Nate Eppler News

See How They Run is described as a 'hilarious 1940s slapstick farce that takes place in a quaint English vicarage.' The vicar's wife is a former actress--vicar plus stage diva can only equal hijinks and mayhem, of course--and she's joined by four men dressed like priests (two of whom are imposters). The vicar's wife is pretending to be married to one who not her real husband, there's a bishop clad in pajamas, a nosy neighbor hiding in the coat closet and a silent maid, all of whom are being interrogated by a British army sergeant who's looking for an escaped POW.

Eppler's richly textured script might best be described as a send-up of Anastasia meets Grey Gardens, with some Sleeping Beauty, Annie, You Can't Take it With You and The Grifters (and an affectionate nod to Fiddler on the Roof) thrown in for good measure, all presented in a farcical manner that works on every level. Kudos to director David Compton for keeping things moving at a good clip and coaxing some stellar performances from his cast of gifted players.

Nate Eppler's original comedy Filthy Rich opens Tuesday, September 8, at Chaffin's Barn Dinner Theatre, directed by David Compton and starring a veritable who's who of Nashville comedy actors. Layne Sasser, Erin Parker, Dietz Osborne, and the playwright himself, Nate Eppler. Described as 'a bright farce full of crosses, double-crosses, false identities and fakery, Filthy Rich is hilarious, lunatic fun.'

Nate Eppler's original comedy Filthy Rich opens Tuesday, September 8, at Chaffin's Barn Dinner Theatre, directed by David Compton and starring a veritable who's who of Nashville comedy actors. Layne Sasser, Erin Parker, Dietz Osborne, and the playwright himself, Nate Eppler. Described as 'a bright farce full of crosses, double-crosses, false identities and fakery, Filthy Rich is hilarious, lunatic fun.'

Since returning to the world of theatre via BroadwayWorld.com about a month ago, after an almost seven year absence, I've had the invaluable opportunity of reconnecting with a number of old acquaintances and renewing long-dormant friendships and relationships with people connected to the theatre scene in Nashville and throughout Tennesseee.

Take one of east Nashville's hottest hot spots, mix in a couple hundred theatre enthusiasts, add a dollop of Vegas-style entertainment and a whole slew of gaming tables and you have the second annual fundraiser for Street Theatre Company: It's Vegas, Baby! Held Thursday, August 13, at Limelight, 201 Woodland Street, just across from LP Field, the event attracted a large sampling of Nashville's theatre community and socialites.

You have to hand it to the creative minds at Boiler Room Theatre: year after year they mount seasons filled with ambitious offerings, they attract some of the most talented actors, directors and theatre technicians to be found and, most compellingly, they draw loyal, involved audiences