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Huntington's MERRILY WE ROLL ALONG and More Win 2018 IRNE Awards

The Huntington Theatre Company's production of "Merrily We Roll Along" took home seven awards, including Best Musical in the Large Stage category, and SpeakEasy Stage's "Curious Incident of the Dog in the Night" earned five Small Stage (including Best Play) honors at the 22nd Annual IRNE Awards held last night.

MRT Wins Four Major 2018 Irne Awards

Merrimack Repertory Theatre (MRT) is proud to announce that it has won four 2018 Awards from the Independent Reviewers of New England (IRNE) in the large stage category

BWW Review: Searing Conversation About Race in Portland Stage's THE NICETIES

Portland Stage's current production of Eleanor Burgess's two-character drama, The Niceties, is a intense, searing, often exhausting theatrical experience. The play, written during the last Presidential campaign, probes a plethora of contemporary issues from race in America to the meaning of revolution, feminism, the impact and influence of history, the struggles for power between the elite and the voiceless. Set at an Ivy League Eastern college, The Niceties explores the intellectual and emotional journeys of a respected history professor and her rebellious African-American student.

VIDEO: Get A First Look At The Riveting & Timely New Play SKELETON CREW at Huntington Theatre Company

The Huntington Theatre Company presents the powerful drama Skeleton Crew, by Dominique Morriseau (Detroit '67 and Paradise Blue) and directed by Megan Sandberg-Zakian (Nat Turner in Jerusalem at New York Theatre Workshop and The Convert at Underground Railway Theater). Skeleton Crew runs from March 2 through March 31, 2018 at the South End / Calderwood Pavilion at the BCA.

BWW Review: SKELETON CREW: 'Survivor: Detroit'

According to AMERICAN THEATRE magazine, Dominique Morisseau's SKELETON CREW is the third most-widely produced play of the 2017-2018 season at regional theaters nationwide. Huntington Theatre Company stages the timely final chapter of the playwright's Detroit trilogy, a powerful drama about the hardships suffered in the Motor City after the 2008 economic recession. Directed with care and great attention to detail by Megan Sandberg-Zakian, the family of workers at an auto plant try to stand their ground against the inevitable while maintaining their dignity and their connections to one another. Outstanding performances by Patricia R. Floyd, Jonathan Louis Dent, Toccarra Cash, and Maurice Emmanuel Parent.

Merrimack Repertory Theatre Earns 15 Nominations In The 2018 Irne Awards

Merrimack Repertory Theatre (MRT) is proud to announce that it received 15 nominations from the Independent Reviewers of New England (IRNE) for its 22nd Annual IRNE Awards, including nominations in the Best Play and Best Director categories for Silent Sky and The Royale, and two nominations for My 80-Year-Old Boyfriend, including Best New Play.

Soho Rep Adds Second Extension For IS GOD IS, Now Through 3/31

Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director), has extended the world premiere of Aleshea Harris's Relentless Award-winning Is God Is, directed by Taibi Magar, a second time, through March 31.

Soho Rep. Extends Aleshea Harris's IS GOD IS Through March 25

In response to popular demand, Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director) extends the world premiere of Aleshea Harris's Relentless Award-winning Is God Is, directed by Taibi Magar by two weeks, through March 25. In this play, which dauntlessly cracks jokes as it eviscerates, twin sisters Anaia (Alfie Fuller) and Racine (Dame-Jasmine Hughes) undertake a murderous journey from the Dirty South to the California desert, seeking payback for a horrendous act. Is God Is treats both morality and genre as notions to be exploded, drawing on the ancient, the modern, the tragic, the Spaghetti Western, hip-hop and Afropunk in its subversion of theatrical constructs.

