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MIDNIGHT AT THE NEVER GET to Celebrate Opening Night in Provincetown

MIDNIGHT AT THE NEVER GET to Celebrate Opening Night in Provincetown

by BWW News Desk — July 29, 2017

Midnight at The Never Get, the award-winning and critically-acclaimed musical hit of last summer's New York Musical Festival, will enjoy its New England premiere this summer, a co-production of Visceral Entertainment (Michael Chase Gosselin and Tim Sulka) and Dustin Sparks Productions.

Greenhouse Theater Center Announces MC-10 PLAYWRIGHTS ENSEMBLE

Greenhouse Theater Center Announces MC-10 PLAYWRIGHTS ENSEMBLE

by A.A. Cristi — July 27, 2017

Greenhouse Theater Center (GTC) and Artistic Director Jacob Harvey are pleased to announce the formation of the new MC-10 Playwrights Ensemble, a collection of ten of the country's most sought-after established and mid-career Chicago playwrights and theatre-makers.

BWW Review: GIRL FROM THE NORTH COUNTRY, Old Vic

BWW Review: GIRL FROM THE NORTH COUNTRY, Old Vic

by Marianka Swain — July 27, 2017

Defiantly rejecting the standard jukebox model, Conor McPherson's much-anticipated new work mining the back catalogue of Bob Dylan is labelled 'a play with songs' - or perhaps that should be a play and songs, with two distinct forms of storytelling weaving around one another, reflecting, deepening,

Victory Gardens Announces Casting for 2017 IGNITION Festival of New Plays

Victory Gardens Announces Casting for 2017 IGNITION Festival of New Plays

by BWW News Desk — July 26, 2017

Victory Gardens Theater announces the lineup for the 2017 IGNITION Festival of New Plays, including Tuvalu, or The Saddest Song by Antoinette Nwandu; This Land Was Made by Tori Sampson; Spin Moves by Ken Weitzman; Tell Them I'm Still Young by Julia Doolittle; Wolf Play by Hansol Jung; and Suspens

ASCAP & BMI Announce Creation of a New Comprehensive Musical Works Database

ASCAP & BMI Announce Creation of a New Comprehensive Musical Works Database

by Caryn Robbins — July 26, 2017

ASCAP and BMI, the nation's two leading performing rights organizations, have joined forces to create a single, comprehensive database of musical works from their combined repertories that will deliver an authoritative view of ownership shares in the vast majority of music licensed in the United Sta


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