Birth Place: Birmingham, ENGLAND
Silver Spring Stage presents Orson's Shadow by Austin Pendleton, directed and produced by Seth Ghitelman, which draws back the curtain on a fascinating and witty portrayal of theater titans jockeying for control while rehearsing a new play. Orson's Shadow, the area community theater premiere, will perform weekends January 9 to January 31, 2015.
Steppenwolf Theatre Company Artistic Director Martha Lavey engages in conversation with John Lahr about his latest book, Tennessee Williams: Mad Pilgrimage of the Flesh in a special one-night-only event, Monday, October 13 at 7pm in the Downstairs Theatre. Lahr, who served as senior drama critic for The New Yorker for more than two decades, recently released his twentieth book, an authoritative, extraordinary biography on Tennessee Williams that invites intimate access into the mind of a playwright whose work reshaped the American theater. The conversation will include a Q&A, followed by a book signing in the lobby. Tickets are $10 and are available through Audience Services (1650 N Halsted), at 312-335-1650 or at steppenwolf.org.
A new featurette showcasing the Blu-ray debut of master director Roman Polanski's adaptation of William Shakespeare's bloody tragedy MACBETH is now available to view.
Steppenwolf Theatre Company Artistic Director Martha Lavey engages in conversation with John Lahr about his latest book, Tennessee Williams: Mad Pilgrimage of the Flesh in a special one-night-only event on Monday, October 13 at 7pm in the Downstairs Theatre.
Distinguished actors Simon Callow, Albert Finney and Patrick Stewart will be among those taking part in Chichester Festival Theatre's celebrations to mark its long association with playwright Peter Shaffer.
Rosalie Craig and Shaun Evans lead the cast of Miss Julie / Black Comedy at Chichester, a new production of an acclaimed double bill which celebrates a key moment in this Theatre's history, and its long association with playwright Peter Shaffer.
Distinguished actors Simon Callow, Albert Finney and Patrick Stewart will be among those taking part in Chichester Festival Theatre's celebrations to mark its long association with playwright Peter Shaffer.
Rosalie Craig and Shaun Evans lead the cast of Miss Julie / Black Comedy at Chichester, a new production of an acclaimed double bill which celebrates a key moment in this Theatre's history, and its long association with playwright Peter Shaffer.
Burbage Theatre Company is proving to be a gem of a small company. Last season's "The Liar" was one of the funnier, tighter, and most professional shows I saw all of last year, and this Spring's production of "Orson's Shadow" by Austin Pendleton is every bit as good. The show is the 2nd in a shortened, 3-play season BTC is staging at the Artists' Exchange in Cranston, bookended by the recently closed "Doctor Cerberus" and the about to open "The Bald Soprano," by Eugene Ionesco.
Rosalie Craig and Shaun Evans lead the cast of Miss Julie / Black Comedy at Chichester, a new production of an acclaimed double bill which celebrates a key moment in this Theatre's history, and its long association with playwright Peter Shaffer.
59E59 Theaters will welcome the US premiere of PAT KIRKWOOD IS ANGRY, written by Jessica Walker, with Joseph Atkins at the piano, and directed by Lee Blakeley, with musical arrangements by James Holmes. PAT KIRKWOOD IS ANGRY begins performances on Tuesday, June 10 for a limited engagement through Sunday, June 29. Press opening is Sunday, June 15 at 7:30 PM. The performance schedule is Tuesday - Thursday at 7:30 PM; Friday at 8:30 PM; Saturday at 2:30 PM & 8:30 PM; and Sunday at 3:30 PM & 7:30 PM. Performances are at 59E59 Theaters (59 East 59th Street, between Park and Madison Avenues). Tickets are $25 ($17.50 for 59E59 Members). To purchase tickets, call Ticket Central at (212) 279-4200 or go to www.59e59.org.
Artists' Exchange has announced its upcoming camps, productions and events. Details below!