LOST LAUGHS: THE SLAPSTICK TRAGEDY OF FATTY ARBUCKLE Premieres At MRT

Merrimack Repertory Theatre (MRT) is proud to present the world premiere of Lost Laughs: The Slapstick Tragedy of Fatty Arbuckle, written by Andy Bayiates and Aaron Muñoz, directed by Nathan Keepers, with performances February 14 - March 11, 2018, at the Nancy L. Donahue Theatre located at 50 East Merrimack Street in historic downtown Lowell. In addition, MRT is hosting a panel discussion on the historical context of Lost Laughs titled "Women's Rights, Prohibition, and the Fall of Fatty," on Thursday, March 1, immediately after the 7:30 pm show (details below).

Apollinaire Theatre Company Presents WINTERR SOLSTICE By Roland Schimmelpfennig

Schimmelpfennig's play about the failure of liberal intellectuals to confront the historic danger of extremism was written in 2015 in a German context, and it's universal relevance has only become more striking in 2017. Winter Solstice is a portrait of liberal impotence in the face of blind conviction.  Will these well-meaning dedicated people take action when facism is entertaining them in their living room? 

Riveting & Timely New Play SKELETON CREW at Huntington Theatre Company

The Huntington Theatre Company presents the powerful drama Skeleton Crew, by Dominique Morriseau (Detroit '67 and Paradise Blue) and directed by Megan Sandberg-Zakian (Nat Turner in Jerusalem at New York Theatre Workshop and The Convert at Underground Railway Theater). Skeleton Crew runs from March 2 through March 31, 2018 at the South End / Calderwood Pavilion at the BCA.

Soho Rep. Announces Complete Casting And Creative Team For Aleshea Harris's IS GOD IS

Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director) today announces the complete cast and creative team for the world premiere of Aleshea Harris's Relentless Award-winning Is God Is, directed by Taibi Magar (Ars Nova's Underground Railroad Game), February 6 - March 11, 2018. The play, with which Soho Rep. reopens its longtime Tribeca theater, dauntlessly cracks jokes as it eviscerates. Alfie Fuller and Dame-Jasmine Hughes play Anaia and Racine, twin sisters who undertake a murderous journey from the Dirty South to the California desert, seeking payback for a horrendous act. Is God Is treats both morality and genre as notions to be exploded, drawing on the ancient, the modern, the tragic, the Spaghetti Western, hip-hop and Afropunk in its subversion of theatrical constructs.

THREE SISTERS Extensions Adds 7:30 Sunday Performance

Due to high demand, Apollinaire Theatre Company has added a second Sunday performance to the extension of Three Sisters; Wednesday January 17 and Thursday January 18 at 7:30, Friday January 19 and Saturday January 20 at 8:00, and Sunday January 21st at 3:00 and 7:30.

MRT Debuts First Cambodian-Authored Play In 15 Years With KNYUM

Merrimack Repertory Theatre (MRT) starts off 2018 with the latest in its 39th season: the world premiere production of Vichet Chum's KNYUM. Vichet Chum will make both his playwrighting and acting debut at MRT with his brand new, one-man play following the story of Guy, a hotel night clerk who spends the quiet hours of the night shift studying Khmer, the language of his family's home of Cambodia, in preparation for his first visit to the country his parents fled from decades before. Guy stumbles awkwardly towards fluency to awaken to parts of his heritage, both beautiful and excruciating, which shine through in his wildly luminous dreams.

A CHRISTMAS CAROL Breaks Sales Records At Merrimack Repertory Theatre

Merrimack Repertory Theatre (MRT) announced today that their production of A Christmas Carol, the third show of their 2017-18 Season, has become the best-selling show in the theatre's history. The previous record holder was It's A Wonderful Life: A Live Radio Play, which notably also featured cast member Joel Colodner and director Megan Sandberg-Zakian.

BWW Review: A CHRISTMAS CAROL: Recited by the Author

Merrimack Repertory Theatre's production of Tony Brown's adaptation of A CHRISTMAS CAROL has Joel Colodner as the author performing his own work in front of an audience. Directed by Megan Sandberg-Zakian, this inventive version is enhanced and enriched by the musical accompaniment of Rebecca White and Nathan Leigh.

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