Licia Albanese News

The New York Choral Society closes its 51st season with a performance of Mozart's Requiem, Leonard Bernstein's Chichester Psalms, and James DeMars' Tito's Say, on May 1, 2010 at Carnegie Hall, 8:00 PM. The esteemed chorus performs with the Brooklyn Philharmonic under the baton of NYCS Music Director John Daly Goodwin, alongside soloists Joyce El Khoury, soprano, Elizabeth Batton, mezzo-soprano, Michele Angelini, tenor, and Daniel Mobbs, bass-baritone.

The New York Philharmonic will present SONDHEIM: The Birthday Concert on March 15 and Tuesday, March 16, 2010, at 7:30 p.m. This celebration of the 80th birthday of the great Broadway and film composer/lyricist will include his most enduring orchestral music and songs - performed, in some cases, by the stars of the original Broadway cast productions - in addition to rarely-heard material. Joining the celebration will be (in alphabetical order) Michael Cerveris, Victoria Clark, Jason Danieley, Nathan Gunn, George Hearn, Patti LuPone, Marin Mazzie, Audra McDonald, Donna Murphy, Mandy Patinkin, Bernadette Peters, and others to be announced, including surprise guests. Paul Gemignani, Mr. Sondheim's longtime collaborator, will conduct the New York Philharmonic; Lonny Price is the director; and Mr. Price and Matt Cowart are the producers.

The John F. Kennedy Center for the Performing Arts will present Terrence McNally's Nights at the Opera - an event showcasing three of the playwright's works including Master Class, The Lisbon Traviata, and Golden Age concurrently in Kennedy Center theaters from March 20 - April 18, 2010. Directors include Walter Bobbie for Master Class and Christopher Ashley for The Lisbon Traviata.

The New York Philharmonic will present SONDHEIM: The Birthday Concert on March 15 and Tuesday, March 16, 2010, at 7:30 p.m.

David Hyde Pierce will host the New York Philharmonic's presentation of SONDHEIM: The Birthday Concert, Monday, March 15, and Tuesday, March 16, 2010, at 7:30 p.m.

Dynamic tenor José Cura sings the title role of Verdi's rarely performed Stiffelio, the composer's daring opera about faith, jealousy, and redemption.

Dynamic tenor José Cura sings the title role of Verdi's rarely performed Stiffelio, the composer's daring opera about faith, jealousy, and redemption.

The New York Philharmonic will present SONDHEIM: The Birthday Concert on March 15 and Tuesday, March 16, 2010, at 7:30 p.m. This celebration of the 80th birthday of the great Broadway and film composer/lyricist will include his most enduring orchestral music and songs - performed, in some cases, by the stars of the original Broadway cast productions - in addition to rarely-heard material. Joining the celebration will be (in alphabetical order) Michael Cerveris, Victoria Clark, Jason Danieley, Nathan Gunn, George Hearn, Patti LuPone, Marin Mazzie, Audra McDonald, Donna Murphy, Mandy Patinkin, Bernadette Peters, and others to be announced, including surprise guests. Paul Gemignani, Mr. Sondheim's longtime collaborator, will conduct the New York Philharmonic; Lonny Price is the director; and Mr. Price and Matt Cowart are the producers.

Broadway musical theatre icon Carol Lawrence received a Lifetime Achievement Award from the Licia Albanese-Puccini Foundation Sunday, October 18, 2009 at a 3:00 pm Gala concert in Zankel Hall at Carnegie Hall. Lawrence spoke to the Examiner.com's Steven Slatten about the honor, her career and the current revival of West Side Story.

Broadway musical theatre icon Carol Lawrence will receive a Lifetime Achievement Award from the Licia Albanese-Puccini Foundation Sunday, October 18, 2009 at a 3:00 pm Gala concert in Zankel Hall at Carnegie Hall, followed by Cocktails and Dinner at 6:30 pm at the New York Athletic Club.

Broadway musical theatre icon Carol Lawrence will receive a Lifetime Achievement Award from the Licia Albanese-Puccini Foundation Sunday, October 18, 2009 at a 3:00 pm Gala concert in Zankel Hall at Carnegie Hall, followed by Cocktails and Dinner at 6:30 pm at the New York Athletic Club.

