Lincoln Center's Midsummer Night Swing - This summer marks the 25th Anniversary season of Midsummer Night Swing. Midsummer Night Swing takes place Tuesdays through Saturdays, today, June 25-July 13, on the elevated dance floor in Damrosch Park on West 62nd Street, between Columbus and Amsterdam Avenues.
Week Two of the 2013 Mostly Mozart Festival begins with the first of two concert series with the Mostly Mozart Festival Orchestra on Tuesday, August 6 and Wednesday, August 7 in Avery Fisher Hall with French conductor Jeremie Rhorer. Rhorer, returning for the first time since his debut in 2011, will lead Mozart's Overture to Le nozze di Figaro and Beethoven's Symphony No. 1, along with Mozart's Piano Concerto No. 25 in C major, K.503, with guest pianist Paul Lewis, continuing this season's overarching theme of musical lineage between the two iconic composers.
Lincoln Center Festival, which runs from July 6 through 28, 2013 will unfold in six venues on and off the Lincoln Center campus. Music figures prominently in the 2013 Festival with international productions by an eclectic range of renowned composers, singers, musicians and directors. In addition to performances, a panel discussion on Lera Auerbach's opera, The Blind, is scheduled. A chronological listing follows.
The Martin E. Segal Theatre Center at The Graduate Center, CUNY announces POETRY IN THEATRE, today, June 3 from 2pm - 9pm, a special day-long program of new and rarely-performed works of poetry and theatre, featuring readings and discussions with Judith Malina, Lemon Anderson, Jim Fletcher, Kenneth Goldsmith, Bob Holman, Sibyl Kempson, Christopher Knowles, Yusef Komunyakaa, and Ariana Reines.
Utah Symphony Associate Conductor Vladimir Kulenovic brings the Utah Symphony's 2012-13 Masterwork Series to a spectacular close by conducting two master composers' stunning works.
Tickets go on sale for Lincoln Center's Midsummer Night Swing starting Wednesday, May 22. Individual tickets are $17, which includes a dance lesson with a professional instructor followed by two sets of dancing under the stars to a live orchestra. This summer marks the 25th Anniversary season of Midsummer Night Swing, and to celebrate, tickets will be sold at a special '2 for $25' price on May 22 only. There are also Midsummer Night Passes priced at $84 for six admissions, and $170 for the full season. Four-admission passes are available for $60.
'Playwrights Writing for Television: Success or Compromise?' will feature Sheila Callaghan, Itamar Moses, Diana Son and Matt Schatz. These New York playwrights who write for television gather at the Segal to examine whether their work is enhanced or compromised by working in both worlds tonight, May 20th, 2013.
'Playwrights Writing for Television: Success or Compromise?' will feature Sheila Callaghan, Itamar Moses, Diana Son and Matt Schatz. These New York playwrights who write for television gather at the Segal to examine whether their work is enhanced or compromised by working in both worlds on May 20th, 2013.
The Lincoln Center Board of Directors has unanimously selected Jed Bernstein, theater producer and educator, as its next president. The announcement was made today by Katherine Farley, Lincoln Center Board Chair. He will succeed Reynold Levy, who will step down as president in January, 2014.
The Play Company's Idea Lab, in collaboration with Goethe-Institut New York and the German Consulate New York, is proud to present a public event featuring internationally acclaimed German playwright Roland Schimmelpfennig, in conjunction with our New York premiere production of his play THE GOLDEN DRAGON. Mr. Schimmelpfennig will discuss his award-winning play THE GOLDEN DRAGON, his larger body of work, and trends in German theatre today, May 12 @ 4:15pm -- immediately following the 3pm matinee performance of THE GOLDEN GRAGON at The New Ohio Theatre, 154 Christopher Street. This open conversation will be moderated by Dr. Frank Hentschker, Executive Director of the Martin E. Segal Theatre Center at the CUNY Graduate Center.
The Martin E. Segal Theatre Center at The Graduate Center, CUNY announces POETRY IN THEATRE, Monday, June 3 from 2pm - 9pm, a special day-long program of new and rarely-performed works of poetry and theatre, featuring readings and discussions with Judith Malina, Lemon Anderson, Jim Fletcher, Kenneth Goldsmith, Bob Holman, Sibyl Kempson, Christopher Knowles, Yusef Komunyakaa, and Ariana Reines.
The Play Company's Idea Lab, in collaboration with Goethe-Institut New York and the German Consulate New York, is proud to present a public event featuring internationally acclaimed German playwright Roland Schimmelpfennig, in conjunction with our New York premiere production of his play THE GOLDEN DRAGON. Mr. Schimmelpfennig will discuss his award-winning play THE GOLDEN DRAGON, his larger body of work, and trends in German theatre on Sunday, May 12 @4:15pm -- immediately following the 3pm matinee performance of THE GOLDEN GRAGON at The New Ohio Theatre, 154 Christopher Street. This open conversation will be moderated by Dr. Frank Hentschker, Executive Director of the Martin E. Segal Theatre Center at the CUNY Graduate Center.
