In celebration of Immigrant Heritage Week, the Immigrant Arts Coalition and Dramatists Guild of America, in collaboration with the National Yiddish Theatre Folksbiene (NYTF) will present Staging Our Stories, an interactive panel discussion with playwrights, composers, and lyricists on heritage and diversity in theatre. An official partner with the Mayor's Office of Immigrant Affairs, this free event will take place on Friday, April 20th, 1pm in the Dramatists Guild of America's Mary Rodgers Room.
On Monday, April 23, TILL SOON, ANNE(book and lyrics by Christine Toy Johnson, music by Bobby Cronin) will have its first public presentation, directed by Lisa Rothe (HOLD THESE TRUTHS). Jeremy Robin Lyons (THE MAD ONES) music directs.
Italo Montemezzi's L'AMORE DEI TRE RE, which played four performances at City Opera's Rose Theate this weekend, was greeted as a masterpiece when it premiered at La Scala in 1913 proved popular for years at the Met. Today, I'm not sure that even Anna Netrebko and Jonas Kaufmann as the lovers could keep it afloat.
Director Scott Edmiston has to thank the guy who wrote a taut adaptation of Eugene O'Neill's Pulitzer Prize-winning play ANNA CHRISTIE, thus positioning him to lead a seamless production which combines inventive stagecraft, stunning design elements, and a group of actors who seem born to their roles. The fact that Edmiston is that guy who Lyric Stage Company enlisted to adapt the play is a tribute to his depth of knowledge about O'Neill and his ability to stay true to the playwright's themes, while making the work both accessible and relevant to a modern audience.
Boston Court Performing Arts Center presents the West Coast premiere of Her Portmanteau written by Mfoniso Udofia and directed by Gregg T. Daniel, May 24 - June 30, 2018 (press opening June 2). The production stars Joyce Guy (Abasiama), Omoze Idehenre (Adiaha) and Dele Ogundrian (Iniabasi).
Second Stage Theater (Carole Rothman, Artistic Director; Casey Reitz, Executive Director) has announced additional casting for the New York Premiere of TRACY LETTS' acclaimed play, MARY PAGE MARLOWE.
With the images from Stoneman Douglas High School fresh in our nation's collective mind, and millions of voices rising in unison to demand sensible legislation on gun control now, two local professional theatres are joining the cause by taking part in the National Campaign Of Theater Activism Against Gun Violence, taking place across the country April 19-23, 2018.
After three staged readings of three fantastic plays were presented to enthusiastic audiences at Guild Hall, the votes for the Episcopal Actors' Guild's 11th Annual Barbour Playwrights Award are in. The judges have selected Alexis Roblan's The Andrew Play (a play about siblings, loss, the confusing poetry of grief, and who owns your memory when you're gone) as this year's winner.
San Francisco Playhouse (Artistic Director Bill English; Producing Director Susi Damilano) announced casting for the fifth show of its 2017-18 Mainstage Season-the world premiere of An Entomologist's Love Story, written by Melissa Ross. Giovanna Sardelli will direct.
Capital Stage and American Stage come together to share resources, artists, and talent for this production of Marjorie Prime by Jordan Harrison, who also wrote Maple & Vine, and writes for the Netflix Original Series Orange Is The New Black. Marjorie Prime was a finalist for the Pulitzer Prize for drama in 2015 and is directed by Capital Stage's own Founding Artistic Director, Stephanie Gularte. The production stars Capital Stage Associate Artists Janis Stevens (August: Osage County, Macbeth, Master Class) and Jamie Jones (August: Osage County, The Totalitarians, Tribes, Dinner with Friends). Stephanie Gularte founded Capital Stage in 2004, and served as Artistic Director for 10 years. She has now put together a creative team including both American Stage and Capital Stage artists for this production, which will have a run both in St. Pete (March 7 - April 1), as well as in Sacramento at Capital Stage (May 2 - June 3). Press Opening at Capital Stage will be Saturday, May 5, 2018 at 8:00 pm.
PlayGround caps off its twenty-fourth season with Best of PlayGround 22, running May 10-27, 2018 (Press Night: May 12) at Potrero Stage. This fully-produced showcase of the best new playwrights and short plays have been selected from more than 150 submissions and 36 works developed as part of the season's Monday Night PlayGround staged reading series. Noteworthy director/performers Margo Hall, Becca Wolff, Soren Oliver, Jim Kleinmann, Katja Rivera, and Jenny McAllister join in to direct the Best of PlayGround 22 short plays.
Currently in previews at the Bernard B. Jacobs Theatre (242 West 45th Street) is Eugene O'Neill's ferocious American classic, The Iceman Cometh, starring Tony Award winner, two-time Academy Award winner, and 2018 Academy Award nominee Denzel Washington. Opening night is set for Thursday, April 26 at the Bernard B. Jacobs Theatre.
On May 6th, 1882 – on the eve of the greatest wave of immigration in American history – President Chester A. Arthur signed into law a unique piece of federal legislation. Called the Chinese Exclusion Act, it singled out by name and race a single nationality for special treatment: making it illegal for Chinese laborers to enter America on pain of imprisonment and for Chinese nationals ever to become citizens of the United States.
RATTLESTICK PLAYWRIGHTS THEATER (Daniella Topol, Artistic Director; Annie Middleton, Managing Director) is proud to announce that their annual F*CK!NG GOOD PLAYS FESTIVAL will take place May 7 through May 12 at Rattlestick Playwrights Theater. The F*CK!NG GOOD PLAYS FESTIVAL is a long-standing tradition at Rattlestick of doing readings of bold new works from Rattlestick Alumni Writers and from Rattlestick's apprentice company, Middle Voice; as well as welcome new writers to Rattlestick for the first time. On the final day of the F*CK!NG GOOD PLAYS FESTIVAL, Rattlestick will present TheaterJam, a day-long event featuring over 20 writers.
Portland Stage will celebrate 29 years of nurturing playwrights and new work from May 8-12, 2018 during the Little Festival of the Unexpected. Little Festival is a week-long event dedicated to public readings of new American plays. Each May three playwrights are in residence at Portland Stage throughout the week developing their scripts with input from actors, dramaturgs, and directors.
Producers Zach Laks, Sarah Galli, and Joseph Lucius in association with Form Theatricals announce the world-premiere of Larry Owens in LIZA '79, conceived and directed by Ben Rimalower, for five unforgettable performances at Joe's Pub (425 Lafayette Street) June 11, 17, 18, 24, AND July 2 (9:30 PM).
Currently in previews at the Bernard B. Jacobs Theatre (242 West 45th Street) is Eugene O'Neill's ferocious American classic, The Iceman Cometh, starring Tony Award winner, two-time Academy Award winner, and 2018 Academy Award nominee Denzel Washington. Opening night is set for Thursday, April 26 at the Bernard B. Jacobs Theatre.
Atlantic Theater Company (Neil Pepe, Artistic Director; Jeffory Lawson, Managing Director) is proud to announce casting for the New York premiere production of The Great Leap, written by Lauren Yee and directed by Taibi Magar.
