Ken Howard News

Matt Damon, Robert DeNiro, Jennifer Lawrence, Julia Louis-Dreyfus, James Marsden, Julia Roberts, Elisabeth Rohm, Meryl Streep, and Emma Thompson will be presenters at the 20th Annual Screen Actors Guild Awards

Before seeing the Met's new production of Johann Strauss Jr.'s DIE FLEDERMAUS, directed by Jeremy Sams, on Saturday night, I listened to the afternoon's live broadcast of Mozart's THE MAGIC FLUTE. Both were written in German and performed in English to make them more palatable to their target audiences (Broadway musical lovers and young opera-goers-in-training, respectively). But, while the Mozart had its guts cut away, to shave the running time to 90 minutes without an intermission, the FLEDERMAUS went on--and on and on--for four hours. Both had the same result--and it was not good.

Andriana Chuchman will sing the role of Adina in Donizetti's L'Elisir d'Amore tonight, January 9 and Monday, January 13, replacing Anna Netrebko, who has withdrawn from the first two performances of the run because she is suffering from the flu. The January 9 performance will be Chuchman's Met debut.

Andriana Chuchman will sing the role of Adina in Donizetti's L'Elisir d'Amore on Thursday, January 9 and Monday, January 13, replacing Anna Netrebko, who has withdrawn from the first two performances of the run because she is suffering from the flu. The January 9 performance will be Chuchman's Met debut.

A new production of Johann Strauss Jr.'s New Year's Eve classic, the comedic operetta Die Fledermaus, will open at the Met tonight, December 31, with two Broadway stars appearing. Check out a first look below!

Renée Fleming will return to one of her signature roles, the title character in Dvorák's Rusalka, for six performances beginning January 23.

“Dying is easy; comedy is hard” says the old show business quip. If anything, opera comedy is even harder. Why is it so difficult? Because it offers so many opportunities to do a disservice to the composer, the artists and the art form in one fell swoop. However, Robert Carsen's antic new production of Verdi's FALSTAFF at the Met, vividly conducted by Music Director James Levine, makes it look easy.

Three sopranos will sing their first Met performances of the title role in Puccini's Madama Butterfly at the Met this season.

Sasha Alexander, star of the TNT original drama 'Rizzoli & Isles,' and Clark Gregg, star of the ABC series 'Marvel's Agents of S.H.I.E.L.D.,' revealed the 20th Annual Screen Actors Guild Awards® nominations this morning, Wednesday, Dec. 11 at the Pacific Design Center in West Hollywood at 8:50 a.m. ET.

Justin Timberlake and SAG-AFTRA have reached an agreement for the dancers on his 20/20 Experience World Tour to be covered by the SAG-AFTRA Touring Agreement.

To commemorate the centennial of the opera's 1913 U.S. premiere at the Met, Strauss's Der Rosenkavalier returns for a series of performances conducted by Edward Gardner and featuring a cast of international singers making company debuts and role debuts. Viennese soprano Martina Serafin sings her first Met performances of one of her signature roles, the Marschallin. Alice Coote, who currently stars as Detective Anne Strawson in the North American premiere of Nico Muhly's Two Boys, sings the trouser role of the Marschallin's young lover, Octavian, while Mojca Erdmann makes her company role debut as Sophie, the innocent young woman who comes between the two. Peter Rose reprises his acclaimed interpretation of the Marschallin's oafish cousin, Baron Ochs; Hans-Joachim Ketelsen sings Sophie's protective father, Faninal; and Eric Cutler returns to the role of the Italian Singer. On December 3, German mezzo-soprano Daniela Sindram will make her Met debut as Octavian, a role she will also sing on December 7 and 10. On December 13, French mezzo-soprano Géraldine Chauvet will sing her first company performance of Octavian. At the December 3 performance, two graduates of the Met's Lindemann Young Artist Development Program will sing principal roles: Erin Morley as Sophie and Mario Chang as the Italian Singer.

English conductor Jane Glover will make her Met debut on December 16 leading the company's holiday presentation, an abridged, English-language production of Mozart's The Magic Flute, directed by Julie Taymor. The 100-minute version of Taymor's popular staging of the opera will star Alek Shrader as the brave prince Tamino; Heidi Stober as Pamina, the princess he must rescue; Eric Owens as the mysterious Sarastro; Shenyang as the Speaker; and Nathan Gunn as the hapless bird-catcher Papageno. Albina Shagimuratova and Kathryn Lewek will alternate in the role of Pamina's vindictive mother, the Queen of the Night. The Magic Flute launched the recent Met tradition of presenting a family-oriented production each holiday season, with sharply discounted tickets and two special weekday matinee performances. Scroll down for a sneak peek at the production!

