There's just two weeks left to vote for the 2019 BroadwayWorld Austin Awards, brought to you by TodayTix! The people have spoken nominations are set, and now you can vote to make sure your favorite local theatre's achievements and performers are recognized!
There's just a few weeks left to make your voice heard and submit your votes for the 2019 BroadwayWorld Austin Awards, brought to you by TodayTix! The people have spoken nominations are set, and now you can vote to make sure your favorite local theatre's achievements and performers are recognized!
It's December! Voting is now underway for the 2019 BroadwayWorld Austin Awards, brought to you by TodayTix! Now you can vote to make sure your favorite local theatres and performers are recognized. Check out the first set of stats below.
Voting is NOW OPEN and the first votes are in for the 2019 BroadwayWorld Austin Awards, brought to you by TodayTix! The nominees are set, and now you can vote to make sure your favorite local theatres and performers are recognized!
VIOLET is a 1997 musical with music by Jeanine Tesori and book and lyrics by Brian Crawley. It's based on the short story 'The Ugliest Pilgrim' by Doris Betts. The musical first premiered Off-Broadway in 1997 and won the Drama Critics' Circle Award and Lucille Lortel Award as Best Musical, it was later produced on Broadway but considered a revival. While it was Tony Award nominated, it did not win.
Main Street Theater (MST) presents The Wizard of Oz based on the book by L. Frank Baum, playing on Saturdays through July 29 at 11am and 2pm and on Sundays July 16 - 30, 2017. This is a rare opportunity to see the musical based on the book rather than the movie. Audiences will be treated to more of the Wicked Witch of the West and Oz himself, among other special numbers. All of MST's Theater for Youth productions are based on children's literature.
Main Street Theater (MST) presents The Wizard of Oz based on the book by L. Frank Baum, playing on Saturdays through July 29 at 11am and 2pm and on Sundays July 16 - 30, 2017. This is a rare opportunity to see the musical based on the book rather than the movie
CABARET playing at the Mary Moody Northern Theater at St. Edward's University is a vibrant, poignant and heart breaking rendition that the department has tackled with a wonderful spirit.
One of the more clearly visible technical aspects of a show for average theatre-goers is the set. What isn't quite as clear is just what goes into the creation of the world the characters inhabit in the play you are seeing. Set design, sometimes called scenic design, is the art of designing and creating the sets used in plays or movies. At times, designing can be as simple as arranging a few pieces of furniture on a stage. That type of set design is not what one things of, however, when one talks to set designer, Lisa Laratta, the subject of this edition of Tech Talk.
Mary Moody Northen Theatre, the award-winning producing arm of the St. Edward's University theatre training program, concludes its 2014-2015 season with The Robber Bridegroom, based on the novella by Eudora Welty, with book and lyrics by Alfred Uhry and music by Robert Waldman. The show runs tonight, April 16 - 26, 2015.
Mary Moody Northen Theatre, the award-winning producing arm of the St. Edward's University theatre training program, concludes its 2014-2015 season with The Robber Bridegroom, based on the novella by Eudora Welty, with book and lyrics by Alfred Uhry and music by Robert Waldman. The show runs April 16 - 26, 2015.
The winners of the first-ever Central Texas Excellence In Theatre Awards have been announced! Scroll down for the full list, and learn more at Austin Entertainment Weekly.
After months of thought, debate and conversation, the staff and writers of Austin Entertainment Weekly with much assistance from Broadway World Austin's Editor Jeff Davis, have announced a new award system for the Central Texas Theatre Community.
My apologies to Verdi and Mozart. No one does romance like Puccini. If you were lucky enough to catch Austin Lyric Opera's recent production of Tosca, I assume you'd agree with me. The production is easily among the best productions in ALO's recent history.
The last few times I've seen a production at St. Edwards University's Mary Moody Northern Theatre, I've had to remind myself that I'm viewing a show featuring a cast of mostly college students. Every time, the production is of professional quality, and their current production of The Secret Garden is no exception. All audience members are bound to be mesmerized by the physical beauty of the stagecraft and the incredible performances.
Oklahoma City Repertory Theatre continues their Eleventh Season with Oscar Wilde's sparkling comedy, THE IMPORTANCE OF BEING EARNEST, Wilde's most produced play. THE IMPORTANCE OF BEING EARNEST is a farcical comedy in which the main characters maintain fictitious personae in order to escape burdensome social obligations. Its high farce and witty dialogue have helped make THE IMPORTANCE OF BEING EARNEST Wilde's most enduringly popular play. CityRep is co-producing with TheatreOCU and Oklahoma Shakespeare in the Park to provide Oklahoma City with an elegant and sumptuous production of this classic comedy. This production is rated PG.
Oklahoma City Repertory Theatre continues their Eleventh Season with Oscar Wilde's sparkling comedy, THE IMPORTANCE OF BEING EARNEST, Wilde's most produced play. THE IMPORTANCE OF BEING EARNEST is a farcical comedy in which the main characters maintain fictitious personae in order to escape burdensome social obligations. Its high farce and witty dialogue have helped make THE IMPORTANCE OF BEING EARNEST Wilde's most enduringly popular play. CityRep is co-producing with TheatreOCU and Oklahoma Shakespeare in the Park to provide Oklahoma City with an elegant and sumptuous production of this classic comedy. This production is rated PG.
Whether you are an opera connoisseur or an opera virgin, Austin Lyric Opera's production of PAGLIACCI is a must see. The music is beautiful. The visuals are mesmerizing and stunning, and the cast is second to none. It's hard to come by an evening that is more enjoyable than this.
Though the cast and crew all deliver move-in ready work, UNDER CONSTRUCTION is still, well, under construction. While it's commonplace to see productions in which the cast and crew underserve the material, here the material underserves the cast and crew. To the cast and crew, I say a very enthusiastic bravo. To Charles Mee, I say please drop your pen.
How I Became a Pirate, adapted from the book by Melinda Long, plays Saturdays, March 10, 17, 24, & 31, 2012 at 1pm and 4pm, and during Spring Break at 11:30am: March 12, 13, 14 & 16 at Main Street Theater-Chelsea Market. Ticket prices for public performances are $12 and $14. Tickets are on sale in person at the Main Street Theater Box Office at 2540 Times Blvd. in Rice Village, via phone at 713.524.6706 or online at mainstreettheater.com. Group rates are available. No children under 3 are admitted in the theater (including sleeping babies).