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Cleveland Play House Reimagines Iconic Horror Story, MARY SHELLEY'S FRANKENSTEIN

Mary Shelley's shocking classic novel, Frankenstein, receives new life at Cleveland Play House. A haunting and highly theatrical adaptation of the classic horror story. Directed by Michael Barakiva, the production features Josh Bates, Madeline Calais, Ellen Grace Diehl, Gavin Michaels, and Kayodè Soyemi.

Review: MARY SHELLEY'S FRANKENSTEIN at Indiana Repertory Theatre

Do you think you know the story of Frankenstein? Do you picture a green-skinned creature with bolts in his neck? The true story is less about the monster than it is about its creator and this adaptation looks closely at the writer behind the story. It's a tale of man's hubris and catastrophic guilt and how very human those things are.

Review: SALTY BRINE: BIGMOUTH STRIKES AGAIN – THE SMITHS SHOW, Soho Theatre

The concept of Salty Brine: Bigmouth Strikes Again – The Smiths Show is quite a fascinating one. The show, created and performed by Salty Brine, merges Mary Shelley’s iconic Frankenstein novel, The Smiths’ The Queen is Dead, and some personal stories. How can something like this possibly work? Luckily, Salty Brine knows exactly what he is doing

Burning Coal Theatre Company Presents ARCADIA By Tom Stoppard

Burning Coal Theatre Company has announced its production of Tom Stoppard's' Arcadia, directed by Jerome Davis. Arcadia will run October 12 – 29, 2023, at the Murphey School, located at 224 Polk Street, Raleigh, NC 27604.

Review: SAVOR AFTER HOURS at JaM Cellars Ballroom is a Sensory Sensation

For thousands of years, wine has inspired creativity and evoked emotions. There have been gods dedicated to it and cults born from it. Few have poeticized it better than Lord Byron when he said, “Wine cheers the sad, revives the old, inspires the young, and makes weariness forget his toil.” Now, in a new show created by director Mark Swanhart, wine and dance are joined in a marriage of sensory and sensual perfection. SAVOR After Hours conveys Swanhart’s vision of encompassing all five senses while experiencing the pleasure of a glass of wine. He shares with us that, “when I drink a glass of wine, so much more is going on…a feeling, a memory, an emotion. So, the idea was to take the audience on that ride.”

Princeton Symphony Orchestra Presents AN AMERICAN IN PARIS and HAROLD IN ITALY

At concerts on Saturday, May 13 at 8pm and Sunday, May 14 at 4pm, the Princeton Symphony Orchestra (PSO) takes audience members to Paris and on a tour of Italy through George Gershwin’s An American in Paris and Hector Berlioz’s Harold in Italy, featuring internationally renowned violist Roberto Díaz as soloist.

Write Out Loud Presents SCI-FI What Else Might There Be? at Old Town Theatre

Write Out Loud - an organization founded in 2007 with a commitment to inspire, challenge and entertain by reading short stories aloud for a live audience to continue their 16th Season of Story Concerts with SCI-FI What Else Might There Be? on Monday, April 10th at the Old Town Theatre.

Theater For The New City Presents ADA

Theater for the New City presents ADA by Demetria Daniels from February 16 to March 5, 2023 at the Johnson Theater, 155 First Avenue, New York, 10003.

Review: FRANKENSTEIN Resurrects a Classic at Prime Stage

What did our critic think of FRANKENSTEIN at Prime Stage? I'm a lifelong horror buff, devouring the Famous Monsters of Filmland on celluloid and printed page, as well as the artsy, philosophical 'elevated horror' that has become a literary and cinematic movement in the last decade. Both the schlocky and the thoughtful branches of horror can both trace their roots back to the shadow cast by Mary Shelley's Frankenstein and its innumerable adaptations. For whatever reason, her novel itself has never been a favorite of mine, though I love the way she bucked convention and gender roles to invent literary science fiction and elevated horror. Maybe it's because Frankenstein has transcended being a character on the page in a story with a beginning and end, and become a genuine folk icon. Even a perfect adaptation of Shelley's novel will feel incomplete because the idea of Frankenstein is now so much bigger than the text of Frankenstein. Here, science fiction writer Lawrence C. Connolly and director Liam Macik thread the needle of the Frankenstein myth in an adaptation that stays unusually true to Shelley's novel but nods to sources beyond.

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