Desert Theatreworks (DTW) starts its 2022-23 season with a bang — its production of J. Dietz Osborne's and Nate Eppler's farce, SOUTHERN FRIED NUPTIALS, is a must-see. It is hilariously written, fabulously staged, and brilliantly acted.
Desert Theatreworks has mounted another must-see production with GUESS WHO'S COMING TO DINNER, Todd Kreidler's stage adaptation of the beloved Spencer Tracy - Katherine Hepburn motion picture. The direction, the acting, and the technical design and execution of the comedic drama are first-rate.
There is a new must-see production in the Coachella Valley: Desert Theatreworks’ presentation of LITTLE SHOP OF HORRORS, the rock musical mash-up of comedy, horror, and sci-fi, with music by Alan Menken and book and lyrics by Howard Ashman. The directing, acting, singing, dancing, puppetry, and all-around technical quality make for a delightful afternoon or evening of entertainment.
Desert Theatreworks has produced another winner: Neil Simon’s I OUGHT TO BE IN PICTURES. This story, with its emphasis on rekindling father-daughter love, is deeper than many of his plays. The two casts make the audience care about the characters. Director Daniela Ryan has done a superb job of coaxing brilliant performances from both.
In the past two decades I have had several opportunities to see Always, Patsy Cline and I always avoided the show, thinking 'A two-woman show can't be entertaining and besides, I don't like country music.' Please, please do not make the mistake I did. This show has only a few more performances in the Coachella Valley, and it is an incredibly entertaining and moving experience. Part celebrity concert, part Hallmark heart-warming tale, Desert Theatreworks' current production is a must-see!
Desert Theatreworks' production of Ron Clark's and Sam Bobrick's farce, MURDER AT THE HOWARD JOHNSON'S, is funny and imaginatively staged, and improves upon the source material. It will run Thursdays through Sundays, through November 21st
THE PRODUCERS, the first post-lockdown Desert Theatreworks (DTW) show, is perfect to welcome eager audiences back - a true winner. Ron and Lance Phillips, the married couple that operates DTW, took the opportunity of the hiatus to completely rework the Indio Performing Arts Center, adding a new 250-seat main stage for musicals. As most people know, the Mel Brooks show is loaded with bad taste, but is hilarious nonetheless.
It feels so great to see theatre doors opening which were locked by the pandemic. In March 2020, Desert Theatreworks had just opened one of their best musicals ever, The Producers, and were forced to close it after just one night. Now they are kicking off their 2021-22 season with that show which so few people got to see. In fact, the sets have sat on the stage for some 16 months.
Desert TheatreWorks (DTW) has announced its 2021-2022 season and invites interested actors, singers and dancers to audition. There will be four musicals (two of which will feature live bands) and three plays. Artistic Director Lance Phillips has chosen programs that he describes as “upbeat, fun, and an escape to a happy place.”
Just when gloom and doom seems to be coming at us from all angles, Desert Theatreworks presents one of the funniest, finest works they have ever staged. Following its laugh filled opening night, the company has put the show on hiatus per government guidelines, but it certainly must resume its run as soon as allowed.
Desert Theatreworks (DTW) has mounted an excellently acted, enjoyable, comedic production of Ken Ludwig's 2017 adaptation of Agatha Christie's MURDER ON THE ORIENT EXPRESS. The script drags in spots, but director Lance Phillips-Martinez has created a visual feast that keeps the audience's attention.
Desert Theatreworks has kicked off their 2019/2020 season of community inspired theatre with a frothy toast of champagne: a laugh-a-minute comedy called The Savannah Sipping Society. A group of women of a certain age, each of whom is facing a new situation in their lives, meet almost coincidentally. Three of them have enrolled in a Hot Yoga class, thinking that the term a?oeHota?? meant it would be hot fun. We meet them as they escape the torturously overheated room, and they agree to meet later that week for drinks and nibbles. A fourth lady joins them for their drinks, and the stage is set for two thoroughly enjoyable hours.
When I hear the term "Summer Camp," I have an idyllic vision of canoes on a lake, arts and crafts (I was a whiz at braiding lanyards), and sappy songs around a campfire. That vision, as Margaret once said, is "gone with the wind." Today's youth want to have a good time exploring more relevant skills such as acting, singing and dancing. This month, the Valley's largest theatre camp, KidsWorks in Indio, will be performing three different shows. It looks like they are worthy of our attention.
Desert Theatreworks, the Valley's fastest-growing theatre company, has stepped outside of their pattern of familiar Broadway hits with their current production of Real Women Have Curves. The audience is the winner! Director Rebecca Havely has taken five dynamite actresses, a 1987 script, and presented a production that is as relevant as this morning's headlines. Fortunately, it is delivered with so many laughs and so much love that any messages and societal observations are secondary. It's a genuine feel-good evening in the theatre.
Desert Theatreworks' (DTW's) encore presentation of Billy Van Zandt's and Jane Milmore's LOVE, SEX AND THE I.R.S. is a riotous farce with fabulous acting, brilliant direction, exquisite comic timing, and nonstop laughs - an evening of fun not to be missed.
If you hear an explosion of energy coming from the east end of the valley over the next couple of weekends, it is almost certainly the production of Hairspray at Indio's Desert Theatreworks. I enjoyed virtually every detail of the production so much that it's hard to know where to start. The performers, the sets, the singing, the dancing, and above all, the exuberance grab us from our chilly winter evenings and whisk us away to a truly happy place!
Indio's Desert Theatreworks has scored another bullseye with their current production of Neil Simon's Brighton Beach Memoirs. Simon's semi-autobiographical memory piece about his early teenage years in a crowded Brooklyn tenement is delivered in a finely-nuanced performance by a dream cast in the capable hands of director Rebecca Havely. As a result, the tale of a young teen's personal growth and exploration, set against a house full of family conflict and financial strife, takes the audience on a ride which they all seemed to greatly enjoy on the evening I viewed the show.
Alisha Bates, from La Quinta, is planning to sing and dance from California to Europe, as part of the January 2019 UP WITH PEOPLE six-month tour. She is currently trying to raise the final $3000 to participate.