?To open its 61st season, Lyric Opera of Chicago presents Mozart's joyous comedy The Marriage of Figaro, conducted by Henrik Nanasi in a glamorous new production from renowned director Barbara Gaines, founder and artistic director of Chicago Shakespeare Theater.
CHICAGO – To open its 61st season, Lyric Opera of Chicago presents Mozart's joyous comedy The Marriage of Figaro, conducted by Henrik Nánási in a glamorous new production from renowned director Barbara Gaines, founder and artistic director of Chicago Shakespeare Theater. The Marriage of Figaro is Gaines' first non-Shakespearean opera, following her acclaimed operatic debut staging Verdi's Macbeth at Lyric in 2010.
CHICAGO – To open its 61st season, Lyric Opera of Chicago presents Mozart's joyous comedy The Marriage of Figaro, conducted by Henrik Nánási in a glamorous new production from renowned director Barbara Gaines, founder and artistic director of Chicago Shakespeare Theater. The Marriage of Figaro is Gaines' first non-Shakespearean opera, following her acclaimed operatic debut staging Verdi's Macbeth at Lyric in 2010.
Lyric Opera of Chicago launches its new season with the 15th annual Stars of Lyric Opera at Millennium Park concert at the Jay Pritzker Pavilion on Friday, Sept. 11, at 7:30 p.m. The free outdoor performance, presented in cooperation with the Chicago Department of Cultural Affairs and Special Events, annually attracts capacity crowds of 16,000 to the pavilion, great lawn, and surrounding areas of the park.
San Francisco Opera partners with the San Francisco Giants and presenting sponsor Taube Philanthropies for Opera at the Ballpark-a free live simulcast of Wolfgang Amadeus Mozart's The Marriage of Figaro-on Friday, July 3, 2015 at 7:30 p.m. Baseball and opera fans alike will have a chance to experience Mozart's sparkling comedy in the beautiful, under-the-stars setting of San Francisco's AT&T Park with seating both on the field and in the stands. Register now for early entry to ensure best seating at sfopera.com/simulcast.
On Sunday, June 14, San Francisco Opera begins a revival of Wolfgang Amadeus Mozart's sparkling comedy The Marriage of Figaro (Le Nozze di Figaro) as part of the Company's 2015 Summer Season.
On Sunday, June 14, San Francisco Opera begins a revival of Wolfgang Amadeus Mozart's sparkling comedy The Marriage of Figaro (Le Nozze di Figaro) as part of the Company's 2015 Summer Season. The production, featuring a stellar cast of dynamic, young singers, is conducted by Principal Guest Conductor Patrick Summers and continues through Sunday, July 5 at the War Memorial Opera House. In conjunction with these performances, San Francisco Opera returns to AT&T Park, home of the San Francisco Giants, for a free live simulcast of The Marriage of Figaro on Friday, July 3. BroadwayWorld has a first look at the cast onstage below!
The Metropolitan Opera's annual Summer HD Festival, which presents free outdoor screenings of operas on Lincoln Center Plaza each summer, will return with 10 screenings of performances featuring the company's leading artists in a varied selection of operas by Bartók, Bizet, Gounod, Mozart, Offenbach, Puccini, Tchaikovsky, and Verdi, running on consecutive nights from August 29 through September 7.
Lyric Opera of Chicago will begin a new chapter in its history with its 61st season - the first to be fully planned by general director Anthony Freud and music director Sir Andrew Davis. Lyric's two artistic leaders announced the repertoire and casting for the 2015-16 season today.
I consider Mozart's DON GIOVANNI at the top of my list of favorite operas--the music starts to go through my head without much encouragement and gets stuck there. Yet, it's also one of the most problematic in performance, calling for a large group of A-list singers to do justice to the ripe and sometimes rollicking score--and frequently falling short. Luckily for current audiences at the Met, the cast is headed by Swedish baritone Peter Mattei, who already triumphed in Mozart at the Met this season in the new NOZZE DI FIGARO and there are enough other first-rate principals to make it work.
