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CURSED CHILD Wins Record-Breaking Nine Olivier Awards, GROUNDHOG DAY Best Musical

The winners of the Olivier Awards 2017 with Mastercard, the most prestigious event in the UK theatrical calendar, were announced tonight (Sunday 9 April 2017) at London's Royal Albert Hall. The biggest awards yet, the ceremony was hosted by Jason Manford. The full list of winners is available below and online at OlivierAwards.com

BWW Review: TRAVESTIES, Apollo Theatre

'What did you do during the war, Dada?' Somewhere underneath the relentless punning and the pastiche, the whistle-stop wit and the whirling theoretical debate, there's a seriousness to Tom Stoppard's 1974 Travesties that feels horribly prescient. The intellectual hijinks are genuinely hilarious, but there's no disguising the weight of the question they restlessly scamper over and clamber round: what can artists do when faced with social crisis? Can their work claim political agency, or are they just schoolboys with a chit to get them off chores, daubing happily away in a corner?

Ticket Resale Con Man Used HARRY POTTER AND THE CURSED CHILD to Steal $7.9 Million

According to Law360, Joseph Meli and Advance Entertainment LLC are again headed to court on fraud charges. Previously accused of swindling investors out of $81 million with the promise of HAMILTON resale tickets, the company has used similar promises to pull $7.9 million on claims of profits from the upcoming Broadway run of HARRY POTTER AND THE CURSED CHILD.

BWW Review: BURIED CHILD, Trafalgar Studios, 1 December 2016

This revival of Sam Shepard's apocalyptic 1978 play has gained resonance since 2016's most apocalyptic political development - namely, Donald Trump cynically harnessing Midwestern anger and disillusionment. The latter is on display in heightened, American Gothic form in this Pulitzer Prize-winning piece, teeming with tragic mysteries, family skeletons and a (literally) buried past.

Nominations Announced For The 17th Annual WhatsOnStage Awards

At a ceremony held today at London's Cafe de Paris, host Steve Furst announced the nominees for the 17th Annual WhatsOnStage Awards, the only major theatre prize-giving decided entirely by the theatregoers themselves.

A Further 60,000 Tickets Released For HARRY POTTER AND THE CURSED CHILD

Sonia Friedman, Colin Callender and Harry Potter Theatrical Productions, producers of HARRY POTTER AND THE CURSED CHILD, announce today that a further 60,000 tickets will be released for sale on Tuesday, 22 November 2016, at 11am GMT, for performances from 13 December 2017 - 4 February 2018. Tickets are priced from £15 per part and for every performance there will be over 300 tickets at £20 or less per part.  This will be followed by regular ticket releases throughout the next year, details of which will be announced via the official Harry Potter and the Cursed Child website, social media channels and the official newsletter.  

Rialto Chatter: Will HARRY POTTER AND THE CURSED CHILD Play the Al Hirschfeld Next Season?

The West End production remains as sold-out and beloved as ever, and rumors have long been circulating that Harry Potter and the Cursed Child will make a Broadway transfer. Now, according to Page Six, the eight Harry Potter story will make its debut at the Al Hirschfeld next season. Currently home to the long-running Kinky Boots, if Cursed Child were to move into the Al Hirschfeld, it would be a major score for Jujamcyn, which has already announced that the expected Disney juggernaut, Frozen, will move into the St. James following a major renovation to accommodate Elsa'a ice castle.

BWW Review: TRAVESTIES, Menier Chocolate Factory, 4 October 2016

Wilde, Joyce, Shakespeare, Lenin, memory, the morality of war, social systems, and the meaning and purpose of art: Stoppard's dazzlingly intellectual 1974 play really is a life, the universe and everything affair. Thankfully, Patrick Marber's fleet-footed revival is equally attuned to its wit and skittish strangeness, offering a lifeline to audience members who may be nodding fervently at the line 'I'm finding this conversation extremely hard to follow'.

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