Utah Symphony Associate Conductor Vladimir Kulenovic brings the Utah Symphony's 2012-13 Masterwork Series to a spectacular close by conducting two master composers' stunning works.
Christine Baranski, Kelli Barrett, Walter Bobbie, Jeremy Cohen, Dalton Harrod, Randy Skinner, Shonn Wiley, Karen Ziemba,New York City Ballet Principaldancer Joaquin De Luz and American Ballet Theatre principal dancer Irina Dvorovenko will star in Rodgers and Hart's On Your Toes, the final Encores! presentation of the 2012-13 New York City Center season.
This year's Edwin Booth Award will be presented to the legendary theatre director and producer Woodie King, Jr., founding director of the pioneering African-American theatrical production and training institution New Federal Theatre. The New Federal Theater integrates minorities and women into the mainstream of the profession through artistic training and play production. Mr. King will be present to receive the award. The event takes place May 6th at the Martin E. Segal Theatre Center (MESTC) of The Graduate Center of City University of NY.
Los Angeles Chamber Orchestra's 44th season concludes with a flourish as Alisa Weilerstein, lauded by The New York Times as a 'brilliant young American cellist,' performs Shostakovich's thrilling Cello Concerto No. 1 in E-flat major, Op. 107, originally composed for legendary cellist Mstislav Rostropovich, on Saturday, May 18, 2013, 8 pm, at the Alex Theatre in Glendale, and Sunday, May 19, 2013, 7 pm, at Royce Hall, UCLA. Music Director Jeffrey Kahane, who conducts the program and has long been committed to championing artists early in their careers, also presents the US premiere of up-and-coming French composer Hugo Gonzalez-Pioli's The Love of Zero, an intriguing bassoon concerto, featuring LACO Principal Bassoon Kenneth Munday and played with Robert Florey's avant-garde 1927 short silent film of the same title. Gonzalez-Pioli, whose work adds a touch of Hollywood to the program, is a 2012 graduate of USC's prestigious Scoring for Motion Pictures and Television program.
On the occasion of the 2013 PEN World Voices Festival of International Literature, the Martin E. Segal Theatre Center , Spain Culture New York, and Fundacion Autor of the SGAE welcome seven of Spain's most respected Spanish dramatists to the Segal Theatre. Ernesto Caballero, Guillem Clua, Cristina Colmena, Mar Gomez Glez, Borja Ortiz de Gondra, Alfredo Sanzol, and Emilio Williams will preside over readings of their works translated into English, performed by US actors working with US directors under the artistic direction of Julian Mesri (Fuenteovejuna/Repertorio Español) and Segal Center Next Generation Fellow Sarah Rose Leonard. This two-day program of readings (April 29th & 30th), which builds on the Segal Center's past exchanges with countries like Japan and South Korea, will offer insight into the evolution of Spanish identity and culture within the context of the country's current situation.
Christine Baranski, Kelli Barrett, Walter Bobbie, Jeremy Cohen, Dalton Harrod, Randy Skinner, Shonn Wiley, Karen Ziemba,New York City Ballet Principaldancer Joaquin De Luz and American Ballet Theatre principal dancer Irina Dvorovenkowill star in Rodgers and Hart's On Your Toes, the final Encores! presentation of the 2012-13 New York City Center season. Directed and choreographed by Warren Carlyle, On Your Toes will have guest music direction by Encores! founding music director Rob Fisher and will play seven performances, from May 8 - 12 at New York City Center, W. 55th Street (between 6th and 7th Avenues). The "Slaughter on Tenth Avenue" ballet, originally choreographed by George Balanchine, will be staged by Susan Pilarre, who served as a Ballet Mistress of the show's 1983 Broadway Revival.
Now in its 15th season, Lincoln Center's acclaimed series American Songbook celebrates the best in American singing and songwriting with a new chapter in the Songbook story: 'American Songbook in the Penthouse,' a series of weekend-only performances by performers and composers presented in the Stanley H. Kaplan Penthouse, an intimate yet elegant venue that brings artists closer to the audience in a cabaret-style setting. The second weekend of Kaplan Penthouse performances, the sixth week of American Songbook 2013, runs April 5-6, 2013. April 5th belongs to Cristin Milioti, who was nominated for a Tony Award in 2012 for her lead role in the musical Once.
Now in its 15th season, Lincoln Center's acclaimed series American Songbook celebrates the best in American singing and songwriting with a new chapter in the Songbook story: 'American Songbook in the Penthouse,' a series of weekend-only performances by performers and composers presented in the Stanley H. Kaplan Penthouse, an intimate yet elegant venue that brings artists closer to the audience in a cabaret-style setting. 'American Songbook in the Penthouse' embraces adventuresome performers and celebrates composers and lyricists, both newer and veteran. With a seating capacity of just 225, the Kaplan Penthouse allows acoustic performers to be heard the way they intend - near to the audience and without elaborate amplification. The size of the space also allows performers to interact with their audience to make them an integral part of their performance, something difficult to do in a larger, more formal venue.
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