Alan Gilbert, music director of the New York Philharmonic, conducts Mozart's Don Giovanni with an internationally renowned cast led by Swedish baritone Peter Mattei, who is widely recognized as one of the world's foremost interpreters of the title role. South African soprano Elza van den Heever returns to the Met for the first time since her acclaimed debut two seasons ago as Queen Elizabeth I in Donizetti's Maria Stuarda. In Don Giovanni, she takes on the demanding role of Donna Anna, who seeks to exact revenge on the infamous rake who has killed her father. British sopranoEmma Bell returns as the lovelorn Donna Elvira and young American mezzo-soprano Kate Lindsey adds a new role to her Met repertory as the ingenue Zerlina. Russian tenor Dmitry Korchak makes his Met debut as Anna's patient fiance, Don Ottavio, and Italian bass-baritone Luca Pisaroni returns as Don Giovanni's comic sidekick, Leporello, a role that won him plaudits at the 2011 premiere of this production by Michael Grandage. Czech bass-baritone Adam Plachetka makes his Met debut as Masetto, and veteran James Morris sings the role of the Commendatore, following his triumph as Hans Sachs in Die Meistersinger von Nurnberg earlier this season. Sets and costume designs are by Christopher Oram, lighting by Paule Constable, and choreography by Ben Wright. At the final performance on March 6, Jennifer Check will sing Donna Elvira, and Ievgen Orlov will sing the Commendatore.
Following the final performances in his celebrated Nielsen Project and his triumphant Verdi Requiem with the New York Philharmonic, Alan Gilbert returns to the Metropolitan Opera for the first time in seven years to conduct ten performances of Mozart's Don Giovanni, from tonight, February 4 to March 6, leading Mozart's retelling of the Don Juan legend in Michael Grandage's production.
Following the final performances in his celebrated Nielsen Project and his triumphant Verdi Requiem with the New York Philharmonic, Alan Gilbert returns to the Metropolitan Opera for the first time in seven years to conduct ten performances of Mozart's Don Giovanni, from February 4 to March 6, leading Mozart's retelling of the Don Juan legend in Michael Grandage's production.
Following the final performances in his celebrated Nielsen Project and his triumphant Verdi Requiem with the New York Philharmonic, Alan Gilbert returns to the Metropolitan Opera for the first time in seven years to conduct ten performances of Mozart's Don Giovanni, from February 4 to March 6, leading Mozart's retelling of the Don Juan legend in Michael Grandage's production.
Toronto – The world premiere of a new Canadian work was one of the many operatic highlights revealed today at the public launch of the Canadian Opera Company's 2015/2016season at the Four Seasons Centre for the Performing Arts. The COC's 65th season is once again comprised entirely of company productions, four of which are new to Toronto audiences, and features the COC's first mainstage world premiere since 1999, COC premieres of opera rarities and the revival of classic masterpieces.
Los Angeles Philharmonic presents Anthony Newman, John Adams, Kremer & Trifonov in Recital, and more January-March 2015 at the Walt Disney Concert Hall.
Principal Conductor Pablo Heras-Casado returns to Carnegie Hall tonight, November 6 at 8:00 p.m. in Stern Auditorium / Perelman Stage, leading Orchestra of St. Luke's in the first of three Carnegie Hall concerts this season as part of the orchestra's 40th anniversary celebration.
Orchestra of St. Luke's (OSL) principal conductor, Pablo Heras-Casado, conducts the first concert of the orchestra's 40th anniversary season in a program of seemingly disparate works that Heras-Casado explains are connected by their fantastical inspirations and evocative atmospheres. This varied program reflects OSL's trademark versatility, a quality that St. Luke's has prided itself on since its inception.
A performance of Verdi's Requiem that is a tripartite collaboration highlights the 2014-15 season of Kent Tritle, called 'New York's reigning choral conductor' by The New York Times. In an event emblematic of Kent's multiple roles in the city's choral life, he will conduct a performance of the massive work by the Oratorio Society of New York, of which he is Music Director, and the Symphony and Symphonic Chorus of the Manhattan School of Music, where he is Director of Choral Activities, in the grand space of the Cathedral of St. John the Divine, where he is Director of Cathedral Music and Organist -- with a new choral configuration that features the more-than-250 singers on risers in the cathedral's Great Choir space.
Principal Conductor Pablo Heras-Casado returns to Carnegie Hall on Thursday, November 6 at 8:00 p.m. in Stern Auditorium / Perelman Stage, leading Orchestra of St. Luke's in the first of three Carnegie Hall concerts this season as part of the orchestra's 40th anniversary celebration.
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