Two-time OnComm award-winning, The Show Must Go Online, the global digital theatre movement producing live performances of the chronology of Shakespeare's plays weekly, today announce the full cast for their upcoming livestreamed performed reading of William Shakespeare's Timon of Athens with Ben Crystal in the titular role and introduced by Sir Simon Russell Beale.
Two women-centric theaters in Baltimore have joined forces for a new festival that celebrates Black womxn voices. Strand Theater Company and the new Two Strikes Theatre Collective announce the ten plays that will be produced in the inaugural Brown Sugar Bake-Off: A Black Womxn Virtual Play Festival.
The Show Must Go Online today announced the full cast for their upcoming livestreamed readings of William Shakespeare's Richard II, and a special performance of scenes from Ian Doescher's Much Ado About Mean Girls, presented by Quirk Books as part of their Pop Shakespeare Events.
Who What Where and Ruthie are teaming up again for Spark, a romantic comedy about Scotti and June, who fall for each other at Club Spark, a seedy sex club. This time instead of a house, the stage is Zoom. Spark, directed by Chelsea Radigan, is a one-time virtual reading, which is going to be livestreamed on YouTube on April 30th.
The final chapter of The King's Shadow is about to begin. Henry the Fifth, opening March 14, 2020, completes the first season in Brave Spirits Theatre's two-year project to stage Shakespeare's eight history plays about the Wars of the Roses. During a tumultuous period of less than a hundred years, England experienced civil war and political upheaval as the throne switched hands nine times. Shakespeare dramatized these events over the course of his career in eight remarkable plays: Richard the Second, Henry the Fourth Part 1, Henry the Fourth Part 2, Henry the Fifth, Henry the Sixth Part 1, Henry the Sixth Part 2, Henry the Sixth Part 3, and Richard the Third. Brave Spirits Theatre is making history by becoming the first professional American theatre company to mount full productions of Shakespeare's two tetralogies and perform them in repertory.
With the mayhem, warfare and epic egos of Henry the Fourth, Part 1 well under their belts, Brave Spirits Theatre now turns its talents towards one of the more challenging history plays in Shakespeare's canon, Henry the Fourth, Part 2. Director Charlene V. Smith continues to find new gems here among the many performers, and there are some moments that truly shine here.
This is the second installment in Charlene V. Smith's four-play repertory project, and judging from the quality of the work here, Washington theatregoers are in for a truly rewarding experience of the Histories, well into April. Brave Spirits is well on their way to one of the more vital repertory seasons inside the Beltway that we have seen in quite some time.
One of D.C.'s finer classical companies, Brave Spirits, has embarked on a two-year repertory of William Shakespeare's history plays. Leading off this ambitious project is Charlene V. Smith's razor-sharp production of a?oeRichard II.a?? Smith has assembled a cast that is assured in its understanding of Shakespeare's language; more importantly, she has nurtured some of the most creative, nuanced readings of the Bard's famous speeches I have ever heard.
During a tumultuous period of less than a hundred years, England experienced civil war and political upheaval as the throne switched hands nine times. Shakespeare dramatized these events over the course of his career in eight remarkable plays: Richard the Second, Henry the Fourth Part 1, Henry the Fourth Part 2, Henry the Fifth, Henry the Sixth Part 1, Henry the Sixth Part 2, Henry the Sixth Part 3, and Richard the Third. With an ensemble of twenty actors, Brave Spirits Theatre will stage these eight plays over the next two years, culminating in marathon performance weekends during July 2021.
The North Texas Performing Arts Academy is setting enrollment records in its second year. The Academy's inaugural class consists of 35 students, and after just one year NTPA plans to double enrollment of full and part-time students making it the largest private arts academy in North Texas. The Academy will cap its enrollment this year to maintain its quality standards and personalized instruction.
BST's 2018 repertory explores war and winning from opposite perspectives. As civil unrest threatens political upheaval, the war hero Coriolanus is driven to defend and then destroy his own country. Shakespeare's last tragedy takes a piercing look at men who cannot leave war behind. Performed as part of the Women's Voices Theater Festival, The Trojan Women Project explores the timeless story of The Trojan Women to illuminate modern women's relationships to sexuality, politics, and violence. This intersectional look at American women asks why our gender isn't enough to unite us and whether we are the losers in the American Dream.
Doctor Faustus transforms into a production about how a woman is manipulated by the world around her. With a solid cast, Brave Spirits Theatre's production turns Marlowe's vision on its head and explores it through a feminist lens.
Brave Spirits Theatre updates the classic tale of a man who sells his soul to the devil to explore ambition and power from a woman's point-of-view. In her quest to get everything she's ever wanted, Joan Faustus pays the ultimate price: her soul.
Guillotine Theatre presents a world premiere of Lisa Alapick's THE NASTY WOMEN of the Ecstatic Rainbow Mystical Retreat as part of the Capital Fringe Festival. A new comedy inspired by The Bacchae, NASTY WOMEN re-imagines the central argument of Euripides' play in light of current political events.
Guillotine Theatre presents a world premiere of Lisa Alapick's THE NASTY WOMEN of the Ecstatic Rainbow Mystical Retreat as part of the Capital Fringe Festival. A new comedy inspired by The Bacchae, NASTY WOMEN re-imagines the central argument of Euripides' play in light of current political events.