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Mary Callahan News - Page 2

 
Mary Callanan and Alison Ewing Are MAMMA MIA!'s Newest Dynamos; Both Join Cast Tonight!
by Nicole Rosky - Feb 2, 2015

Benny Andersson and Bjorn Ulvaeus' global smash hit musical MAMMA MIA! welcomes new 'Dynamos' Mary Callanan and Alison Ewing to the Broadway cast as 'Rosie' and 'Tanya', beginning performances this evening, February 2, 2015 at The Broadhurst Theatre (235 West 44 Street).

BWW Reviews: Saying Something New About Graham: The Martha Graham Dance Company at New York City Center
by Mary Callahan - Mar 27, 2014

It's probably not possible to say something about Martha Graham's choreography that hasn't already been said. After all, 2014 marks the Martha Graham Dance Company's 88th season. But just because these works have been seen by audiences a hundred times before does not make them any less meaningful or relevant. There will always be a few Graham 'virgins' in the house, experiencing the magic and mystery of the technique and canon for the first time. And on the other hand, there will always be Graham connoisseurs in the audience, ones that have seen each of the company's twenty-eight works. Even for them, however, the experience is new thanks to a different cast of dancers and an ever-changing contemporary lens.

BWW Reviews: Not Those Kind of Duets - Casebolt and Smith's O(h)
by Mary Callahan - Mar 4, 2014

Casebolt and Smith is a duet dance theatre company (made up of Liz Casebolt and my former dance professor, Joel Smith) hailing from sunny Los Angeles. They performed O(h) as part of the 92nd Street Y's Harkness Dance Festival, 'Stripped/Dressed,' curated by fellow choreographer, Doug Varone. A single word (or rather, an exclamation) with befuddling parentheses around the 'h,' O(h) is a work that incites audiences to rethink what they already think they know about dance.

BWW Reviews: Shocking, Sensual, Surreal Graham
by Mary Callahan - Nov 22, 2013

The Martha Graham Dance Company performed an intimate performance this week as part of the Company's “Graham Deconstructed” Series and Performa 13. The evening, entitled “Surreal Graham,” consisted of two pieces that exemplify the aura of surrealism, which sought to resolve the previously contradictory conditions of dream and reality through uncensored, unfiltered, and unconscious expression. Graham is perhaps the ultimate surrealist choreographer in that her work was ridden with shocking, sexual, and even violent undertones, themes that were popular amongst surrealist artists such as Salvador Dalí and René Magritte.

Kicking Into High Gear: American Dance Machine's NEXT LOOK: THE PAST, PRESENT, AND FUTURE OF MUSICAL THEATRE DANCE
by Mary Callahan - Nov 15, 2013

On Monday, November 11th the American Dance Machine for the 21st Century performed “Next Look,” an exclusive benefit showing in preparation for the company's full-length New York City debut at the Joyce Theater next year. The benefit performance included reconstructed works from show-stopping musicals such as Contact, A Chorus Line, 42nd Street, Jerome Robbins' Broadway, and Promises Promises.

Photo Coverage: Billy Stritch & Jim Caruso Play Bemelmans Bar
by Stephen Sorokoff - Sep 9, 2013

Performers Jim Caruso & Billy Stritch return to their regular spot at Bemelmans at The Carlyle Hotel with their evening of swinging standards running every Sunday in September, from 9pm - 12 midnight. Check out photos from the show below!

BWW Reviews: American Tap Dance Foundation's TAP INTERNATIONALS: GLOBAL RHYTHMS
by Mary Callahan - Jul 16, 2013

The American Tap Dance Foundation (ATDF) is an acclaimed non-profit organization “committed to establishing and legitimizing Tap Dance as a vital component of American Dance through creation, presentation, education, and preservation. Charles “Honi” Coles, Brenda Bufalino, and Tony Waag founded ATDF in 1986, and today, just 17 years young, the foundation organizes tap festivals, ensembles, concert performances, national tours, scholarships, awards ceremonies, and archives – in addition to their classes, workshops, and “tap talks” at the American Tap Dance Center.

BWW Reviews: Savion Glover's STePZ is Passion and Percussion Personified
by Mary Callahan - Jul 5, 2013

Savion Glover and company performed their newest full-length tap concert, 'STePZ,' to a sold out house at the Joyce Theater. The fresh and fun show runs through July 6th.

BWW Reviews: BARE Dance Company Takes Flight with Mike Esperanza's New Work, AVES
by Mary Callahan - May 9, 2013

Esperanza's AVES explores the movement and personalities of birds while BARE Dance Company exemplifies the synergy and camaraderie of birds in a flock.

