Marsha Ginsberg News

She is a beast to an exceptional degree. She is a Don Juan among women. She is insatiable, unnatural and altogether fairly appalling. (Hotel Manager as Judge POWDER HER FACE, Act II, Scene 6: 1955)

New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Ades (b.1971) to a libretto by Philip Hensher (b. 1965).

Lincoln Center Theater has just announced that Betsy Aidem, Blair Brown, Michael Cerveris, Anthony Cochrane, Lauren Culpepper, Alvin Epstein, Kathryn Erbe, John Glover, Jennifer B. Grace, Katie Kreisler, Stephen Kunken, Haviland Morris, Dale Place, John Procaccino, Garth Saxe and Alan Schmuckler will be featured in the 18-member cast of its upcoming world premiere production of NIKOLAI AND THE OTHERS, a new play by Richard Nelson.

New York City Opera presents POWDER HER FACE, onducted by Jonathan Stockhammer, directed by Jay Scheib, sets by Marsha Ginsberg, costumes by Alba Clemente, lighting by Thomas Dunn and projections by Josh Higgason. The production runs February 15-23, 2013. BroadwayWorld has behind the scenes videos below with Allison Cook, along with George Steel and directors Jay Scheib and Sam Buntrock. Check them out below!

New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Adès (b.1971) to a libretto by Philip Hensher (b. 1965).

New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Ades (b.1971) to a libretto by Philip Hensher (b. 1965). The world premiere of the opera, inspired by a sex scandal that rocked Britain in the early 60s, not only caused controversy, with its on-stage depiction of fellatio, but also propelled Ades to international recognition. Reviewing the premiere, The Sunday Times critic Paul Driver called Powder Her Face "one of the most striking new operas I have seen in years," and added, "From the tango of the overture to the tango of the close, one is on the edge of one's seat trying to catch as much as possible of the prolific, fast-altering, vividly etched and instrumentally outrageous detail of a score which is boiling with life."

Performance Space 122 (PS122) and the French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, present the New York premiere of Habit, from David Levine, as part of the 2012 Crossing the Line festival. Habit is a durational performance installation that features three actors performing a 90-minute drama on a continuous loop for eight hours a day. Using a commissioned script by playwright Jason Grote, Habit takes place within a four-walled, fully-furnished and functional American ranch house designed by Marsha Ginsberg and built inside a raw, unused space in the Essex Street Market on the Lower East Side.

New York Theatre Workshop (NYTW) Artistic Director James C. Nicola and Managing Director William Russo have announced that Red Dog Howls, written by Alexander Dinelaris and directed by Ken Rus Schmoll, begins performances tonight at 7pm at NYTW, 79 East 4 Street, between Bowery and Second Avenue. Opening night is scheduled for Monday, September 24 at 7pm. Award-winning actress Kathleen Chalfant (Angels in America, Wit) returns to New York Theatre Workshop in a landmark role, joining Florencia Lozano and Alfredo Narciso in the cast of this New York premiere.

Performance Space 122 (PS122) and the French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, present the New York premiere of Habit, from David Levine, as part of the 2012 Crossing the Line festival. Habit is a durational performance installation that features three actors performing a 90-minute drama on a continuous loop for eight hours a day. Using a commissioned script by playwright Jason Grote, Habit takes place within a four-walled, fully-furnished and functional American ranch house designed by Marsha Ginsberg and built inside a raw, unused space in the Essex Street Market on the Lower East Side.

New York Theatre Workshop (NYTW) Artistic Director James C. Nicola and Managing Director William Russo have announced that Red Dog Howls, written by Alexander Dinelaris and directed by Ken Rus Schmoll, will begin performances Wednesday, September 5, 2012, at 7pm at NYTW, 79 East 4 Street, between Bowery and Second Avenue. Opening night is scheduled for Monday, September 24 at 7pm.

For more than three decades, Performance Space 122 (PS122) has served as a hub for contemporary performance, commissioning and presenting artists who have radicalized theatrical forms, triggered national political and ethical debates, and made waves on Broadway and beyond.

New York City Opera remains true to its roots with today's 2012-13 season announcement, presenting New York City audiences with new artists and productions, ranging from rarely heard opera bouffe and bel canto opera to edgier contemporary fare. Through three-year alliances with two theaters - BAM in Brooklyn and New York City Center in midtown Manhattan - the company offers four brand new productions from leading directors Jay Scheib, Sam Buntrock, Michael Counts, and Christopher Alden, plus a fall showcase of the celebrated VOX program in conjunction with OPERA America's New Works Forum.

At the conclusion of this final season, which begins with the world premiere of A Map of Virtue by Erin Courtney in February, the collective of American playwrights will have realized full productions by each of its 13 members.

At the conclusion of this final season, which begins with the world premiere of A Map of Virtue by Erin Courtney in February, the collective of American playwrights will have realized full productions by each of its 13 members.

Performances of A Map of Virtue will take place February 6-25 at the 4th Street Theatre. The 4th Street Theatre is located at 83 East 4th Street in New York City.

'I want to be a fireman.' 'I want to be a teacher.' 'I want to be a movie star.' So begins our endearing introduction to a spirited group of 10 classmates in 1925 Poland who are about to learn how religion, country and identity can tear a nation apart. Directed by Artistic Director Blanka Zizka, the Wilma's production leaves you unsettled, and rightfully so. Based on true events, Tadeusz Slobodzianek Our Class is a gripping experience as we watch friends betray each other and themselves, and communities turn to violence against their neighbors.

The Wilma Theater is pleased to present the United States Premiere of Our Class, written by one of Poland's leading playwrights, Tadeusz S?obodzianek (ta-DAY-use swo-bode-ZYAN-eck), in an English version by Ryan Craig, directed by the Wilma's Artistic Director Blanka Zizka.

The Wilma Theater is pleased to present the United States Premiere of Our Class, written by one of Poland's leading playwrights, Tadeusz S?obodzianek (ta-DAY-use swo-bode-ZYAN-eck), in an English version by Ryan Craig, directed by the Wilma's Artistic Director Blanka Zizka.