Sex, Shoplifting & Rock and Roll, directed by JD Glickman, is in tune with the times, bringing energy and edge to the stage at a time when theater is returning, harnessing the power of live performance.
The 60s sci-fi immersive musical Wild Women of Planet Wongo, a wacky B-movie inspired sci-fi comedy about a planet of Amazonian women who first encounter men when two bumbling astronauts crash on their planet, is coming virtually to the Front-Row Fringe Festival after successful productions in New York City and Chicago.
The 60s sci-fi immersive musical Wild Women of Planet Wongo, a wacky B-movie inspired sci-fi comedy about a planet of Amazonian women who first encounter men when two bumbling astronauts crash on their planet, is coming virtually to the Front-Row Fringe Festival after successful productions in New York City and Chicago.
Are you a fan of politics and the constant tension of these dueling sides - tension that is comparable to that of the Coronavirus? Are you tired of keeping a straight face while watching said politicians duke it out? Do you happen to revel in seeing these people brought to shame by an instigative radio host who [in the meantime] must endure ongoing visits from his deceased mother? Then you're in luck! If the current (and future) state of affairs is enough to drive you slightly bonkers, where else to go for some comic relief than the theater - specifically the 13th Street Repertory Theater, where The Jerry Duncan Show is doling out much needed laughs at the iconic West Village venue for two weeks only.
A very limited engagement of Stephen Belber's TAPE, directed by Leila Berkane is opening next week at the historic 13th Street Repertory Theatre.
So you've found your family a nice plot in the middle of a cemetery, right where dear Grandpa Isaac was recently laid to rest. With nerve-wracking moments brought to you by the family TV set, a son who has little discretion when it comes to public acts of sexual affection and townsfolk who stop by as a reminder of how crazy life has become (or possibly always been), the Goats family has its hands full with matters of life and death. Faced with the mundaneness of life but with a foot in the underworld, Joe, Mary, Jesus and Mavis wait patiently for the resurrection of Isaac, who is expected to rise from his beautiful marble grave any day now. Botched prophesies, religious confusion, wacky characters a?? there is surely nothing not to love about this wonderful new play called HELP A HANDICAPPED GOD...TROT ACROSS THE UNIVERSE.
Thomas Walters' 'Help A Handicapped God Trot Across the Universe,' directed by Joe John Battista, will open this Thursday, January 16 at The historic 13th Repertory Theatre, almost as if by some divine intervention.
Written by Solnik, directed by Nikki Reed and presented by Executive Artistic Director Crystal Fields, "Birds of Paradise" is being performed in the East Village for a very limited run. With opening night this past Thursday and running only through July 14th, this show is definitely one I recommend seeing. With a rather clever plot that is as touching as it is on the constant brink of drama, "Birds of Paradise" is now one of my favorite of Solnik's productions.
No matter how old we become, our parents are still our parents: from high school to an engagement, to robbing our new apartment, our parents are pillars of love that we never wish to seen torn down. Now, if you're questioning why a couple's parents would collaborate to rob their children's first apartment, you wouldn't be the only ones. There is such an intriguing (and first of its kind that I have seen) backstory as to how four individuals, keen on getting their children out of an unsafe Brooklyn apartment, stage a robbery to expedite the process.
Martin Heidegger and Hannah Arendt were leading intellectuals of the twentieth century. In the 1920's, they had a passionate affair. In the 1930's, Heidegger became an ardent Nazi while Arendt became an ardent Zionist. Nevertheless, after the war, they still continued to correspond and to meet. Douglas Lackey dramatizes their relationship in 'Arendt-Heidegger: A Love Story,' a five-character play to be presented by Theater for the New City from September 27 to October 14. Its dialogue and action go beyond known facts, but everything in the play is consistent with them. Alexander Harrington directs.
Theater for the New City is presenting the Textile Co.'s production of Grace is Good, a new play about relationships and rumors in the workplace and a new story for the Me Too conversation.
THEATER FOR THE NEW CITY - Arielle Mandelberg has been cast in the title role of the Textile Co.'s production of Grace is Good, a new play about relationships and rumors in the workplace and a new story for the Me Too Conversation.
Many stories, some involving celebrities, have captured headlines and propelled "#Me too" into the forefront of culture and conversations. Reporters have won Pulitzer prizes for covering cases. Many people talk about their "Me too moment."
Theater for the New City is presenting the Textile Co.'s production of Grace is Good, a new play about relationships and rumors in the workplace and a new story for the Me Too conversation.
THEATER FOR THE NEW CITY - Arielle Mandelberg has been cast in the title role of the Textile Co.'s production of Grace is Good, a new play about relationships and rumors in the workplace and a new story for the Me Too Conversation.
Spanning 1915 to 1919, set against the backdrop of Boston's Italian North End Immigrants, MOLASSES IN JANUARY is a charming historical fiction musical that tells the story of Anna, a single mother doing her best to raise her children in a world caught up in the turmoil of the first World War. As rumors grow about the potential construction of an enormous molasses tank that will be used to make liquor and gun powder for the war, so do the hopes for potential prosperity. But suddenly on an unusually warm January day, the tank bursts and two million gallons of molasses come crashing down around Anna and her family discovers that life can change in a moment. The music of MOLASSES IN JANUARY is performed in the traditional style of the Great American Song Book, similar to Fiddler on the Roof and Gypsy.
MOLASSES IN JANUARY, an original new musical about a struggling family of Italian immigrants who are literally swept up in the Boston Molasses disaster of 1919, will make its full Off-Broadway premiere on Wednesday, May 2, 2018 and have an open run in the Anne Bernstein Theatre at The Theater Center.
Spanning 1915 to 1919, set against the backdrop of Boston's Italian North End Immigrants, MOLASSES IN JANUARY is a charming historical fiction musical that tells the story of Anna, a single mother doing her best to raise her children in a world caught up in the turmoil of the first World War. As rumors grow about the potential construction of an enormous molasses tank that will be used to make liquor and gun powder for the war, so do the hopes for potential prosperity. But suddenly on an unusually warm January day, the tank bursts and two million gallons of molasses come crashing down around Anna and her family discovers that life can change in a moment. The music of MOLASSES IN JANUARY is performed in the traditional style of the Great American Song Book, similar to Fiddler on the Roof and Gypsy.
MOLASSES IN JANUARY, an original new musical about a struggling family of Italian immigrants who are literally swept up in the Boston Molasses disaster of 1919, will make its full Off-Broadway premiere on Wednesday, May 2, 2018 and have an open run in the Jerry Orbach Theatre at The Theater Center, located at 1627 Broadway. Written and composed by Francine Pellegrino and directed by Whitney Stone with musical direction by Michael Wittenburg, this spirited new musical will have its official opening on Thursday, May 24th at 5PM.
Due to popular demand, the 60's sci-fi immersive musical comedy Wild Women of Planet Wongo will extend its run for a third time, at the Lower East Side's Parkside Lounge through June 2017.
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