Photo Coverage: Nick Adams, Kate Rockwell & More in BROADWAY BACKS BOSTON Concert!
by Kevin Thomas Garcia - May 9, 2013

On May 6, Broadway came together to support those affected by the Boston Marathon Tragedy at The Laurie Beechman Theatre. Check out photos from inside the concert below!

BWW Reviews: NYTB's GOOSE! Brings Our Favorite Nursery Rhymes to the Ballet Stage
by Mary Callahan - Apr 25, 2013

I sat in the theater of Florence Gould Hall in between a young boy and a young girl, each with their families. They both took their crayons to their programs and began coloring in the black and white sketch of Mother Goose.

Lloyd Culbreath and Valarie Pettiford Lead Fosse Master Class, 4/29 - 5/3
by Mary Callahan - Apr 1, 2013

One week of intense Master Classes taught by Fosse veterans Lloyd Culbreath and Valarie Pettiford.

BWW Reviews: Sixty Years Young, the Paul Taylor Dance Company is Still Relevant and Resounding as Ever
by Mary Callahan - Mar 18, 2013

The Paul Taylor Dance Company performed to a nearly packed house at Lincoln Center's David H. Koch Theater on Sunday, March 10th. The matinee performance included three of Paul Taylor's more recent works: 'Offenbach Overtures,' 'Promethean Fire,' and the world premiere of 'Perpetual Dawn.'

BWW Reviews: R+H's CINDERELLA Choreographer, Josh Rhodes, Brings the Fairy Tale to Life
by Mary Callahan - Mar 11, 2013

While this pseudo-revival of Cinderella teeters between contemporary dialogue and classic songs ('A Lovely Night,' 'In My Own Little Corner,' 'Ten Minutes Ago,' etc.), the romantic choreography seems to transcend time.

BWW Reviews: Dance/NYC Symposium Explores the State of NYC Dance
by Mary Callahan - Mar 10, 2013

On Sunday, February 24, dance professionals from all over New York City convened at Gibney Dance Center for Dance/NYC's fourth annual symposium. The sold-out 2013 symposium sought to 'explore the role and reach of NYC dance and dig deep into the current circumstances of funding, touring, marketing, and education.'

BWW Interviews: Bronwen Carson - Acting for Dancers
by Mary Callahan - Mar 8, 2013

It is a common stigma that dancers 'can't act.' Acting coach, director, and choreographer, Bronwen Carson, tells BWW why it is so important for dancers to hone their acting skills in order to have meaningful and lasting careers in the performing arts.

Dancers Over 40 TAP! The Tapping Continues - Honoring the Rockettes and the June Taylor Dancers
by Mary Callahan - Mar 8, 2013

Dancers Over 40 is a 501(c)3 non-profit organization that celebrates the lives and legacies of dancers and choreographers. 'DO40 was created as a not-for-profit organization to provide a community of support in response to the fiscal - as well as physical - needs of mature dancers, choreographers and related artists. Its goals are to seek educational opportunities, present seminars, showcases, film nights, socials and panel discussions on topics important to mature dancers concerned about their ability to live and work in a creative environment and continue the legacy to those dancers about to begin their journey.' On March 4th DO40 hosted 'TAP! The Tapping Continues' at New York City's St. Luke's Theatre. The evening honored the toe-tapping legacies: the Radio City Rockettes and June Taylor Dancers.

BWW Review: New York Theatre Ballet's LEGENDS & VISIONARIES is Disjointed But Versatile
by Mary Callahan - Mar 3, 2013

The New York Theatre Ballet (NYTB) focuses on restaging classic works and commissioning up-and-coming choreographers to present performances that are both inspiring and affordable for audiences.

BWW Reviews: Martha Graham Dance Company at the Joyce Theater " Myth and Transformation
by Mary Callahan - Feb 26, 2013

Opening night of the Martha Graham Dance Company at the Joyce featured an interesting pairing: a revival of Graham's 1962 Phaedra with Richard Move's 2002 piece, The Show (Achilles Heels).

BWW Interviews: Fosse Veterans, Culbreath and Pettiford Pass on Legendary Choreography to Next Generation of Dancers
by Mary Callahan - Feb 22, 2013

Broadway World [BWW] sat down with Broadway veterans, Lloyd Culbreath and Valarie Pettiford, to discuss their efforts to preserve Bob Fosse's legendary choreography for the next generation of dancers. The pair held an exclusive Fosse Workshop in early February and invited fifty professional dancers to learn the signature style and articulation of Fosse choreography.

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