Hypokrit Theatre Company and Access Theater present R + J, a female/genderqueer adaptation of Shakespeare's classic Romeo and Juliet. Adapted and directed by Molly Houlahan, the production features a diverse cast of 6 women/ gender-nonconforming actors playing all of the roles. Opening is slated for Thursday, October 4.
In a unique addition to its upcoming 2018/2019 Season, Goodman Theatre and the Chicago Latino Theater Alliance (CLATA) will present the U.S. premiere of Mendoza by Los Colochos of Mexico City-the latest in a 30-year history of premiering works by prominent local, national and international Latino playwrights and theater companies. Mendoza is presented as part of Destinos-the 2nd Chicago International Latino Theater Festival, a seven-week festival of Latino theater artists and companies from Chicago, the U.S. and Latin America in shows, panels and student performances at venues citywide. A radically reimagined adaptation of William Shakespeare's Macbeth, Mendoza is a tale of ambition, blood and power by Antonio Zuñiga and Juan Carrillo, directed by Carrillo and presented in Spanish with English supertitles. The limited engagement of Mendoza appears October 2-7, 2018 at Goodman Theatre (170 N. Dearborn); tickets ($25-32; subject to change) go on sale Friday, August 24 by telephone 312.443.3800 or online GoodmanTheatre.org/Mendoza.
Hypokrit Theatre Company and Access Theater present R + J, a female/genderqueer adaptation of Shakespeare's classic Romeo and Juliet. Adapted and directed by Molly Houlahan featuring a diverse cast of 6 women/ gender-nonconforming actors playing all of the roles, runs through October 14 at Access Theater in Tribeca.
Goodman Theatre and the Chicago Latino Theater Alliance (CLATA) present the U.S. premiere of Mendoza by Los Colochos Teatro of Mexico City, appearing in a limited engagement October 2-7 at the Goodman. The production is produced as part of Destinos-the 2nd Chicago International Latino Theater Festival, a seven-week festival of Latino theater artists and companies from Chicago, the U.S. and Latin America in shows, panels and student performances at venues citywide. An adaptation of William Shakespeare's Macbeth, Mendoza is a thrilling, fast-paced and blood-soaked ensemble production by Antonio Zuñiga and Juan Carrillo, directed by Carrillo and presented in Spanish with English supertitles. The limited engagement of Mendoza appears October 2-7 (Opening Night is October 2) at Goodman Theatre (170 N. Dearborn); Tickets ($25) are available by telephone 312.443.3800 or online GoodmanTheatre.org/Mendoza. Destinos takes place through November 4; complete festival programming and ticket information available at www.clata.org. Chicago Community Trust is the Sponsor Partner of Mendoza and Corona Extra is the Official Beverage Sponsor of Mendoza and Destinos. NOTE: this production contains a live animal and is intended for mature audiences.
Hypokrit Theatre Company and Access Theater present R + J, a female/genderqueer adaptation of Shakespeare's classic Romeo and Juliet. Adapted and directed by Molly Houlahan featuring a diverse cast of 6 women/ gender-nonconforming actors playing all of the roles, previews begin September 27 at Access Theater in Tribeca. Opening is slated for Today, October 4.
This holiday season, the "musically thrilling," award-winning, undie-rock, comedy-pop duo The Skivvies-featuringLauren Molina and Nick Cearley-bring their holiday show, I Touch My Elf, to Feinstein's at the Nikko for one performance only - Thursday, December 13 at 8 p.m.
Goodman Theatre's commitment to new works and emerging artists continues in its 2018/2019 Season. Today, the Goodman named four Chicago-based writers to its Playwrights Unit-Georgette Kelly, whose play Ballast was featured on The Kilroys List and received the Craig Noel Award for Outstanding New Play; Dianne Nora, a playwright, dramaturg, theater scholar and comedy writer who works in Chicago, Brooklyn and Dublin; Marisela Treviño Orta, semifinalist for the 2018 O'Neill Theater Center National Playwrights Conference and 2019 Kendeda Finalist (Alliance Theatre); and Stacey Rose, whose work has been presented at New York University Tisch School of the Arts, Rattlestick Playwrights Theater, National Black Theatre and more. The Playwrights Unit, in partnership with Chicago Dramatists, meets bi-monthly to discuss their commissioned plays-in-progress with the Goodman's artistic team. The residency culminates in a public staged reading of each new play in Summer 2019.
Casting is complete for the three "developmental productions" featured in Goodman Theatre's 15th annual New Stages Festival-a free celebration of new works by some of the country's finest established and emerging playwrights. These three plays, which are staged in repertory following two weeks of rehearsal, include There's Always the Hudson by Paola Lazaro-Muñoz, directed by Jess McLeod; Felons and Familias by Sandra Delgado, directed by Marcela Muñoz; and Graveyard Shift by Korde Arrington Tuttle, directed by Danya Taymor. Developmental productions are designed by Kevin Depinet (Set), Noel Huntzinger (Costumes for There's Always the Hudson and Graveyard Shift), Birgit Rattenborg Wise (Costumes for Felons and Familias), Jesse Klug (Lights) and Richard Woodbury (Sound).
Bros do Prose puts a fresh new spin on J.M. Barrie's beloved PETER PAN featuring a cast of two actors at Mercury Theater Chicago (3745 N. Southport Avenue) from November 3 to December 23, 2018.
A Noise Within (ANW), the acclaimed classical repertory theatre, presents Tom Stoppard's Rosencrantz and Guildenstern Are Dead, the Tony Award-winning play that first brought Stoppard to the attention of an international audience - a position he has held in the half century since its premiere in 1967. ANW Producing Artistic Director Geoff Elliott directs. Rosencrantz and Guildenstern Are Dead performs from October 7 to November 18 (Press Opening October 13).