There are more famous operas than Richard Strauss's DIE FRAU OHNE SCHATTEN (The Woman without a Shadow), but you won't find one that is more exciting when all the pieces--and there are lots of them--come together. The Met's production is one of those evenings in the opera house--not perfect but so thrilling that you forget that it isn't.

SAG-AFTRA National President Ken Howard will receive The Los Angeles Police Protective League's Eagle and Badge Foundation 'In the Line of Duty' Award at their 12th annual gala on Nov. 16.

Dmitri Hvorostovsky sings his first Met performances of the title role in Verdi's Rigoletto beginning today, November 11, in the first revival of Michael Mayer's hit production, set in the decadent world of 1960s Las Vegas.

To commemorate the centennial of the opera's 1913 U.S. premiere at the Met, Strauss's Der Rosenkavalier returns for a series of performances conducted by Edward Gardner and featuring a cast of international singers making company debuts and role debuts. Viennese soprano Martina Serafin sings her first Met performances of one of her signature roles, the Marschallin. Alice Coote, who currently stars as Detective Anne Strawson in the North American premiere of Nico Muhly's Two Boys, sings the trouser role of the Marschallin's young lover, Octavian, while Mojca Erdmann makes her company role debut as Sophie, the innocent young woman who comes between the two. Peter Rose reprises his acclaimed interpretation of the Marschallin's oafish cousin, Baron Ochs; Hans-Joachim Ketelsen sings Sophie's protective father, Faninal; and Eric Cutler returns to the role of the Italian Singer. On December 3, German mezzo-soprano Daniela Sindram will make her Met debut as Octavian, a role she will also sing on December 7 and 10. On December 13, French mezzo-soprano Géraldine Chauvet will sing her first company performance of Octavian. At the December 3 performance, two graduates of the Met's Lindemann Young Artist Development Program will sing principal roles: Erin Morley as Sophie and Mario Chang as the Italian Singer.

Patricia Racette and Sondra Radvanovsky will reprise their acclaimed performances of one of the most famous roles in opera, the heroine of Puccini's Tosca, at the Met this season. Racette sings the role beginning tonight, October 29, opposite Roberto Alagna as Cavaradossi and George Gagnidze as Scarpia.

It's not everyday that you watch the interconnectivity of two separate people communicating via Internet chat room. Let alone, how about five people's conversations over several weeks with an entire chorus of “chaters” behind them. It adds up to quite the stack of transcripts. The idea, while seeming passé, remains a relevant topic to discuss and bring forward on the Met's stage. The usually very formal performance space was filled with internet lingo such as PWOS, A/S/L, LOL, WTF, and any abbreviationyou could think of. Nico Muhly's “Two Boys” is a new and innovative work that has extremely dark overtones both in the production as well as the musical aspects of the piece. “Two Boys,” with a libretto by Craig Lucas tells the story of a 16-year-old boy who is convinced by unknown people he has met through Internet chat rooms to attempt murder on his 13-year-old 'friend'.

Dmitri Hvorostovsky will sing his first Met performances of the title role in Verdi's Rigolettobeginning November 11, in the first revival of Michael Mayer's hit production, set in the decadent world of 1960s Las Vegas. Matthew Polenzani makes his company role debut as the womanizing Duke, and two rising singers make Met debuts as the innocent Gilda: Russian soprano Irina Lungu and Bulgarian soprano Sonya Yoncheva. Spanish conductor Pablo Heras-Casado makes his Met debut leading the revival. The December 7 matinee performance will be broadcast live over the Toll Brothers-Metropolitan Opera International Radio Network to inaugurate the 83rd season of the popular Saturday broadcast series.

Patricia Racette and Sondra Radvanovsky will reprise their acclaimed performances of one of the most famous roles in opera, the heroine of Puccini's Tosca, at the Met this season. Racette sings the role beginning October 29, opposite Roberto Alagna as Cavaradossi and George Gagnidze as Scarpia. Radvanovsky takes the role on December 11, singing with Marcello Giordani as Cavaradossi and Gagnidze as Scarpia. Two Italian conductors, Riccardo Frizza and Marco Armiliato, lead this season's performances of Puccini's celebrated tragedy. On December 20, Portuguese soprano Elisabete Matos sings her first Met Tosca, and on December 17, Brazilian tenor Ricardo Tamura makes his Met debut as Cavaradossi. The November 9 matinee of Tosca, starring Racette, Alagna, and Gagnidze, will be transmitted live as part of the Met's Live in HD series, which now reaches more than 1,950 theaters in 64 countries around the world.