The Resident Ensemble Players will present their audio production of The Murders in the Rue Morgue, newly adapted from Edgar Allan Poe's classic thriller by REP company member Michael Gotch. Streaming October 27th - November 14th, this spine-tingling tale is sure to give you a Halloween fright!
The Resident Ensemble Players is kicking off their 2021-2022 season with the audio production of A Scandal in Bohemia, featuring one of the most famous detectives in literary history, Sherlock Holmes.
The Resident Ensemble Players will wrap up the 2020-2021 season with Agatha Christie's The Cornish Mystery, the REP's final story in The Poirot Mysteries. This audio production, adapted and directed by REP company member Michael Gotch, will captivate and intrigue you as the famous Detective Hercule Poirot expertly sorts through a web of lies.
Get ready to be on the edge of your seat as The Resident Ensemble Players presents Agatha Christie's The King of Clubs, the REP's first story in The Poirot Mysteries. This audio production will have you rapt with suspense as famous Detective Hercule Poirot expertly sorts through lies to reveal the truth.
After months of living with the constant strain and stress of the pandemic and everything that has come with it, we all have a powerful need for the escape and joyous distraction of a rollicking comedy - the kind of comedy that replaces anxiety with belly laughs and tension with tickled funny bones.
While racial tensions in America are at a peak, the Resident Ensemble Players (REP) continues its imaginative audio season with a daring look at all things racial with their world premiere of Talk About Race, conceived, written, and directed by REP company member Hassan El-Amin.
Join the Resident Ensemble Players (REP) on air and online this holiday season for the brand new audio presentation of Charles Dicken's heart-warming classic A CHRISTMAS CAROL, adapted by Sara Valentine and Michael Boudewyns.
In March of 1953, Langston Hughes, African American poet, novelist, and political activist, faced off with Red-baiters Joseph McCarthy and Roy Cohn when he was accused of perceived communist influences in his writing.
This is the 3rd of Aisle Say's interviews with local arts professionals. Each organization has similar overarching concerns of cancellations, lost revenues, refunds, donations, personnel anxiety and the preposterous nightmare of rescheduling in uncertainty. On the other hand, each have specific issues relevant to their own procedures and organizational structures.
What has Sandy Robbins accomplished in two decades at UD? Our state has a theatre group equal to The Guthrie in Minneapolis, the Arena Stage in DC and the McCarter Stage in Princeton, among others; venues renown as the greatest of American performance stages.
While UD Rep Ensemble's general modus operandi is classic plays from the likes of Moliere, Shakespeare and Thornton Wilder, their mission statement includes production of contemporary classics as well. Artistic Director Sandy Robbins is smitten by Theresa Rebeck, a prolific and award-winning American playwright, novelist and television writer.
In his liner notes, Artistic Director Sandy Robbins comments that Alan Ackybourne's WOMAN IN MIND (December Bee) was on his short list since the inception of UD Rep ten glorious years back.
Westport Country Playhouse stages the lavish, large-cast comedy, "A Flea in Her Ear," newly adapted by David Ives from the original by Georges Feydeau, and directed by Mark Lamos, Westport Country Playhouse artistic director. Fresh from a sold-out run by Delaware's Resident Ensemble Players (REP), a professional theater located at the University of Delaware, the co-production with the REP runs in Westport July 10 - 28.
Three years ago, this reviewer suggested that it was time to rediscover French theatre with the Westport Country Playhouse's production of David Ives's transplantation of Pierre Corneille's 1643 comedy, The Liar (Le Menteur). Happily, Mark Lamos, artistic director of the WCP, now brings us Ives's adaptation of Georges Feydeau's 1907 farce, A Flea in Her Ear (La puce a l'oreille).
Westport Country Playhouse will stage the lavish, large-cast comedy, "A Flea in Her Ear," newly adapted by David Ives from the original by Georges Feydeau, and directed by Mark Lamos, Westport Country Playhouse artistic director. Fresh from a sold-out run by Delaware's Resident Ensemble Players (REP), a professional theater located at the University of Delaware, the co-production with the REP will run in Westport July 10 - 28.
Westport Country Playhouse will stage the lavish, large-cast comedy, 'A Flea in Her Ear,' newly adapted by David Ives from the original by Georges Feydeau, and directed by Mark Lamos, Westport Country Playhouse artistic director. Fresh from a sold-out run by Delaware's Resident Ensemble Players (REP), a professional theater located at the University of Delaware, the co-production with the REP will run in Westport July 10 - 28.
Westport Country Playhouse's Sunday Symposium on July 15, following a 3 p.m. performance of the comedy, 'A Flea in Her Ear,' will feature guest speaker Catherine Sheehy, chair of dramaturgy and dramatic criticism at Yale School of Drama and resident dramaturg at Yale Repertory Theatre. The Playhouse Sunday Symposium program is free and open to the public. Sheehy will engage in a conversation about the play with David Kennedy, Playhouse associate artistic director.
Westport Country Playhouse will stage the lavish, large-cast comedy, 'A Flea in Her Ear,' newly adapted by David Ives from the original by Georges Feydeau, and directed by Mark Lamos, Westport Country Playhouse artistic director. Fresh from a sold-out run by Delaware's Resident Ensemble Players (REP), a professional theater located at the University of Delaware, the co-production with the REP will run in Westport July 10 - 28.
The Acting Company (Ian Belknap, Artistic Director; Elisa Spencer-Kaplan, Executive Director) presents William Shakespeare's beloved comedy, Twelfth Night, directed by Tony nominee Maria Aitken (The 39 Steps) with a dynamic cast of The Acting Company alumni and ensemble members of Delaware's Resident Ensemble Players (REP). When her ship is wrecked, Viola washes ashore in the unfamiliar land of Illyria and embarks on a journey to find her lost brother. Brimming with music, love and longing, Shakespeare's enchanting play transports audiences to a world of comedic mayhem, mistaken identity and unrequited passion. This co-production with the Resident Ensemble Players comes to Polonsky Shakespeare Center (262 Ashland Pl, Brooklyn), May 10-27.
Nine years running, excellence in all aspects of theatre - cast and creative crew - continue to substantiate UD Rep Ensemble as the most professional troupe in Delaware.
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