Obie Award-winning "spellbinding storyteller" (Los Angeles Times) David Cale returns to Goodman Theatre three decades after his debut (1988's The Redthroats) with his newest work, We're Only Alive For A Short Amount of Time-launching the Goodman's 2018/2019 Season.
Chicago will continue to produce some of the most exciting theater in the country throughout Fall 2018. Offerings from the city's more than 250 producing theaters include a range of special fall programming, featuring everything from the latest musicals to highly anticipated world premieres.
Dael Orlandersmith, "an intense poet, writer and intellectual" (Chicago Tribune), brings her newest work, Lady in Denmark, to the Owen Theatre. Reuniting with director Chay Yew (Black n Blue Boys/Broken Men, 2012), Orlandersmith's world premiere production is a reflection on love and adversity starring stage and screen actress Linda Gehringer in a 90-minute solo performance. Helene (Gehringer) is a Danish American woman coping with the death of her husband who finds solace in the hauntingly beautiful music of their favorite singer, Billie Holiday. This is her journey through the couple's time together-from the smoky jazz clubs of post-war Copenhagen to the home they shared in present-day Chicago. Lady in Denmark is one of five world premieres this season, all originally developed as a part of the Goodman's New Stages Festival. The creative team includes Andrew Boyce (set), Christine Pascual (costumes), Lee Fiskness (lighting) and Mikhail Fiksel (original music and sound). Donald E. Claxon is the Production Stage Manager. Lady in Denmark appears October 19 - November 18, 2018 (opening night is October 29 at 7pm) in the Goodman's Owen Theatre (170 N. Dearborn); tickets ($15-45; subject to change) go on sale Friday, August 31, by telephone 312.443.3800 or online GoodmanTheatre.org/LadyInDenmark.
Goodman Theatre celebrates teaching, learning and transformation with its "Igniting Imagination: The Art of Great Teaching" Education and Engagement luncheon on Thursday, September 20. Pulitzer Prize-winning playwright and educator Paula Vogel will join Walter Director of Education and Engagement Willa J. Taylor in conversation about art of teaching and importance of mentorship in shaping young minds.
In a unique addition to its upcoming 2018/2019 Season, Goodman Theatre and the Chicago Latino Theater Alliance (CLATA) will present the U.S. premiere of Mendoza by Los Colochos of Mexico City-the latest in a 30-year history of premiering works by prominent local, national and international Latino playwrights and theater companies. Mendoza is presented as part of Destinos-the 2nd Chicago International Latino Theater Festival, a seven-week festival of Latino theater artists and companies from Chicago, the U.S. and Latin America in shows, panels and student performances at venues citywide. A radically reimagined adaptation of William Shakespeare's Macbeth, Mendoza is a tale of ambition, blood and power by Antonio Zuñiga and Juan Carrillo, directed by Carrillo and presented in Spanish with English supertitles. The limited engagement of Mendoza appears October 2-7, 2018 at Goodman Theatre (170 N. Dearborn); tickets ($25-32; subject to change) go on sale Friday, August 24 by telephone 312.443.3800 or online GoodmanTheatre.org/Mendoza.
The 2018 Stage Raw Theater Awards celebrate excellence on the Los Angeles stages in venues of 99-seats or under. This fourth annual edition included productions that opened between January 1, 2017 and May 31, 2018. Stage Raw is a community funded professional journalism website that was created in response to the decline of arts coverage in local mainstream and alternative media.The Awards ceremony was held Monday night, August 20, at Los Angeles Theatre Center, 514 S. Spring Street in downtown Los Angeles, hosted by Coeurage Theatre Company, and co-directed by Jer Adrianne Lelliott, Thaddeus Shafer and Lauren Ludwig. Winners notated in red below.
Hypokrit Theatre Company and Access Theater present R + J, a female/genderqueer adaptation of Shakespeare's classic Romeo and Juliet. Adapted and directed by Molly Houlahan featuring a diverse cast of 6 women/ gender-nonconforming actors playing all of the roles, previews begin September 27 at Access Theater in Tribeca. Opening is slated for Thursday, October 4.
This fall, Goodman Theatre presents its New Stages Festival-a free annual celebration and discovery of new plays by some of the country's finest established and emerging playwrights. Audiences experience a first look at seven new works-including three fully staged developmental productions (performed in repertory) There's Always the Hudson by Paola Lazaro-Muñoz; Felons and Familias by Sandra Delgado; Graveyard Shift by Korde Arrington Tuttle. In addition, four staged readings appear during the last weekend of the festival (October 4-7) including The Wizards by Ricardo Gamboa; Between Covers by Sarah Schulman; Birthday Candles by Noah Haidle; and Cressida on Top by Paula Vogel.
Berkeley Repertory Theatre announced today that 15 young professionals have been awarded fellowships for the 2018-19 season. Theatre graduates from universities across the nation apply for this program that provides a year-long deep dive into the operations of the award-winning theatre. Fellowships cover a variety of artistic and administrative disciplines and provide specialized training that assists fellows with embarking on a professional career in the arts. Additionally, fellows participate in career development seminars, build professional contacts, and even serve as mentors themselves for Berkeley Rep's annual Teen One-Acts Festival.
Lookingglass Theatre Company announces casting for the world premiere of The Steadfast Tin Soldier: A Christmas Pantomime, from the story by Hans Christian Andersen, conceived and directed by Ensemble Member Mary Zimmerman. This family-friendly, holiday show runs November 7, 2018 - January 13, 2019 at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson.
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