Laura C Harris News

Some people go to the theater to find a place to escape from the world around them. If you are one of those people, Studio Theatre's production of Kings wont be your cup of tea. This production is often an uncomfortably real exploration of politics, lobbyists and daily life in the heart of our nation. It takes a moment for the plot to get moving, but once it has left the station, Kings proved to be a thoroughly enjoyable ride.

Shakespeare Theatre Company (STC) is delighted to announce its 2018-2019 ReDiscovery Reading Series will open on Monday, October 22 at the Lansburgh Theatre (450 7th Street NW) at 7:30 p.m. with Peerless, written by Jiehae Park.

Mosaic Theater Company's Production of Vicu a and the American Epilogue is in high demand and for good reason. If you're in DC and you meander to work every day in a cloud of existential dread wondering how we all got here and where our country could possibly be going, then I can't recommend this Trump-inspired satire highly enough. Written by Pulitzer Prize finalist John Robin Baitz (Other Desert Cities; Brothers and Sisters) and directed by Robert Eagan, this star-studded production has already been extended until December 3rd. Vicu a was originally produced to great critical acclaim during the 2016 election. The context of its incubation and inception is important, as at times the show feels disconnected from our current political reality. A new epilogue set 12 years in a dystopian future pulls the strands of past, present, and future together. It is sobering, eerie, and altogether necessary.

The second show of Mosaic Theater's Season Three, Vicu a & The American Epilogue, has been officially extended through December 3. Written by Jon Robin Baitz (Other Desert Cities; TV's Brothers & Sisters, and Feud Season 2) and directed by Robert Egan, this Trump-inspired satire stars John de Lancie (Star Trek, Breaking Bad) as a real estate mogul about to enter the final presidential debate of the 2016 campaign. It is followed by a haunting post-script set 12 years into the future assessing the state of the nation and all that's been wrought in the election's wake.

While there is nothing particularly easy about this play, it is a unique viewing experience that every area theatergoer should have.

The first show of Mosaic Theater's third season, The Devil's Music: The Life and Blues of Bessie Smith, has been officially extended through October 1.

If Studio Theatre has a go-to playwright, it's been Caryl Churchill, the award-winning British innovator and provocateur, whose season-opening 'Cloud 9' at the theater is as brash and challenging as anything on area stages, and yet was first written over 30 years ago.

Theatre and film nuts alike will be both entertained and affected by Annie Baker's Pulitzer Prize-winning play THE FLICK, a work which shows high emotions and drama can happen even in the most mundane of places.

Due to popular demand Virginia's Signature Theatre announces that Annie Baker's Pulitzer Prize-winning play The Flick is now extended through April 24, 2016. The Flick follows the story of three minimum wage employees at a crumbling Massachusetts movie theatre and was called "the best argument anyone has yet made for the continued necessity, and profound uniqueness, of theater' by New York Magazine. Annie Baker's Pulitzer Prize-winning play, directed by Joe Calarco, runs in Signature Theatre's intimate ARK Theatre, March 1 - April 24.

Annie Baker's Pulitzer Prize-winning play THE FLICK is making its DC area premiere in Signature Theatre's intimate ARK Theatre, March 1 - April 17. Signature Theatre recently released a video for the production - watch it below!

When Sarah Ruhl was a student at Brown University, she embarked on a journey that would culminate in her sprawling epic, Passion Play, which was first performed at Arena Stage in 2005. Her three act tome tells the story of a group of actors performing the story of the Crucifixion and Resurrection of Jesus Christ. Each act is set in a different time frame, yet what happens off-stage, which vaguely mirrors the actions on stage, is the heart of the story.

This play is not one for the books, but the production itself may be worth some look.

Red Speedo shows promise despite its flaws.

'Our Class' is certainly a difficult piece of theatre, but those who take the time to see this epic narrative will likely appreciate not only the artistic merits, but also the lessons that can still be learned from the story.