Manfred Honeck, Music Director of the Pittsburgh Symphony Orchestra and one of the foremost conductors of our time, will lead the orchestra in two concert performances of Berlioz's rarely-performed The Damnation of Faust on Friday, March 8 and Sunday, March 10, 2019 at Heinz Hall in Pittsburgh.
The Royal Conservatory Of Music has announced its lineup of April Concerts.
Baritone Peter Mattei and bass-baritone Luca Pisaroni star as opera's most notorious seducer in Mozart's masterpiece of dark comedy. Cornelius Meister makes his Met debut conducting performances that also include sopranos Rachel Willis-Sørensen and Guanqun Yu as Donna Anna, sopranos Federica Lombardi and Susanna Phillips as Donna Elvira, and basses Ildar Abdrazakov and Adam Plachetka as Leporello.
According to a quote attributed to Andy Warhol, if you want to tell a good painting from a bad one, first look at a thousand paintings; then you'll realize that there are no hard and fast rules. When it comes to performing arts and traditional repertoire, the standards are a little different. Directors, designers and cast are expected to add their two cents to work of the creators, to show their smarts and insights (or at least come up with something they think will be more meaningful to modern/younger audiences). Mozart and his librettist Lorenzo da Ponte were victims of this maneuvering in the season premiere of the Met's DON GIOVANNI.
The Metropolitan Opera presents Mozart's timeless drama Don Giovanni, with 12 performances January 30, 2019, to April 18, 2019. All performances of Michael Grandage's production are conducted by Cornelius Meister in his Met debut.
Dr. Peter Simon, Michael and Sonja Koerner President & CEO of The Royal Conservatory of Music, Mervon Mehta, Executive Director of Performing Arts, and James Anagnoson, Dean of The Glenn Gould School, today revealed details of the diverse concerts that will make up the 2018-19 season, which will mark Koerner Hall's 10th anniversary season.
The spirited soprano makes her auspicious Seattle Opera debut as the title character in Francesca Zambello's upcoming Aida production
The Celebrity Series of Boston announced its 2018-2019 season today, marking 80 years of bringing the world's greatest performing artists to Boston. In total, the 2018-2019 season will include 50 music, dance, and entertainment mainstage engagements, including a new artistic initiative to present three dance ensembles in their Boston debuts with live music at NEC's Plimpton Shattuck Black Box Theatre. The season will open on September 23 with Jazz Along the Charles, A Walkable Concert along the Charles River Esplanade featuring 25 jazz ensembles along a 2-mile loop. Neighborhood Arts will feature more than 150 workshops, classes, and concerts in schools and community venues performances across Boston.
Just about the most spectacular opera event of the season so far arrived at Carnegie Hall Sunday afternoon, with the English Concert and Harry Bicket making their annual foray into Handel territory, with a superb RINALDO.
On Sunday, March 25 at 2:00 p.m., Harry Bicket conducts Handel's Rinaldo at Carnegie Hall with acclaimed baroque orchestra The English Concert. In this concert presentation, countertenor Iestyn Davies performs the title role joined by sopranos Jane Archibald (Armida) and Joélle Harvey (Almirena), bass-baritone Luca Pisaroni (Argante), mezzo-soprano Sasha Cooke (Goffredo), and countertenors Jakub Józef Orli?ski, (Eustazio), and James Hall (A Christian Magician).
Accelerating his arrival as Music Director by two seasons, Yannick Nezet-Seguin will take up the post in time for the start of the Metropolitan Opera's 2018-19 season, it was announced today.
Washington National Opera (WNO), led by Artistic Director Francesca Zambello, announces its 2018-2019 season, one that continues its focus on bold productions of classic operas, fascinating contemporary perspectives, and the best in American artistry. The season includes a new WNO production of Verdi's classic romantic drama La traviata, the company premiere of Kevin Puts's and Mark Campbell's Pulitzer Prize-winning Silent Night, Tchaikovsky's epic Eugene Onegin, Gounod's devilishly entertaining Faust, and Puccini's towering masterpiece Tosca. The season also features a weekend of four world premieres during the American Opera Initiative Festival; a revival of WNO's hit world-premiere holiday family opera The Lion, the Unicorn, and Me; a special Domingo-Cafritz Young Artist performance of La traviata; and other exciting vocal events, including the annual Mars, lnc.'s Opera in the Outfield.
The International Opera Awards are pleased to announce the finalists for this year's Awards. These were selected by an international jury chaired by John Allison, editor of Opera magazine and classical music critic with The Daily Telegraph: 'It's gratifying to see how the International Opera Awards just keep growing. With a record number of nominations to consider, and our biggest and most international jury yet, I'm delighted to say that our exciting shortlists-covering six continents and around 30 countries-reflect the truly cosmopolitan nature of the art form. Despite the challenges faced by opera companies almost everywhere, opera is vibrantly alive.'
