Karen Finley News

The Muse Project, in association with The Tank, will present Musings: a collection of Mini Muse presentations at The Flea Theater as a part of their Anchor Partnership. Musings showcases the exciting, fresh, paradigm-shifting storytelling that New York's leading actresses have developed through intensive workshops. The Muse Project gives women performers the time, space, and opportunity to experiment with and explore their fantasy projects. Veteran performer Lynn Cohen will be investigating previously unexplored terrain with collaborator Lewis Black in his piece Dottie's Home. Recent Lucille Lortel nominee Vanessa Aspillaga and Obie winner Jessica Frances Dukes, alongside acclaimed directors Jose Zayas and Seret Scott, will dig into long hungered-for solo work.

Performance Space New York kicks off its second themed season of performances and events-the Posthuman Series-with the world premiere of Annie Dorsen's The Slow Room (September 27-29). Dorsen has taken the idea of technological theater further than most artists.

Performance Space New York announces First Mondays: Readings of New Works in Progress, organized by author Sarah Schulman (Maggie Terry, 2018; Conflict is not Abuse: Overstating Harm, Community Responsibility and the Duty of Repair, 2016). On the first Monday of most months between October 2018 and May 2019, the series will present audiences with an opportunity to gather and hear in-progress works from writers leading the literary avant-garde. First Mondays exemplifies the artistic community-building power in Performance Space New York's appointment of five Associate Artists. Today, the organization announces Sarah Schulman, Emily Johnson, Gillian Walsh, Sarah Ortmeyer, and Angela Dimayuga as the Associate Artists who will actively contribute to programming and administrative decision making in the years to come-honoring Performance Space New York's roots as a space run by the very people experimenting within it.

Dixon Place proudly presents the world premiere of YouthandDeath, the debut evening-long work by chrisbelldances (choreographer, Chris Bell,) a semi-autobiographical piece of dance-theater investigating themes of mortality and the cyclical nature of life. The piece will be presented at Dixon Place's main stage

Performance Space New York continues its second themed season of performances and events-the Posthuman Series-with the U.S. Premiere of choreographer and dancer Mette Ingvartsen's 21 pornographies(October 3-5). The solo performance expands on Ingvartsen's body of work exploring an all-pervasive sexuality, here using physical action and narrative description to take audiences through pornographic history in associative tour de force that is equally stimulating, disturbing, cheerful, and sensuous. Ingvartsen also brings The Permeable Stage - Reimagining the Social, a new installment of her ongoing series of performative conferences, to Performance Space New York (October 7),engaging artists, thinkers, filmmakers, and activists in a dialogue drawing on various Posthuman ideas.

Tiffany Mills Company presents the world premiere of Blue Room, an evening-length work that explores connections and boundaries created by various modes of human interaction. Performances are Today-Saturday, September 12-15, at 7pm, at The Flea Theater in Tribeca.

Performance Space New York kicks off its second themed season of performances and events-the Posthuman Series-with the world premiere of Annie Dorsen's The Slow Room (September 27-29). Dorsen has taken the idea of technological theater further than most artists.

The Flea Theater presents the World Premiere of SCRAPS written by Geraldine Inoa, a writer on The Walking Dead and the inaugural recipient of The Shonda Rhimes Unsung Voices Playwriting Commission. It is directed by Flea Artistic Director Niegel Smith. Now in previews, opening night is slated for Thursday, August 30.

Performance Space New York announces the Posthuman Series, its second themed season of performances and events, beginning Fall 2018. Following the conclusion of its East Village Series, which looked inward to contemplate the past, present and future of Performance Space New York and its immediate neighborhood, Executive Artistic Director Jenny Schlenzka now gathers artists who've taken an active approach to addressing nothing smaller than the morphing state of "humanity." Inspired by thinkers like Donna Haraway ("A Cyborg Manifesto") and Rosi Braidotti (The Posthuman), the Posthuman Series continues the legacy of Performance Space New York to defy categorization and broaden the meaning of "performance," through works that simultaneously seek to question and expand the very definition of "human."

One of the most exciting and important voices to emerge from the 1980s-90s American performance art movement, Karen Finley might be regarded as one of the country's most noted censored artists.

Karen Finley, a name synonymous with Performance Art, will present more performances of her new show GRABBING PUSSY, inspired by her new book of the same title from OR Books. It will now be presented through August 12, Sundays at 7pm at The Laurie Beechman Theater (inside West Bank Cafe at 407 West 42nd Street -- at Ninth Avenue, accessible from the A,C,E,N,R,V,F,1,2,3 trains at 42nd Street). Tickets are $22 for general admission or $35 for VIP tickets that include a signed book and a one-of-a-kind bookmark handmade by Finley. Please note that there is also a $20 food/drink minimum at all performances at this venue.

Tiffany Mills Company presents the world premiere of Blue Room, an evening-length work that explores connections and boundaries created by various modes of human interaction. Performances are Wednesday-Saturday, September 12-15, at 7pm, at The Flea Theater in Tribeca.

Dixon Place (Ellie Covan, Founder/Artistic Director) presents the world premiere of Timothy DuWhite's Neptune, opening Today, July 13th at 7:30 PM and running for three weeks (July 13, 14, 21, & 28 at 7:30 pm, and July 20 & 27 at 10:00 pm), at Dixon Place (161A Chrystie Street). Advance tickets are $18 general admission, $15 for seniors and students; at the door $21 and $18, respectively. $15 early bird tickets are available until June 20th. Tickets can be purchased at www.dixonplace.org or by calling 866-811-4111. The Dixon Place Lounge is open before and after the show, with proceeds directly supporting the organization's artists and mission.

TOSOS presents its upcoming production of Waiting for Giovanni at The Flea Theater. A great American writer at a pivotal moment in his career is the subject of a play by another iconic American author.

TOSOS presents its upcoming production of Waiting for Giovanni at The Flea Theater. A great American writer at a pivotal moment in his career is the subject of a play by another iconic American author.

Performance Space New York closes out its by-turns pensive, provocative, and radically festive East Village Series with The Independence Day Ball, a Kiki ball from the organization's neighbors at Alliance for Positive Change (June 29).

Dixon Place (Ellie Covan, Founder/Artistic Director) presents the world premiere of Timothy DuWhite's Neptune, opening Friday, July 13th at 7:30 PM and running for three weeks (July 13, 14, 21, & 28 at 7:30 pm, and July 20 & 27 at 10:00 pm), at Dixon Place (161A Chrystie Street). Advance tickets are $18 general admission, $15 for seniors and students; at the door $21 and $18, respectively. $15 early bird tickets are available until June 20th. Tickets can be purchased at www.dixonplace.org or by calling 866-811-4111. The Dixon Place Lounge is open before and after the show, with proceeds directly supporting the organization's artists and mission.

New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official opening today, May 17 at 7:00pm.

Following their innovative production of TITUS: A Visual-Physical Adaptation of Shakespeare's Titus Andronicus, New York Deaf Theatre (NYDT) celebrates their 38th season with an accessible production of MAPLE AND VINE by Pulitzer Prize finalist Jordan Harrison. The production marks the New York theater directing debut of award-winning Deaf film director Jules Dameron. Previews begin May 11 at the Flea Theater with a gala performance on May 12 and an official press opening on Thursday, May 17 at 7:00pm.