Signature Theatre Announces Cast And Creative Team For Annie Baker's JOHN
by Stephi Wild
- Mar 5, 2018
Signature Theatre announces the full cast and creative team for the DC premiere of Annie Baker's John, directed by Signature Theatre Director of New Work Joe Calarco (Signature's The Gulf, Jesus Christ Superstar). Elias and Jenny, a young Brooklyn couple, escape on a much-needed getaway to a cozy bed-and-breakfast in Gettysburg, Pennsylvania. However, under the watchful eye of the cheery, if slightly off, innkeeper, a ghost seems to haunt their crumbling relationship. Annie Baker's John was called "so good on so many levels that it casts a unique and brilliant light' by The New Yorker. John will run April 3 - April 29 in Signature Theatre's MAX Theatre.
FAMILIAR Extends Through March 11 at Wooly Mammoth
by Julie Musbach
- Feb 23, 2018
Woolly Mammoth Theatre Company announces the third production of its 2017-2018 season, Familiar. Written by Danai Gurira and directed by Theatre J artistic director Adam Immerwahr, Familiar will run from February 5 to March 11, 2018.
Nominations Announced for the 2018 Helen Hayes Awards; MEAN GIRLS, FUN HOME, and More!
by Alan Henry
- Feb 6, 2018
The nominees for the 2018 Helen Hayes Awards were announced on February 5, 2018. One of the country's most prestigious cultural honors, The Helen Hayes Awards recognizes and celebrates excellence in professional theatre throughout the Washington metropolitan area. The National Theatre's Helen Hayes Gallery set the scene for the announcement of nominees in 47 categories for artistic excellence, and the theatre companies eligible for the 2017 John Aniello Award for Outstanding Emerging Theatre Company. The recipient of the 2018 Helen Hayes Tribute will be announced shortly.
BWW Review: EVERYTHING IS ILLUMINATED at Theatre J
by Keith Tittermary
- Jan 17, 2018
Jonathan Safran Foer's 2002 semi-autobiographical debut novel, Everything Is Illuminated, is a riveting portrayal of one man's quest to find the woman who saved his grandfather from the Nazis at the start of World War II. While the journey of the central character, Jonathan, is the focus of the book, and the brilliant adaption playing now at Theatre J, the secondary story of Alex and his grandfather is equally, if not more, poignant.
Danai Gurira Returns to Wooly Mammoth for FAMILIAR
by Julie Musbach
- Jan 12, 2018
Woolly Mammoth Theatre Company announces the third production of its 2017-2018 season, Familiar. Written by Danai Gurira and directed by Theatre J artistic director Adam Immerwahr, Familiar will run from February 5 to March 4, 2018.
BWW News: Theatre Life Turns One Year Old
by Elliot Lanes
- Oct 3, 2017
One year ago today, I went from writing for a local theatre site to writing for the largest worldwide theatre site. One year ago today, Theatre Life made its debut here on Broadway World's DC page with a profile of scenic designer Paige Hathaway.
Regional Roundup: Top New Features This Week Around Our BroadwayWorld 8/4 - NEWSIES, A CHORUS LINE, SPRING AWAKENING, and More!
by BWW Special Coverage
- Aug 4, 2017
BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature NEWSIES, A CHORUS LINE, SPRING AWAKENING, and More!
Review Roundup: A CHORUS LINE at The Muny
by Alan Henry
- Aug 2, 2017
Considered a landmark celebration of the American Musical, A Chorus Line follows the lives of 17 Broadway dancers vying for a spot 'on the line.' Zach, a driven director/choreographer at the helm of a suspenseful audition, will stop at nothing to assemble an unforgettable chorus, no matter the price. With music by Oscar and Tony winning Marvin Hamlisch, A Chorus Line defines glittering promise, unwavering determination and stakes as high as the kickline itself. This is one Muny 'singular sensation' you won't want to miss!
BWW Review: The MUNY's Incredible and Heartfelt A CHORUS LINE
by Chris Gibson
- Aug 1, 2017
A CHORUS LINE was the creation of Michael Bennett, one of Broadway's finest choreographers, who held a series of workshops in the mid 1970's to explore a way to examine the life that dancers lead. Then book writers James Kirkwood, Jr. and Nicholas Dante crafted a musical from this wealth of material collected to tell the story of Broadway's 'gypsies', the singers and dancers of the chorus that make their living by moving from production to production. And, it's how those stories are often vividly brought to life that distinguishes the current production at The MUNY. Instead of just relying solely on the compelling reasons that each character became a dancer, although some are left to stand alone in truly dramatic fashion, younger versions of themselves, whether through video projections or by using actual younger performers to act out their recollections as they speak are incorporated. It's an utterly charming touch that really stands out in stunning fashion. It makes this version particularly special, and when you combine that with a very talented ensemble, and an orchestra that sounds superb, you wind up producing a must-see show!
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