Jonathan Feuer News

Signature Theatre is proud to present the DC premiere of Annie Baker's John, directed by Signature Theatre Director of New Work Joe Calarco (Signature's The Gulf, Jesus Christ Superstar).

Signature Theatre announces the full cast and creative team for the DC premiere of Annie Baker's John, directed by Signature Theatre Director of New Work Joe Calarco (Signature's The Gulf, Jesus Christ Superstar). Elias and Jenny, a young Brooklyn couple, escape on a much-needed getaway to a cozy bed-and-breakfast in Gettysburg, Pennsylvania. However, under the watchful eye of the cheery, if slightly off, innkeeper, a ghost seems to haunt their crumbling relationship. Annie Baker's John was called "so good on so many levels that it casts a unique and brilliant light' by The New Yorker. John will run April 3 - April 29 in Signature Theatre's MAX Theatre.

The Hub Theatre presents a nativity play like you have never seen by DC-native Anne M. McCaw. In PEEKABOO! A Nativity Play Mary and Joseph learn they are to be parents - of the world's savior no less - they get caught up in something much, much bigger than a couple of na ve kids are ready for. Directed by Hub Artistic Director Helen R. Murray, with musical arrangements by Jonathan Feuer, PEEKABOO! is a heartfelt farce of biblical proportions.

E. B. White's Charlotte's Web has been adapted in many ways. There was an animated movie musical back in the 70s, a live action film a few years back, and a stage adaptation that Theatreworks USA toured around the country for years. Imagination Stage in Bethesda is currently presenting the latter as its holiday attraction. The creative team takes a very heavy-handed approach to material that isn't that light to begin with, unfortunately.

The Hub Theatre presents a nativity play like you have never seen by DC-native Anne M. McCaw. In PEEKABOO! A Nativity Play Mary and Joseph learn they are to be parents - of the world's savior no less - they get caught up in something much, much bigger than a couple of na ve kids are ready for. Directed by Hub Artistic Director Helen R. Murray, with musical arrangements by Jonathan Feuer, PEEKABOO! is a heartfelt farce of biblical proportions.

The Hub Theatre announced their 2017-18 season today. Featuring two World Premieres that resonate mightily in our current climate; and the return of their Inaugural production. Season 10 continues Hub's record of staging intricate, honest and magical plays.

The Hub Theatre's REDDER BLOOD, co-produced with the Jewish Community Center of Northern Virginia, is many things: a dysfunctional family drama, a romantic sitcom, and a philosophical exploration. But what it does most successfully is encourage thought-provoking discussion about the vast topics it covers.

Joseph W. Ritsch performs a herculean effort as he directs this complex theatrical experience.

Rep Stage, the regional theatre in residence at Howard Community College (HCC), continues its 23rd season with "Antigone Project: A Play in 5 Parts," conceived by Chiori Miyagawa and Sabrina Peck and written by Karen Hartman, Tanya Barfield, Caridad Svich, Lynn Nottage and Chiori Miyagawa.

Annapolis Shakespeare Company announces a special Press Night for Shakespeare's 'AS YOU LIKE IT' on Saturday, the 17th at 8:00 p.m. The performance will be followed by a VIP reception at 49 West Coffeehouse and Wine Bar with the Director, Cast and Design Team. 

Tanya Barfield's THE CALL has come to the Atlas Performing Arts Center on H Street in a production that gives full value to the huge questions posed by the play. THE CALL does not give easy answers and that is just fine with me. But it sure makes you think. Inspired by Barfield's own experience with international adoption, THE CALL is not a documentary by any means. This is a very human story, with one eye on the personal and one eye looking beyond to the big picture, a hallmark of brilliant theatre if there ever was one. Director Shirley Serotsky's precise direction enhances the global scope while remaining focused on Annie and Peter's bumpy road to parenthood.

When Sarah Ruhl was a student at Brown University, she embarked on a journey that would culminate in her sprawling epic, Passion Play, which was first performed at Arena Stage in 2005. Her three act tome tells the story of a group of actors performing the story of the Crucifixion and Resurrection of Jesus Christ. Each act is set in a different time frame, yet what happens off-stage, which vaguely mirrors the actions on stage, is the heart of the story.

Jeremy Skidmore and the actors at Keegan Theatre are reason enough to head to Church Street to see Aaron Sorkin's courtroom drama A Few Good Men. Skidmore's direction and the strong performances by the acting company elevate a standard court room drama into a compelling must-see event.

Documentary theater possesses a unique ability to respond to issues of pressing political import and social justice, and provides a platform and voice for the dispossessed. "Theater of the Voiceless" - an international symposium and festival produced by Zeitgeist DC (Austrian Cultural Forum Washington, Goethe-Institut Washington and the Embassy of Switzerland) and the Laboratory for Global Performance and Politics at Georgetown University - takes place June 16 - 19, 2013 at various venues around Washington, DC.

If I could grab you by the shoulders, Dear Reader, look you square in the eye and tell you “See this play—now!” I would. Forum Theatre's accomplished and deeply moving production of Bill Cain's “9 Circles,” now at the Round House Theatre's Silver Spring stage, is that good. And that necessary.

Forum Theatre presents the area premiere of 9 Circles, from playwright Bill Cain and directed by Jennifer L. Nelson, tonight, February 7 - March 2, 2013.

Forum Theatre presents the area premiere of 9 Circles, from playwright Bill Cain and directed by Jennifer L. Nelson, February 7 - March 2, 2013.

Following this spring's successful run of Brian Friel's Irish drama Dancing at Lughnasa, The Quotidian Theatre Company pays tribute this July and August to one of its signature playwrights, Anton Chekhov, with a pair of one-act plays inspired by the Russian master, including a world-premiere adaptation.