Meiyin Wang News

The final show in UW Drama's 2018-2019 mainstage season is Karen Hartman's hilarious, surprising, and deeply human comedy Goldie, Max and Milk.

La MaMa, in association with The Assembly, presents the world premiere of SEAGULLMACHINE, created by The Assembly, conceived by Nick Benacerraf, co-directed by Jess Chayes (Lucille Lortel Award winner) and Nick Benacerraf, and text by Anton Chekhov, Heiner Muller and The Assembly. SEAGULLMACHINE runs from April 14 - May 5, 2018 in a limited engagement at La MaMa's Ellen Stewart Theatre, located at 66 East 4th Street between 2nd Avenue and the Bowery in New York City. Previews begin April 14 for an April 16 opening.

The actors' voices are not all you hear in a theatrical production. In most cases there is an array of other sounds too-recorded or live music that is incidental or central to the action, special effects ranging from the subtle to the monumental. The artist responsible for all this is the sound designer, and the Northwest is home to some superlative ones. In this third State of the Theatre forum, four sound designers will discuss the nature and practice of their work, and play audio and video samples of what they do best.  

This spring, UW Drama students will take on Tony Kushner's seminal, era-defining play about AIDS and homosexuality in 1980s America, Angels in America-at least, they'll take on half of it.

La MaMa, in association with The Assembly, presents the world premiere of SEAGULLMACHINE, created by The Assembly, conceived by Nick Benacerraf, co-directed by Jess Chayes (Lucille Lortel Award winner) and Nick Benacerraf, and text by Anton Chekhov, Heiner Muller and The Assembly. SEAGULLMACHINE runs from April 14 - 29, 2018 in a limited engagement at La MaMa's Ellen Stewart Theatre, located at 66 East 4th Street between 2nd Avenue and the Bowery in New York City. Previews begin April 14 for an April 16 opening.

La MaMa, in association with The Assembly, presents the world premiere of SEAGULLMACHINE, created by The Assembly, conceived by Nick Benacerraf, co-directed by Jess Chayes (Lucille Lortel Award winner) and Nick Benacerraf, and text by Anton Chekhov, Heiner Muller and The Assembly. SEAGULLMACHINE runs from April 14 - 29, 2018 in a limited engagement at La MaMa's Ellen Stewart Theatre, located at 66 East 4th Street between 2nd Avenue and the Bowery in New York City. Previews begin April 14 for an April 16 opening.

The second installment of the new series, State of the Theatre: Seattle Artists in Conversation will feature some of Seattle's most accomplished interpreters of Shakespeare in conversation with longtime Seattle Times theatre critic, lecturer, and author Misha Berson.

What if, instead of drowning, Shakespeare's Ophelia had splashed through the brook water and found a parallel universe on the other side?

What if, instead of drowning, Shakespeare's Ophelia had splashed through the brook water and found a parallel universe on the other side? In playwright Caridad Svich's lyrical deconstruction of Hamlet, Ophelia cuts a new path for herself through a neo-Elizabethan Appalachia. In this world, Hamlet is known as Rude Boy, Gertrude is a brothel madam, and Rosencrantz and Guildenstern are her androgynous helpers.

The first installment of the new series, State of the Theatre: Seattle Artists in Conversation will feature some of Seattle's most accomplished dramatists in conversation with longtime Seattle Times theatre critic, lecturer, and author Misha Berson.

In the spring of 1996, director Tina Landau developed a new play by her longtime collaborator Charles L. Mee with students at the UW School of Drama. The play was Trojan Women: A Love Story, and it premiered in New York that same summer.

The University of Washington School of Drama will be the first on the West Coast to present New York playwright Lucy Thurber's girl hero epic, Monstrosity.

The University of Washington School of Drama will be the first on the West Coast to present New York playwright Lucy Thurber's girl hero epic, Monstrosity.

The University of Washington School of Drama's season opener is Lynn Nottage's sharp, irreverent look at racism and Black female ambition in Hollywood, By the Way, Meet Vera Stark.

La Jolla Playhouse announces complete programming for its acclaimed biennial Without Walls (WOW) Festival taking place October 19 - 22.

La Jolla Playhouse, nationally-renowned for its commitment to the development of new work and new theatrical forms, is pleased to announce the dates and selected projects and collaborators for its third Without Walls (WoW) Festival of immersive and site-based work.

The University of Washington School of Drama's season opener is Lynn Nottage's sharp, irreverent look at racism and Black female ambition in Hollywood, By the Way, Meet Vera Stark.

Pig Iron Theatre Company, the internationally acclaimed, Philadelphia-based organization, has announced that the world premiere of its ambitious, timely production A Period of Animate Existence will take place September 22-24 at the Annenberg Center for the Performing Arts at the University of Pennsylvania in the 2017 Fringe Festival, co-presented by FringeArts and Annenberg Center Live.

Abrons Arts Center will present the world premiere of Caborca's adaptation of Roberto Bola o's ground-breaking novel Distant Star, a harrowing tale of fascism and its aftermath. Running September 14 - October 1, this eerily relevant drama weaves Bola o's memories of life (and death) under Pinochet's American-backed dictatorship into a perverse, seductive noir of urgent political necessity.

La Jolla Playhouse announces complete programming for its acclaimed biennial Without Walls (WOW) Festival taking place October 19 - 22.