell performances in Los Angeles at the Pantages Theatre. This national tour remains the most successful and longest continuously-running tour in U.S. history. THE PHANTOM OF THE OPERA began performances in Los Angeles in May 1989 (Christine Company), and played for over 4 years. Performances of this farewell engagement will begin September 23rd, 2010.

Tim Martin Gleason Heads THE PHANTOM OF THE OPERA At Benedum Center
by Gabrielle Sierra - Jul 27, 2010

The Cameron Mackintosh/Really Useful Theatre Company, Inc. production of Andrew Lloyd Webber's The Phantom of the Opera, directed by Harold Prince, returning to the Benedum Center, August 25-September 19, 2010, has announced casting for the production's farewell Pittsburgh engagement.

National Tour of PHANTOM OF THE OPERA to Take Final Bow in Los Angeles Nov. 2010
by BWW News Desk - Jul 25, 2010

Cameron Mackintosh and The Really Useful Theatre Company, Inc. announced today that the national tour of Andrew Lloyd Webber's THE PHANTOM OF THE OPERA, known as The Music Box Company, will play its final performance in November 2010 at the Pantages Theater in Los Angeles.

Cast Announced For THE PHANTOM OF THE OPERA At Fox Theatre, Runs 6/30-7/18
by BWW News Desk - Jul 18, 2010

The Cameron Mackintosh/Really Useful Theatre Company, Inc. production of Andrew Lloyd Webber's The Phantom of the Opera, directed by Harold Prince, has announced casting for its farewell engagement.

PHANTOM OF THE OPERA Returns To The Schuster Center 6/9-27
by BWW News Desk - Jun 27, 2010

The Cameron Mackintosh/Really Useful Theatre Company, Inc. production of Andrew Lloyd Webber's The Phantom of the Opera, directed by Harold Prince, begins performances Wednesday, June 9 at 8:00 PM at the Benjamin and Marian Schuster Performing Arts Center and runs through Sunday, June 27, 2010.

PHANTOM OF THE OPERA Returns To The Schuster Center 6/9-27
by BWW News Desk - Jun 9, 2010

The Cameron Mackintosh/Really Useful Theatre Company, Inc. production of Andrew Lloyd Webber's The Phantom of the Opera, directed by Harold Prince, begins performances Wednesday, June 9 at 8:00 PM at the Benjamin and Marian Schuster Performing Arts Center and runs through Sunday, June 27, 2010.

Cast Announced For THE PHANTOM OF THE OPERA At Fox Theatre, Runs 6/30-7/18
by Gabrielle Sierra - May 26, 2010

The Cameron Mackintosh/Really Useful Theatre Company, Inc. production of Andrew Lloyd Webber's The Phantom of the Opera, directed by Harold Prince, has announced casting for its farewell engagement.

PHANTOM OF THE OPERA Returns To The Schuster Center 6/9-27
by Charlie Piane - May 25, 2010

The Cameron Mackintosh/Really Useful Theatre Company, Inc. production of Andrew Lloyd Webber's The Phantom of the Opera, directed by Harold Prince, begins performances Wednesday, June 9 at 8:00 PM at the Benjamin and Marian Schuster Performing Arts Center and runs through Sunday, June 27, 2010.

National Tour of PHANTOM OF THE OPERA to Take Final Bow in Los Angeles Nov. 2010
by BWW News Desk - Feb 6, 2010

Cameron Mackintosh and The Really Useful Theatre Company, Inc. announced today that the national tour of Andrew Lloyd Webber's THE PHANTOM OF THE OPERA, known as The Music Box Company, will play its final performance in November 2010 at the Pantages Theater in Los Angeles.

REVIEW: Andrew Lloyd Webber's THE PHANTOM OF THE OPERA Opens at the Fox Theatre for Extended Run
by Chris Gibson - Oct 3, 2009

THE PHANTOM OF THE OPERA is really a triumph of staging with Harold Prince's direction presenting and coordinating these spectacular set pieces with cinematic precision. The constant movement of actors and curtains and backdrops provides a dazzling display of theatrical technique and technical virtuosity. Maria Bjornsson's amazing production design and Andrew Bridge's moody concert lighting scheme also contribute immensely. And, of course, there's Webber's full-bodied orchestral score (with lyrics by Charles Hart and Richard Stilgoe) to contend with as well.

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