FEINSTEIN'S AT LOEWS REGENCY, the nightclub proclaimed 'Best of New York' by New York Magazine and 'an invaluable New York institution' by The New York Post will continue its star-studded Fall 2009 season with the debut of DONALD BRASWELL - the opera star recently featured on 'America's Got Talent' - on Sunday, September 27.

On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees. Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.' Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.

Love! Rivalry! Politics! Pacific Lyric Association presents Luisa Fernanda, the last of the great Spanish zarzuelas by Federico Moreno Torroba. Four fully-staged performances of the complete libretto by Federico Romero and Guillermo Fernandez Shaw will take place at the 1000-seat Ricardo Montalban Theatre in Hollywood, February 19-21. Traveling from Spain to conduct the orchestra is the son of the composer, Federico Moreno-Torroba Larregla. Performances will be in Spanish with English supertitles. A zarzuela (pronounced zar zway' la) is a Spanish musical that blends the brilliance of Broadway with the passion of opera. The art form had its inception near Madrid in the 1640s. Legend says the name originates from a pavilion overgrown with blackberry bushes (zarzas) in a remote section of the city's El Prado Park, where actors gathered to present plays and entertain King Philip IV. Influenced over the centuries by Italian and French musical styles, but retaining a distinct personality, zarzuelas flourished as a popular entertainment in the 1920s and '30s. 'Unlike opera, zarzuelas are a form of populist entertainment,' explains Pacific Lyric Association artistic director, Madrid-born Carlos Oliva. 'The role of the story and dialogue is equally important to that of the singing and music - it's an early form of musical theater. It is paramount that the performers be strong actors as well as singers.'

On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees. Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.' Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.

Love! Rivalry! Politics! Pacific Lyric Association presents Luisa Fernanda, the last of the great Spanish zarzuelas by Federico Moreno Torroba. Four fully-staged performances of the complete libretto by Federico Romero and Guillermo Fernandez Shaw will take place at the 1000-seat Ricardo Montalban Theatre in Hollywood, February 19-21. Traveling from Spain to conduct the orchestra is the son of the composer, Federico Moreno-Torroba Larregla. Performances will be in Spanish with English supertitles. A zarzuela (pronounced zar zway' la) is a Spanish musical that blends the brilliance of Broadway with the passion of opera. The art form had its inception near Madrid in the 1640s. Legend says the name originates from a pavilion overgrown with blackberry bushes (zarzas) in a remote section of the city's El Prado Park, where actors gathered to present plays and entertain King Philip IV. Influenced over the centuries by Italian and French musical styles, but retaining a distinct personality, zarzuelas flourished as a popular entertainment in the 1920s and '30s. 'Unlike opera, zarzuelas are a form of populist entertainment,' explains Pacific Lyric Association artistic director, Madrid-born Carlos Oliva. 'The role of the story and dialogue is equally important to that of the singing and music - it's an early form of musical theater. It is paramount that the performers be strong actors as well as singers.'

The Dicapo Opera Theatre presented a glittering all Puccini program to celebrate the composer's 150th birthday at Lincoln Center's Rose Theater. The program featured arias and scenes from all of Puccini's operas- from LeVilli through the last music he composed and orchestrated for Turandot- including the Opening Act II of Edgar, and selections from both the Brescia and La Scala versions of Madama Butterfly.

Stacy Keach to guest star as Merlyn in the New York Philharmonic's 'Camalot' May 7-10, 2008

Dicapo Opera Theatre, New York's third opera company, opens its 2007-08 season with a new production of Charles Francois Gounod's Roméo et Juliette Thursday, October 4, at 6:30PM.

The New York Philharmonic presents Lerner and Loewe's My Fair Lady in four semi-staged performances, March 7-10, 2007. The musical - a New York Philharmonic premiere - will star Kelli O'Hara, Kelsey Grammer, Charles Kimbrough, Brian Dennehy, Marni Nixon and Tim Jerome.