There are more famous operas than Richard Strauss's DIE FRAU OHNE SCHATTEN (The Woman without a Shadow), but you won't find one that is more exciting when all the pieces--and there are lots of them--come together. The Met's production is one of those evenings in the opera house--not perfect but so thrilling that you forget that it isn't.
Dmitri Hvorostovsky sings his first Met performances of the title role in Verdi's Rigoletto beginning today, November 11, in the first revival of Michael Mayer's hit production, set in the decadent world of 1960s Las Vegas.
To commemorate the centennial of the opera's 1913 U.S. premiere at the Met, Strauss's Der Rosenkavalier returns for a series of performances conducted by Edward Gardner and featuring a cast of international singers making company debuts and role debuts. Viennese soprano Martina Serafin sings her first Met performances of one of her signature roles, the Marschallin. Alice Coote, who currently stars as Detective Anne Strawson in the North American premiere of Nico Muhly's Two Boys, sings the trouser role of the Marschallin's young lover, Octavian, while Mojca Erdmann makes her company role debut as Sophie, the innocent young woman who comes between the two. Peter Rose reprises his acclaimed interpretation of the Marschallin's oafish cousin, Baron Ochs; Hans-Joachim Ketelsen sings Sophie's protective father, Faninal; and Eric Cutler returns to the role of the Italian Singer. On December 3, German mezzo-soprano Daniela Sindram will make her Met debut as Octavian, a role she will also sing on December 7 and 10. On December 13, French mezzo-soprano Géraldine Chauvet will sing her first company performance of Octavian. At the December 3 performance, two graduates of the Met's Lindemann Young Artist Development Program will sing principal roles: Erin Morley as Sophie and Mario Chang as the Italian Singer.
Patricia Racette and Sondra Radvanovsky will reprise their acclaimed performances of one of the most famous roles in opera, the heroine of Puccini's Tosca, at the Met this season. Racette sings the role beginning tonight, October 29, opposite Roberto Alagna as Cavaradossi and George Gagnidze as Scarpia.
It's not everyday that you watch the interconnectivity of two separate people communicating via Internet chat room. Let alone, how about five people's conversations over several weeks with an entire chorus of “chaters” behind them. It adds up to quite the stack of transcripts. The idea, while seeming passé, remains a relevant topic to discuss and bring forward on the Met's stage. The usually very formal performance space was filled with internet lingo such as PWOS, A/S/L, LOL, WTF, and any abbreviationyou could think of. Nico Muhly's “Two Boys” is a new and innovative work that has extremely dark overtones both in the production as well as the musical aspects of the piece. “Two Boys,” with a libretto by Craig Lucas tells the story of a 16-year-old boy who is convinced by unknown people he has met through Internet chat rooms to attempt murder on his 13-year-old 'friend'.
Dmitri Hvorostovsky will sing his first Met performances of the title role in Verdi's Rigolettobeginning November 11, in the first revival of Michael Mayer's hit production, set in the decadent world of 1960s Las Vegas. Matthew Polenzani makes his company role debut as the womanizing Duke, and two rising singers make Met debuts as the innocent Gilda: Russian soprano Irina Lungu and Bulgarian soprano Sonya Yoncheva. Spanish conductor Pablo Heras-Casado makes his Met debut leading the revival. The December 7 matinee performance will be broadcast live over the Toll Brothers-Metropolitan Opera International Radio Network to inaugurate the 83rd season of the popular Saturday broadcast series.
Patricia Racette and Sondra Radvanovsky will reprise their acclaimed performances of one of the most famous roles in opera, the heroine of Puccini's Tosca, at the Met this season. Racette sings the role beginning October 29, opposite Roberto Alagna as Cavaradossi and George Gagnidze as Scarpia. Radvanovsky takes the role on December 11, singing with Marcello Giordani as Cavaradossi and Gagnidze as Scarpia. Two Italian conductors, Riccardo Frizza and Marco Armiliato, lead this season's performances of Puccini's celebrated tragedy. On December 20, Portuguese soprano Elisabete Matos sings her first Met Tosca, and on December 17, Brazilian tenor Ricardo Tamura makes his Met debut as Cavaradossi. The November 9 matinee of Tosca, starring Racette, Alagna, and Gagnidze, will be transmitted live as part of the Met's Live in HD series, which now reaches more than 1,950 theaters in 64 countries around the world.
