On the heels of a standing-room-only opening night and wide critical praise for the world premiere of Rebecca Gilman's Swing State—a “riveting, deeply moving, empathy-generating, extraordinary new play (by) a great poet of the upper Midwest” (Chicago Tribune)—Goodman Theatre adds two performances to the final week of Tony Award-winning director Robert Falls' world-premiere production.
Pulitzer Prize-nominated playwright Rebecca Gilman will mark her 10th production at Goodman Theatre, her longtime creative home, with Swing State—directed by Tony Award-winner Robert Falls in their 6th collaboration over 35 years. Swing State appears October 7 – November 13 in the 350-seat flexible Owen Theatre.
Season of Concern, the emergency fund for Chicago theater artists, will present a one-night-only benefit performance of Jerry’s Girls, with music and lyrics by Jerry Herman, concepts by Larry Alford, Wayne Cilento, and Jerry Herman, direction by Ken-Matt Martin, and musical direction by Nigel D. Robinson.
Season of Concern, the emergency fund for Chicago theater artists, will present a one-night-only benefit performance of Jerry’s Girls, with music and lyrics by Jerry Herman, concepts by Larry Alford, Wayne Cilento, and Jerry Herman, direction by Ken-Matt Martin, and musical direction by Nigel D. Robinson.
Broadcast live from Goodman Theatre’s intimate Owen Theatre, THE SOUND INSIDE intrigues because of the twists and turns in Adam Rapp’s script, but also because it combines cinematic-quality streaming with the thrill of live theater. It’s been over a year since I last stepped inside a theater, and now with the first limited run production in its LIVE series, the Goodman has come extremely close to capturing the exhilaration of being live and in the room with theater. Running only for four more performances through Sunday, May 16, THE SOUND INSIDE is indeed a unique and limited-edition experience.
Technology, videography and stage production come together for the new Live series, Goodman Theatre's next step towards resuming in-person performances. Each performance of three new productions-including two Chicago premieres and a major revival-are streamed live online for real-time consumption by audiences at home.
Technology, videography and stage production come together for the new Live series, Goodman Theatre’s next step towards resuming in-person performances. Accessible via multiple video cameras, each performance of three new productions—including two Chicago premieres and a major revival—are streamed live online for real-time consumption by audiences at home.
Technology, videography and stage production come together for Goodman Theatre's new Live series. Accessible via multiple video cameras, each performance of three new productions—including two Chicago premieres and a major revival—are streamed live online for real-time consumption by audiences at home.
Season of Concern, the emergency fund for Chicago theater artists, is thrilled to announce it will co-produce a virtual production of Fefu and Her Friends, Cuban-American playwright María Irene Fornés' feminist masterwork, in partnership with much-admired Chicago theater artist Mary Beth Fisher.
TheatreWorks Silicon Valley will stream a benefit online workshop reading of Pandora, an intriguing new work by acclaimed playwright Laurel Ollstein. TheatreWorks's production of Ollstein's play They Promised Her the Moon, an inventive look at women's early efforts to join the space race that was a hit among audiences and critics, was abruptly closed in March when shelter-in-place orders went into effect.
Notre Dame's Department of Film, Television, and Theatre (FTT) announces The Fornés Festival, a series of staged play readings and academic engagement events celebrating the legacy of the prolific Cuban American playwright María Irene Fornés (1930-2018), in the Philbin Studio Theatre at the DeBartolo Performing Arts Center, October 2 through October 13.
Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, continues its 2019/20 Season with The Niceties, written by Eleanor Burgess and directed by Marti Lyons. The Niceties runs November 6 a?" December 8, 2019 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe.
Notre Dame's Department of Film, Television, and Theatre (FTT) announces four productions for its 2019/20 theatre season, including three new plays written by Notre Dame faculty and students, a Tony-nominated rock opera, as well as a festival of staged readings.
The Eugene O'Neill Theater Center announces casting and creative teams for the summer season of new musicals and plays selected for development at the National Music Theater Conference and National Playwrights Conference.
Writers Theatre Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma announce initial casting for the company's previously announced 2019/20 season.
HEY PROMISED HER THE MOON, now playing at The Old Globe through May 12th is a lovely portrayal of a young woman who chose to defy the expectations of her based on her sex and shoot for the moon.
As the Globe deepens its commitment to making theatre matter to more people, their work expands in service to the public good. The Globe today announced that its signature arts engagement program, Globe for All, will tour Laurel Ollstein's They Promised Her the Moon to four community venues this spring, following its West Coast premiere at the Globe's Sheryl and Harvey White Theatre, part of the Globe's Conrad Prebys Theatre Center.
The Old Globe today announced that the West Coast premiere of Laurel Ollstein's They Promised Her the Moon has been extended by popular demand and will run through May 12, 2019. The first of two shows in the 2018-2019 Season developed in the Globe's Powers New Voices Festival, it wowed Festival audiences with the story of the powerful forces that kept one woman from reaching orbit. Directed by Giovanna Sardelli (the Globe's The Whipping Man and Somewhere), They Promised Her the Moon runs April 6 - May 12, 2019 in the Sheryl and Harvey White Theatre, part of the Conrad Prebys Theatre Center. Preview performances run April 6-10.
In 1960 the famed "Mercury Seven" trained at NASA to become the first American astronauts. But they weren't alone. Thirteen women also underwent the same rigorous psychological and physical testing.