BWW Review: Maureen Anderman's a Charmer in A.R. Gurney's LOVE & MONEY
If the plot of A.
If the plot of A.
Cady Huffman directs a one-nighter of burlesque, circus arts and fake autobiography.
The New Group presents the Off-Broadway premiere of Philip Ridley's MERCURY FUR.
The New Group's production is impressive but the 2005 post-apocalyptic drama is tedious.
Deborah Zoe Laufer's morality drama is inspired from an actual court case.
By now theatregoers and satirists alike can quickly define an Annie Baker play.
Daniel Sullivan's starry storybook production is full of funny bits and clever turns.
Any concerns about the state of 21st Century Broadway musicals can be swiftly addressed by having The Public Theater transfer a show to Times Square once every season.
HAMILTON, Lin-Manuel Miranda's musical about America's 'the ten-dollar Founding Father without a father,' opens tonight at the Richard Rodgers Theatre.
Once a year, Scott Siegel demonstrates to audiences the glories of the unamplified human voice.
Fernanda Coppel's story of a woman sports agent and a high school basketball phenom is packed with interesting issues.
Transport Group's new theatre piece has a seven member ensemble portraying the famous deafblind woman.
Howard Barker's 1984 drama of art and politics is said to be Jan Maxwell's final stage appearance.
A terrifically sung and designed mounting can't mask the lack of strong storytelling.
Colin Quinn explores the rich diversified heritage of New York City one ethnic joke at a time.
Is it possible to leave a theatre humming the direction?
Andrew Lippa's substantially revised version of his adaptation of Joseph Moncure March's Jazz Age narrative poem features an outstanding cast.
Drew Fornarola and Marshall Pailet's musical comedy is a gleeful valentine to Nintendo video games.
PENN AND TELLER ON BROADWAY began its six-week run at the Marquis Theater on Sunday night.