LA Phil President & CEO Kim Noltemy has unveiled the 2026/27 LA Phil season at Walt Disney Concert Hall. The season features figures including Esa-Pekka Salonen, who takes up his newly established role of Creative Director.
Theory of Flames is coming to the Dutch National Opera next month. Performances will run 6 – 22 March 2026. Learn more about the upcoming production here!
De Nationale Opera will present the Opera Forward Festival from March 6-15, 2026, marking its 10th anniversary with a series of innovative performances.
It's music's biggest night! Laufey, Lady Gaga, Ariana Grande & Cynthia Erivo, Billie Eilish, Bad Bunny, and more took home awards at The 68th Annual GRAMMYs. Check out the full list of GRAMMY winners here.
Christian Reif has been appointed the new General Music Director of Wuppertaler Bühnen und Sinfonieorchester, starting his role in the 2027/28 season. Reif, a GRAMMY Award-winning conductor, will transition from his current positions in Sweden and Minnesota.
The Gavle Symphony Orchestra has extended Chief Conductor Christian Reif's contract until the 2027/2028 season, highlighting his impactful leadership and innovative approach.
The audience at New York’s 92nd Street Y the other night was certainly happy to be at a recital, “From Ordinary Things,” by the trio of soprano Julia Bullock, with her colleagues Seth Parler Wood on cello and pianist Conor Hanick. But there was almost nothing traditional about the proceedings, save for a sumptuous song by Ravel, “Nahandove” (during which Bullock sounded most mezzo-like, as she often does).
Applications are now open for the 2026 Susan Wadsworth International Auditions, offering early-career artists a chance at the prestigious YCA Jacobs Fellowship. This program includes artist management, global performance bookings, and mentorship opportunities.
The 92nd Street Y, New York will presentJulia Bullock, soprano; Seth Parker Woods, cello; and Conor Hanick, piano in Kaufmann Concert Hall, 1395 Lexington Ave, New York, NY 10128, on Friday, January 23, 2026 at 7:30PM.
The 92nd Street Y, New York will present cellist Jay Campbell and pianist Conor Hanick at Buttenwieser Hall at The Arnhold Center. Learn more about the event here!
Young Concert Artists has revealed the Winners of the 2025 Susan Wadsworth International Auditions. Winners were based on the final round of live auditions in New York.
Young Concert Artists has announced 12 finalists in the 2025 Susan Wadsworth International Auditions, who will perform in the final round on Sunday, November 9, 2025.
Barbra Streisand, Ariana Grande, Cynthia Erivo, Sabrina Carpenter, Lady Gaga, and more have been nominated for 2026 GRAMMYS. See the full list of nominations here!
Young Concert Artists has revealed the semi-finalists in the 2025 Susan Wadsworth International Auditions. Learn more about the competition and the selected artists here!
Six-time GRAMMY Award-nominated violinist and composer Curtis Stewart has revealed his 2025-2026 season, highlighted by his first public performance of Coleridge-Taylor's Ballade with National Philharmonic, the world premiere of a new work, and more.
New York Festival of Song (NYFOS), led by Artistic Director Steven Blier, has announced its 2025-26 season of performances, including four Mainstage Series programs at Merkin Hall, co-presented with Kaufman Music Center. The season also includes the NYFOS Next Festival at The Theater at 150 W 17 and NYFOS's annual residency at The Juilliard School.
Six-time GRAMMY® Award-nominated violinist and composer Curtis Stewart has released Seasons of Change, a recomposition of Vivaldi’s Four Seasons on Bright Shiny Things. Listen to it now.
The 92nd Street Y, New York has announced its 2025/26 Tisch Music Season. Over the past century and a half, 92NY has grown into one of New York City’s — and the world’s — most influential cultural institutions.
Get a first look at the Metropolitan Opera's Antony and Cleopatra, which comes to NYC following runs at San Francisco Opera and the Teatre del Liceu in Barcelona. The Met Opera production includes seven performances conducted by the composer himself in the original production by Elkhanah Pulitzer.
There’s an old expression, “A lawyer who defends himself has a fool for a client.” While John Adams didn’t decide to take on the libretto for his latest opera, Monday night’s Met premiere, ANTONY AND CLEOPATRA, all on his own, I wonder whether he might have bypassed the one resource that might have been most useful: Arrigo Boito.
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