Houston Grand Opera (HGO) will present its 2018-19 season in its creative home at Houston's Wortham Theater Center after a year of displacement due to damage to the building from Hurricane Harvey. The 64th season will open October 19, 2018, with HGO's first performances in 20 years of Wagner's romantic ghost story The Flying Dutchman, in a new production featuring baritoneAndrzej Dobber as the Dutchman and the role debut of award-winning American soprano and HGO Studio alumna Rachel Willis-S rensen as Senta. To close the season, the new Kasper Holten production of Mozart's Don Giovanni featuring the HGO debut of baritone Philippe Sly in the title role and the role debut of soprano Ailyn P rez as Donna Anna will be presented in repertory with The Phoenix, a world premiere about the colorful life of Lorenzo da Ponte, Mozart's librettist for the masterful Don Giovanni, The Marriage of Figaro, and Cos fan tutte. The new work, written by composer Tarik O'Regan and librettist John Caird, will star renowned baritone Thomas Hampson as Lorenzo da Ponte in a belated HGO debut and bass-baritone Luca Pisaroni as Da Ponte's son, Lorenzo. HGO will also present a revival of Daniel Cat n's ethereal Florencia en el Amazonas with internationally acclaimed soprano and HGO Studio alumna Ana Mar a Mart nez in the title role; the first HGO presentation of Bizet's The Pearl Fishers with the stellar tenor and baritone pairing of Lawrence Brownlee and Mariusz Kwiecien in the title roles along with soprano Andrea Carroll; and the return of HGO's 2012 production of Puccini's perennial classic La boh me, featuring the role debut of soprano and HGO Studio alumna Nicole Heaston as Mim .
Houston Grand Opera (HGO) will present its 2018 19 season in its creative home at Houston's Wortham Theater Center after a year of displacement due to damage to the building from Hurricane Harvey.
The Royal Conservatory previews 10th anniversary concert season in Koerner Hall. 21 Classical And 7 Jazz Concerts Announced For The 2018-19 Season
Over 600 opera aficionados - including Honored Guests Martina Arroyo, Candice Bergen, Kristin Chenoweth, Marilyn Horne, James Morris, Diane Sawyer and Teresa Stratas - attended the 83rd Annual Metropolitan Opera Guild Luncheon at Cipriani 42nd Street on Thursday, December 7th. This year's honoree, Ren e Fleming, was acknowledged for her immense contribution to opera and music. BroadwayWorld has photos from the event below!
Over 600 opera aficionados including Honored Guests Martina Arroyo, Candice Bergen, Kristin Chenoweth, Marilyn Horne, James Morris, Diane Sawyer and Teresa Stratas attended the 83rd Annual Metropolitan Opera Guild Luncheon at Cipriani 42nd Street on Thursday, December 7th. This year's honoree, Ren e Fleming, was acknowledged for her immense contribution to opera and music. Spoken and musical tributes were delivered by Peter Gelb, Ann Patchett and Luca Pisaroni, along with a performance by The Metropolitan Opera Guild's Urban Voices, a choral music initiative that involves nearly 4,000 students and teachers every year.
Sir Richard Eyre's staging of Le Nozze di Figaro, with the action of Mozart's masterpiece relocated to 1930s Seville, returns to the Met on December 6 for 11 performances through to January 19, conducted by Harry Bicket. Initial performances feature soprano Christiane Karg making her Met debut as the maid Susanna, opposite bass-baritone Adam Plachetka as her fianc , the valet Figaro. Soprano Rachel Willis-S rensen stars as the Countess, a role she sang for her Met debut in the production in 2014, opposite bass-baritone Luca Pisaroni also reprising his interpretation as Count Almaviva, with mezzo-soprano Serena Malfi as his page, Cherubino.
Sir Richard Eyre's staging of Le Nozze di Figaro, with the action of Mozart's masterpiece relocated to 1930s Seville, returns to the Met on December 6 for 11 performances through to January 19, conducted by Harry Bicket. Initial performances feature soprano Christiane Karg making her Met debut as the maid Susanna, opposite bass-baritone Adam Plachetka as her fianc , the valet Figaro. Soprano Rachel Willis-S rensen stars as the Countess, a role she sang for her Met debut in the production in 2014, opposite bass-baritone Luca Pisaroni also reprising his interpretation as Count Almaviva, with mezzo-soprano Serena Malfi as his page, Cherubino.
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