The Carol Tambor Theatrical Foundation is thrilled to announce the U.S. premiere of the stage adaptation of Toni Bentley's groundbreaking erotic memoir THE SURRENDER, directed by Zishan Ugurlu and starring Laura Campbell. THE SURRENDER will have its U.S. debut following critically acclaimed productions by the Spanish National Theatre (Centro Dramatico Nacional) in Madrid and the Edinburgh Festival Fringe 2013. Performances begin on Wednesday, January 8 for a limited engagement through Sunday, February 2 at The Clurman Theatre on Theatre Row (410 West 42nd Street, between 9th and 10th Avenues). Opening Night is Wednesday, January 15 at 8 PM. The performance schedule is Tuesday at 7 PM; Wednesday - Friday at 8 PM; Saturday at 2 PM and 8 PM; Sunday at 3 PM. Tickets are $45 ($31.50 for preview performances from January 8-January 14). For tickets, which go one sale on Friday, December 6 at 12:30 PM, please call Telecharge at 212-239-6200 or visit at www.telecharge.com. For more information, visit www.thesurrendertheplay.com.
Riflettiamo su cosa vuol dire essere critico. Da un anno a questa parte, il Manifesto del Critico Teatrale e diventato la mia Bibbia. Di giorno in giorno, di recensione in recensione, cerco di attenermi ai punti elencati dall'americano Chris Caggiano: prima, per amore del teatro musicale tendevo a tacere sui difetti degli spettacoli che avevo davanti; adesso, proprio in virtu di quell'amore per il teatro musicale, mi sono reso conto che questo atteggiamento non e salutare. Il critico - specialmente in un periodo in cui la gente sceglie oculatamente cosa andare a vedere a teatro - deve fungere da guida per i suoi lettori e, pur non mettendo da parte il cuore, dev'essere onesto nei loro confronti.
During rehearsals for The Winslow Boy, Education Dramaturg Ted Sod spoke with Director Lindsay Posner about his thoughts on the play.
Today we are talking to a legendary triple-threat performer who over the course of her unique career has become one of a select few in show business to have attained the entertainment quadruple crown - Emmy, Grammy, Oscar and Tony, that is; commonly referred to as the EGOT - the exceptionally gifted Rita Moreno. Exploring many aspects of her revealing and absorbing new autobiography RITA MORENO: A MEMOIR, Moreno opens up about her unique and boundary-breaking career in Hollywood and on Broadway, having appearing in three of the greatest movie musicals of all time - SINGIN' IN THE RAIN, THE KING & I and WEST SIDE STORY - as well as in the Mike Nichols classic CARNAL KNOWLEDGE, in addition to an impressive list of TV and theatre credits. Additionally, Moreno reveals her insights into the creative process itself and the strides she made in the industry as the first Latin American actress to win an Academy Award. Plus, memories of starring in Terrence McNally's THE RITZ on Broadway and its subsequent film adaptation, as well as a rich recounting of her time starring in the original West End production of Andrew Lloyd Webber's SUNSET BOULEVARD as the one and only screen icon Norma Desmond. Also, Moreno reveals plans to revisit her one woman show from which sprung her stupendous new book, titled LIFE WITHOUT MAKE-UP, as well as shares her thoughts on Broadway today, remarks upon favorite recent films, shows and performers as well as offers an update on her new family-friendly film MICKEY DEUCE and touched upon her current small-screen role in HAPPILY DIVORCED - and much, much more!
This March at Jermyn Street Theatre, Christopher Timothy stars in the first major revival of Graham Greene's 1953 drama The Living Room for sixty years. This powerful and shocking story of sex, sin and guilt was Greene's first work for the stage and prompted the critic Kenneth Tynan to describe it as 'The best first play of its generation'. At the time it launched the career of a young Dorothy Tutin and enjoyed acclaimed runs in the West End and Broadway.
Barking's Broadway Theatre presents the premiere of Up In the Wardrobe, a new play by Roberta Michel.
Barking's Broadway Theatre presents the premiere of Up In the Wardrobe, a new play by Roberta Michel.
This March at Jermyn Street Theatre, Christopher Timothy stars in the first major revival of Graham Greene's 1953 drama The Living Room for sixty years. This powerful and shocking story of sex, sin and guilt was Greene's first work for the stage and prompted the critic Kenneth Tynan to describe it as 'The best first play of its generation'. At the time it launched the career of a young Dorothy Tutin and enjoyed acclaimed runs in the West End and Broadway.
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