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American Composers Orchestra Continues COLABORATORY: PLAYING IT UNSAFE Initiative, 3/5-4/5

American Composers Orchestra (ACO) continues its season-long initiative, coLABoratory: Playing It UNsafe, the first and only professional research and development lab to support the creation of cutting-edge new American orchestral music through no-holds-barred experimentation, encouraging composers to do anything but 'play it safe.' Audiences will have the opportunity to see and hear the composers' works-in-progress at free lab workshops on Tuesday, March 5, 2013 at 10am at Flushing Town Hall (137-35 Northern Blvd., Flushing, NY), and Tuesday, April 2, 2013 at 2pm at The DiMenna Center (450 W. 37th St., NYC). coLABoratory culminates on Friday, April 5, 2013 at 7:30pm with a concert featuring all of the new works at Carnegie Hall's Zankel Hall, conducted by ACO Music Director George Manahan.

American Composers Orchestra Announces Orchestra Underground: Time Travels, 1/18

American Composers Orchestra (ACO) performs its second concert of the 2012-13 concert season, Orchestra Underground: Time Travels, on Friday, January 18, 2013 at 7:30pm at Carnegie Hall's Zankel Hall. The concert, led by ACO Music Director George Manahan, features music that explores the concept of time - its mutability, importance, and role as an organizing principle. Lukas Foss' 1960 masterwork, Time Cycle, is the centerpiece for the program, with soprano Jennifer Zetlanas the soloist. The evening also includes the world premiere of composer and sopranoKate Soper's now is forever: I. Orpheus and Eurydice for Voice and Orchestra featuring the composer as soloist, the world premiere of Kyle Blaha's Triptych, and the US premiere of Pulitzer Prize-winning composer Zhou Long's Bell Drum Towers.

American Composers Orchestra Announces 2012-13 Concert Season at Carnegie, Digital Album and More

American Composers Orchestra's (ACO) 2012-13 concert season is a banner year for the orchestra, marked by unprecedented opportunities for composers through three initiatives that illustrate ACO's role as a catalyst for the creation of new orchestral music: CoLABoratory: Playing It UNsafe, ACO's groundbreaking composition and performance laboratory; the 22nd annual Underwood New Music Readings, one of the country's most sought-after programs for emerging composers (DiMenna Center, May 30-31, 2013); and the nationwide expansion of the Jazz Composers Orchestra Institute Readings in partnership with The Center for Jazz Studies at Columbia University and The UCLA Herb Alpert School of Music (DiMenna Center, June 1-2, 2013).

EarShot & the Buffalo Philharmonic Orchestra Present the BPO New Music Readings, 2/23

From February 22 to 24, 2012, EarShot (the National Orchestral Composition Discovery Network) and the Buffalo Philharmonic Orchestra (BPO), JoAnn Falletta, Music Director, will present the Buffalo Philharmonic Orchestra New Music Readings at Kleinhans Music Hall (3 Symphony Circle, Buffalo). On Thursday, February 23 at 7pm at Kleinhans Hall, the public will have the opportunity for a behind-the-scenes look at the process of bringing brand new orchestral works to life, as music by the four selected composers is read by the BPO under the baton of associate conductor, Matthew Kraemer.

EarShot & the Buffalo Philharmonic Orchestra Present the BPO New Music Readings, 2/23

From February 22 to 24, 2012, EarShot (the National Orchestral Composition Discovery Network) and the Buffalo Philharmonic Orchestra (BPO), JoAnn Falletta, Music Director, will present the Buffalo Philharmonic Orchestra New Music Readings at Kleinhans Music Hall (3 Symphony Circle, Buffalo). On Thursday, February 23 at 7pm at Kleinhans Hall, the public will have the opportunity for a behind-the-scenes look at the process of bringing brand new orchestral works to life, as music by the four selected composers is read by the BPO under the baton of associate conductor, Matthew Kraemer.

EarShot & the Buffalo Philharmonic Orchestra Present the BPO New Music Readings, 2/23

From February 22 to 24, 2012, EarShot (the National Orchestral Composition Discovery Network) and the Buffalo Philharmonic Orchestra (BPO), JoAnn Falletta, Music Director, will present the Buffalo Philharmonic Orchestra New Music Readings at Kleinhans Music Hall (3 Symphony Circle, Buffalo). On Thursday, February 23 at 7pm at Kleinhans Hall, the public will have the opportunity for a behind-the-scenes look at the process of bringing brand new orchestral works to life, as music by the four selected composers is read by the BPO under the baton of associate conductor, Matthew Kraemer.

Chamber Music Society Launches Series at the Harris

In collaboration with the Chamber Music Society of Lincoln Center, the Harris Theater will present the nation's premier ensemble for chamber music in its first-ever Chicago-based performance series.

SF Symphony Celebrates Centennial Season with American Mavericks Fest

In their 2011-12 Centennial Season Music Director Michael Tilson Thomas (MTT) and the San Francisco Symphony (SFS) will break new ground with a far-reaching month-long American Mavericks Festival of music by pioneers of the American sound at Davies Symphony Hall in San Francisco March 8-18; on a national tour to Ann Arbor, Chicago and Carnegie Hall through March 30; and with educational partnerships, experiential learning and a host of new media tools to engage audiences in this music.

Chamber Music Society Launches Series at the Harris

In collaboration with the Chamber Music Society of Lincoln Center, the Harris Theater will present the nation's premier ensemble for chamber music in its first-ever Chicago-based performance series.

Bernadette Peters, Brian Stokes Mitchell, et al. to Take Part in 2012 Tanglewood Festival

Tanglewood, one of the world's most beloved music festivals and the famed summer home of the Boston Symphony Orchestra located in the beautiful Berkshire Hills of western Massachusetts, celebrates its 75th anniversary season, June 22-September 2, with a spectacular lineup of musical guests and programs that spotlight Tanglewood's rich tradition of presenting summertime concerts at their best since 1937.

Harris Theater Presents 2011-2012 Season, Begins With HEAR THE MUSIC

The Harris Theater for Music and Dance today announced its full Harris Theater Presents 2011-2012 season, offering Chicago audiences a ground-breaking collection of innovative, culturally diverse programming by the world's finest musicians and dance companies, as well as Harris' signature collaborations with Chicago's leading dance and music institutions.

Harris Theater Announces Hear The Music Season

The Harris Theater is pleased to announce its 2011-2012 Hear the Music season to include the first performances of a three-year annual concert series and residency presented in collaboration with the Chamber Music Society of Lincoln Center (CMS), the nation's premier ensemble for chamber music, and the triumphant return of the extraordinary Vienna Symphony Orchestra (VSO), joined by the Grammy-nominated Eroica Trio.

Alan Gilbert Conducts World and New York Premieres by Kernis & Rouse, Dec. 30

Music Director Alan Gilbert will conduct the New York Philharmonic in Aaron Jay Kernis's a Voice, a Messenger, a World Premiere-New York Philharmonic Co- Commission with the Big Band Association, featuring Philharmonic Principal Trumpet Philip Smith, and the New York Premiere of Christopher Rouse's Oboe Concerto, with Principal Oboe Liang Wang, Tuesday, December 28, 2010, Wednesday, December 29, and Thursday, December 30, at 7:30 p.m. Also on the program: Vivaldi's Concerto for Four Violins, RV 580, performed by Philharmonic violinists Sheryl Staples, Michelle Kim, Marc Ginsberg, and Lisa Kim; Hindemith's Horn Concerto, played by Principal Horn Philip Myers; and Ravel's Boléro.

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