In USA Today, Elysa Gardner bucks the trend thus far and writes that 'And while the state-of-the-art visuals can be stunning - not just the aerial sequences, but Kyle Cooper's blazing projection design - some of the most affecting touches are low-tech.
In the Hollywood Reporter David Rooney writes that 'But mostly, Spider-Man is chaotic, dull and a little silly.
Here's what Charles McNulty had to say for the LA Times: But the time has come to assess the work, not the hullabaloo surrounding it.
Here's what Chris Jones had to say for the Chicago Tribune:'After the $65 million spent, the endless delays, the injuries, the cast changes, the incessant spinning of stories on the Web, Julie Taymor's 'Spider-Man Turn Off the Dark' now has to be willing to stand in the light.
Here's what Jeremy Gerard had to say for Bloomberg:'Preview number 65 was no improvement over number 30.
Here's what the Washington Post had to say:If you're going to spend $65 million and not end up with the best musical of all time, I suppose there's a perverse distinction in being one of the worst.
BroadwayWorld.
BroadwayWorld.
Well, the major Broadway critics haven't gone in (yet) but now the UK Telegraph is the latest paper to break the gentleman's agreement of holding reviews until after the official opening, an agreement which generally assumes a typical amount of previews.
On Twitter Watch, Nikki Hayden wrote 'iam_nikkihayden At Spiderman on B'way and Spiderman is stuck at 30 feet.
Proceeds from tickets purchased for SPIDER-MAN: TURN OFF THE DARK's February 3 performance were donated to The Actor's Fund.
Adam Feldman, head of the New York Drama Critics' Circle, an organization comprised of many, but not all New York critics has just blogged about the result of their meeting tonight.
Well, the major critics haven't gone in (yet) but now the Toronto Star is the latest paper to break the gentleman's agreement of holding reviews until after the official opening, an agreement which generally assumes a typical amount of previews.
A recent article from Variety asks the question: When will SPIDER-MAN: Turn Off the Dark rehearse the changes to the show that have been promised? By the time she show is set to open on March 15, the musical will have set the record for most preview performances.
Lead producers Michael Cohl and Jeremiah J.
With the media and the public eyes still firmly looking toward SPIDER-MAN Turn Off the Dark, director and co-writer Julie Taymor spoke to the LA Times, addressing the widespread negativity leveled toward the book and safety of the show.
According to Ew.
Many critics still haven't decided (or announced) if they'll review SPIDER-MAN, but now New York Magazine's Scott Brown says that he will review the show on February 7th and then return to see the 'final product' on March 15th.
The attention of the world is still lasered in on SPIDER-MAN as is the New York Times, who reports that the long talked about new finale for the show has finally gone in today.
The attention of the world is still lasered in on SPIDER-MAN, and Fox News at 10 reported tonight that 'the curse of SPIDER-MAN seems to be continuing with another stunt mishap stopping today's matinee.