The Metropolitan Opera may have chosen soprano Anna Netrebko to add star-power to its new season's opening production of Tchaikovsky's EUGENE ONEGIN, but she was upstaged, figuratively speaking at least, by the thrilling performance of Polish tenor Piotr Beczala, as the poet Lenski.
It's not often that singers make their debuts on Broadway and then make a splash at the opera, but that's what happened when Paulo Szot--a Tony winner for “South Pacific”--opened in the Met's production of the Shostakovich opera THE NOSE in 2010. The exciting, intoxicating production by the South African multi-media artist William Kentridge, conducted by Valery Gergiev, is back. Happily, it will be broadcast worldwide in the Met's LIVE IN HD series on October 26, with Szot reprising his outstanding performance.
The Atlanta Opera opens its 2013-2014 season with a production of Giacomo Puccini's dramatic tour de force, Tosca. Tosca will be presented on October 5, 8, 11 and 13 at the Cobb Energy Performing Arts Centre, and will be directed by new General and Artistic Director Tomer Zvulun, who joined the Opera on June 1. BroadwayWorld has a first look at the cast in action below!
The Met: Live in HD, the Metropolitan Opera's award-winning series of live transmissions to movie theaters, will feature 10 productions in the 2013-14 season, offering a significant portion of the Met season to opera lovers around the world.
Delegates to the inaugural SAG-AFTRA National Convention on Saturday unanimously approved an historic resolution recognizing and supporting the union's lesbian, gay, bisexual and transgender members.
The inaugural SAG-AFTRA National Convention concluded today with inspiring speeches from the union's top officers, which focused on the convention's theme: United for Our Future. The day capped a four-day convention bringing together member delegates from across the country to celebrate union solidarity and conduct business.
Day three of the SAG-AFTRA National Convention featured a keynote speech by Secretary of Labor Thomas Perez., who thanked the leadership for their work during an exciting time for the union.
On Friday, the second day of SAG-AFTRA's National Convention mixed business with educational opportunities for delegates.
Soprano Susanna Phillips, a star of New York's Metropolitan and Chicago's Lyric Opera stages, will headline a concert at 2:30 p.m. on Sunday, October 13, in Anderson Chapel at North Park University, 5149 N. Spaulding Ave., Chicago, to benefit the spring 2014 Bach Week Festival in Evanston and Chicago.
Screen Gems and Miramax are in production in Los Angeles on The Comedy 'The Wedding Ringer' starring Kevin Hart, Josh Gad and Kaley Cuoco.
SAG-AFTRA today announced the results of elections for its top two elected positions. Members have re-elected Ken Howard and Amy Aquino to lead the union. Howard will serve as the first elected national president of SAG-AFTRA and Aquino as its first elected secretary-treasurer. Both previously served the Screen Actors Guild for two consecutive terms prior to merger, and each served respectively as co-president and co-secretary-treasurer of SAG-AFTRA following the merger in 2012. Their two-year terms begin today.
Variety reports that Esai Morales, Loretta Devine and Salli Richardson will be starring in Gary Wheeler's indie High School drama TEACHERS, written by Rhonda Baraka. The film follows a community that comes together to save a high school.
Star tenor Jonas Kaufmann sings the title role in a new production of Wagner's final masterpiece Parsifal, staged by acclaimed French Canadian director François Girard in his Met debut, on Great Performances at the Met Sunday, July 28 at 12 noon on PBS (check local listings). (In New York, THIRTEEN will air the opera in two parts: Friday, August 16 at 9 p.m. and Friday, August 23 at 9 p.m.). We have a first look below!
