EVERY BRILLIANT THING at Studio Theatre takes an audience of individuals and transforms them, in 65 short minutes, into a collective. It is theatre in its purest, most primal, form, and it's hilarious to boot. Described by The Guardian as 'one of the funniest shows you'll ever see about depression' EVERY BRILLIANT THING is as compassionate as it is hilarious. The first in Studio Theatre's Showroom series-a curated performance series in the summertime (with spirits)-EVERY BRILLIANT THING is warm, intimate, and inventive.
In a city where seemingly everyone is from somewhere else, A Doll's House Part 2 is about something all of us have had to do at some point or another, return home to face our past. Fueled by a powerhouse cast led by the dazzling Holly Twyford, Round House Theatre's production is a homecoming not to be missed.
When you leave the theater and you immediately purchase a copy of the play, that should indicate that you have really enjoyed it. This does not happen often but it happened to me as I left the Lansburgh Theatre (temporary home of the Round House during renovations) in DC. I loved A DOLL'S HOUSE, PART 2, I had to read it and enjoy it some more...and I did!
The Muny announced today its complete cast, design and production team for Roald Dahl's Matilda, the seventh and final show of its 101st season, August 5 - 11.
I must applaud Everyman Theatre's Artistic Director Vince Lancisi for having the brilliant idea of ending its season with two plays by Caleen Sinnette Jennings in repertory: QUEENS GIRL IN THE WORLD and QUEENS GIRL IN AFRICA. What a genius!
The Muny announced today its complete cast, design and production team for Rodgers + Hammerstein's Cinderella, the fourth show of its second century, July 8 - 16. Rodgers + Hammerstein's Cinderella is proudly sponsored by Edward Jones.
Community, collaboration and challenging questions capture the mood at Bristol Riverside Theatre's production of The Christians by Lucas Hnath, running April 30 - May 19. The winner of the 2016 Outer Critics Circle Award for Outstanding New Off-Broadway Play, The Christians tells the story of Pastor Paul, a man about to preach a sermon that will shake the foundation of his congregation's beliefs. The shocking revelation of his sermon has powerful consequences.
Today's subject disproves the theory that you can't be good at everything. Kevin Laughon is the Production Associate at Theater J, but his long career of working in the theatre has taken him on both sides of the footlights.
The Muny announced today that critically-acclaimed St. Louis artist Mary Engelbreit will provide the inspiration for its final production of the 101st season, Matilda, August 5-11.
It's hard to believe that it's been over 40 years now since a little revue that started at New York's Manhattan Theatre Club took Broadway by storm. The show was Ain't Misbehavin' and if you didn't know who composer Thomas “Fats” Waller was before, you did after seeing this show. It also made Nell Carter a star and garnered her a television series called Gimme a Break. Besides Carter the cast was comprised of Charlaine Woodard, Armelia McQueen, Andre De Shields, and Ken Page. When the original cast returned for a Broadway revival of the show in the 80's, Nell Carter received star billing even though the show is truly an ensemble piece. Ah, the power of television.
Signature Theatre presents Ain't Misbehavin': The Fats Waller Musical Show directed by Signature Theatre's Director of New Works Joe Calarco (Signature's The Scottsboro Boys, Jesus Christ Superstar) and choreographed by Jared Grimes (Signature's The Scottsboro Boys, Jelly's Last Jam). Signature's MAX Theatre will be converted into a 1930s Harlem night club for this tribute to the music of Thomas 'Fats' Waller. This Tony Award®-winning musical includes the beloved tunes 'The Joint is Jumpin',' 'Honeysuckle Rose,' 'Handful of Keys' and more. Ain't Misbehavin'runs from January 23 - March 10, 2019.
Signature Theatre presents Ain't Misbehavin': The Fats Waller Musical Show directed by Signature Theatre's Director of New Works Joe Calarco (Signature's The Scottsboro Boys, Jesus Christ Superstar) and choreographed by Jared Grimes (Signature's The Scottsboro Boys, Jelly's Last Jam).
In the midst of DC's December winter holidays, Theater J brings to us … a valentine. "This story will unfold as a waltz, a valentine" we are told in the opening monologue - and in the gifted hands of director Aaron Posner, Talley's Folly delivers the beauty and rhythm of a waltz, and the big beating heart of a valentine. Actors John Taylor Phillips and Erin Weaver are well paired, their emotions ebb and flow like the current of the folly's nearby river.
For the third show of its season Around Town, Theater J brings Lanford Wilson's Pulitzer Prize-winning romantic comedy Talley's Folly to GALA Hispanic Theatre December 7 - 30. A funny and heartwarming theatrical duet, Talley's Folly, is set on a moonlit night in 1944 Missouri, where Matt Friedman, a middle-aged Jewish accountant, has only one chance to win the heart of Sally Talley, a 31 year-old 'old maid' from a bigoted Protestant family. After a lifetime of believing they'll never truly belong in the world around them, they reawaken one another to love, ultimately finding that they do belong - together.
The story of Cinderella has been presented in many forms throughout the history of entertainment. Each has enchanted audiences of all ages. There was the classic Disney cartoon, the Rodgers and Hammerstein television adaptation that has since become a stage musical, a few television remakes, and the famed London pantomimes. No matter which version of the story you've seen, there is something about a common girl's quest for true love that gets us every time.
For the third show of its season Around Town, Theater J brings Lanford Wilson's Pulitzer Prize-winning romantic comedy Talley's Folly to GALA Hispanic Theatre December 7 - 30. A funny and heartwarming theatrical duet, Talley's Folly, is set on a moonlit night in 1944 Missouri, where Matt Friedman, a middle-aged Jewish accountant, has only one chance to win the heart of Sally Talley, a 31 year-old 'old maid' from a bigoted Protestant family. After a lifetime of believing they'll never truly belong in the world around them, they reawaken one another to love, ultimately finding that they do belong - together.