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PHANTOM OF THE OPERA Returns To The Schuster Center 6/9-27
by BWW News Desk - Jun 27, 2010


The Cameron Mackintosh/Really Useful Theatre Company, Inc. production of Andrew Lloyd Webber's The Phantom of the Opera, directed by Harold Prince, begins performances Wednesday, June 9 at 8:00 PM at the Benjamin and Marian Schuster Performing Arts Center and runs through Sunday, June 27, 2010.

PHANTOM OF THE OPERA Returns To The Schuster Center 6/9-27
by BWW News Desk - Jun 9, 2010


The Cameron Mackintosh/Really Useful Theatre Company, Inc. production of Andrew Lloyd Webber's The Phantom of the Opera, directed by Harold Prince, begins performances Wednesday, June 9 at 8:00 PM at the Benjamin and Marian Schuster Performing Arts Center and runs through Sunday, June 27, 2010.

Cast Announced For THE PHANTOM OF THE OPERA At Fox Theatre, Runs 6/30-7/18
by Gabrielle Sierra - May 26, 2010


The Cameron Mackintosh/Really Useful Theatre Company, Inc. production of Andrew Lloyd Webber's The Phantom of the Opera, directed by Harold Prince, has announced casting for its farewell engagement.

PHANTOM OF THE OPERA Returns To The Schuster Center 6/9-27
by Charlie Piane - May 24, 2010


The Cameron Mackintosh/Really Useful Theatre Company, Inc. production of Andrew Lloyd Webber's The Phantom of the Opera, directed by Harold Prince, begins performances Wednesday, June 9 at 8:00 PM at the Benjamin and Marian Schuster Performing Arts Center and runs through Sunday, June 27, 2010.

National Tour of PHANTOM OF THE OPERA to Take Final Bow in Los Angeles Nov. 2010
by BWW News Desk - Feb 5, 2010


Cameron Mackintosh and The Really Useful Theatre Company, Inc. announced today that the national tour of Andrew Lloyd Webber's THE PHANTOM OF THE OPERA, known as The Music Box Company, will play its final performance in November 2010 at the Pantages Theater in Los Angeles.

REVIEW: Andrew Lloyd Webber's THE PHANTOM OF THE OPERA Opens at the Fox Theatre for Extended Run
by Chris Gibson - Oct 3, 2009


THE PHANTOM OF THE OPERA is really a triumph of staging with Harold Prince's direction presenting and coordinating these spectacular set pieces with cinematic precision. The constant movement of actors and curtains and backdrops provides a dazzling display of theatrical technique and technical virtuosity. Maria Bjornsson's amazing production design and Andrew Bridge's moody concert lighting scheme also contribute immensely. And, of course, there's Webber's full-bodied orchestral score (with lyrics by Charles Hart and Richard Stilgoe) to contend with as well.

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