Theaterlab presents True Believer, a new play about identity, radicalism, and the passion of youth by Asa Merritt. Joshua Kahan Brody directs Kersti Bryan* in a solo performance with original live music by Bay Bryan. Thirteen performances will be staged at Theaterlab, 357 West 36th Street, 3rd Floor in NYC from April 17-May 9, 2015.
It was a winning night at Fenway Park for the Commonwealth Shakespeare Company and the hometown fans as they celebrated with an all-star roster for SHAKESPEARE AT FENWAY. The one-night event had comedy, tragedy, and some extra excitement (not unlike the Red Sox) for a great start to CSC's 20th anniversary season.
August Strindberg's 'To Damascus, Part 1' will be adapted to Harlem, 1962 in the next production of August Strindberg Repertory Theatre (www.strindberg.org). The play will be presented with a multi-racial cast today, April 18 to May 11 at the Gene Frankel Theatre, 24 Bond Street (East Village).
An author's spiritual downfall and redemption presents many mysteries in one of Strindberg's greatest plays, reset into Harlem, 1962. August Strindberg Repertory presents a new adaptation of 'TO DAMASCUS, PART 1' by August Strindberg, directed by Robert Greer and running April 18 to May 11, 2014.
August Strindberg's 'To Damascus, Part 1' will be adapted to Harlem, 1962 in the next production of August Strindberg Repertory Theatre (www.strindberg.org). The play will be presented with a multi-racial cast April 18 to May 11 at the Gene Frankel Theatre, 24 Bond Street (East Village). It is the first part of a trilogy (called 'The Road to Damascus' in earlier translations) that has been described as 'Strindberg's most complex plays' and as 'his greatest plays,' due to their synthesis of a wide variety of myths, symbols and ideas with a profound spiritual analysis in a new dramatic form. August Strindberg Rep will present Part 2 in March, 2015 and Part 3 in 2016. It will be the first time the trilogy will have been presented complete in any language in 99 years.
In celebration of Pinter's long friendship with 92Y's Poetry Center and the centenary of Swann's Way, 92Y presents a staged reading of the play (Remembrance of Things Past), affording us "the pleasure of providing yet another angle of perception upon a work so elaborate and many-faceted it never fails to give back new light," wrote John Updike.
August Strindberg Repertory Theatre (www.strindberg.org), which was formed in 2012 to illuminate Strindberg's plays for today's American audiences, will present the English language premiere of Strindberg's 'Mr. Bengt's Wife' (1882), directed by Craig Baldwin (Associate Artistic Director of Red Bull Theater) tonight, September 6 to 29, 2013 at the Gene Frankel Theatre, 24 Bond Street, where August Strindberg Rep is the resident company.
August Strindberg Repertory Theatre (www.strindberg.org), which was formed in 2012 to illuminate Strindberg's plays for today's American audiences, will present the English language premiere of Strindberg's 'Mr. Bengt's Wife' (1882), directed by Craig Baldwin (Associate Artistic Director of Red Bull Theater) September 13 to 29, 2013 at the Gene Frankel Theatre, 24 Bond Street, where August Strindberg Rep is the resident company. 'Mr. Bengt's Wife' has been characterized as Strindberg's answer to Ibsen's 'The Doll's House.' It utilizes realism, expressionism, melodrama and dreamscape to tell the story of the rebellious Margit, whose quest to become an independent New Woman catapults her from a convent to a castle, where her husband and two lovers vie for her attention.
August Strindberg Repertory Theatre (www.strindberg.org), which was formed in 2012 to illuminate Strindberg's plays for today's American audiences, will present the English language premiere of Strindberg's 'Mr. Bengt's Wife' (1882), directed by Craig Baldwin (Associate Artistic Director of Red Bull Theater) September 6 to 29, 2013 at the Gene Frankel Theatre, 24 Bond Street, where August Strindberg Rep is the resident company. 'Mr. Bengt's Wife' has been characterized as Strindberg's answer to Ibsen's 'The Doll's House.' It utilizes realism, expressionism, melodrama and dreamscape to tell the story of the rebellious Margit, whose quest to become an independent New Woman catapults her from a convent to a castle, where her husband and two lovers vie for her attention.
New York Classical Theatre will kick off its summer season with a roving outdoor production of Anton Chekhov's comedy 'The Seagull,' which it will present for free in Central Park before heading to Prospect Park for the company's Brooklyn debut.
The Boston Theater Critics Association previously announced its nominations for the 30h Anniversary Elliot Norton Awards. The awards, which recognize excellence in Greater Boston theater, are to be presented tonight, May 21, at 7 p.m. at the Paramount Mainstage, 559 Washington Street, Boston.
The Boston Theater Critics Association has announced its nominations for the 30h Anniversary Elliot Norton Awards. The awards, which recognize excellence in Greater Boston theater, will be presented on Monday, May 21, at 7 p.m. at the Paramount Mainstage, 559 Washington Street, Boston.
Manhattan born Arthur Miller is one of the most highly esteemed American playwrights. He is recognized for his insight and keen perception into the tribulations of the American working class. His play Death of a Salesman won Miller the Pulitzer Prize for Drama in 1949. Miller's other best known works include The Man Who Had All The Luck, A View From the Bridge, and After The Fall.
A continent away and exactly 345 years to the day after it premiered at the Theatre du Palais-Royal in Paris, The Shakespeare Theatre of New Jersey will officially open its production of Moliere's The Misanthrope, translated into English verse by Richard Wilbur.
The sound of Carnival carousing and swordfights will fill the World Financial Center this March when it hosts Aphra Behn's seminal play The Rover, the prototypical bawdy feminist romp that was written by the first professional female playwright in the English language.
The sound of Carnival carousing and swordfights will fill the World Financial Center this March when it hosts Aphra Behn's seminal play The Rover, the prototypical bawdy feminist romp that was written by the first professional female playwright in the English language.
The sound of Carnival carousing and swordfights will fill the World Financial Center this March when it hosts Aphra Behn's seminal play The Rover, the prototypical bawdy feminist romp that was written by the first professional female playwright in the English language.
WINGSPAN ARTS and NYU Players Club ends run of William Shakespeare's As You Like It, an exciting collaboration between professional actors and NYU theatre students, on April 18.