There's the definite feeling of autumn in the air that makes you want to gut a pumpkin or at least have a pumpkin spice latte, chances are you are definitely going to need a sweater in the early morning hours, and it's past the perfect time for you to pick out a Halloween costume.
Nashville Ballet company dancer Sadie Bo (Harris) Sommer, who has performed with the organization since 2001, will retire at the end of the current performance season, dancing in her final mainstage performance as Titania in A Midsummer Night's Dream for a three-day run April 24-26 at TPAC's Andrew
Theater people from throughout Tennessee gathered at Belmont University's Bill and Carole Troutt Theatre on Sunday night for the 2013 First Night Honors to pay tribute to a group of eight remarkable people who have made indelible marks on the theater scene throughout their storied careers.
What better way to kick off Sunday-and to celebrate Father's Day!-than with the latest installment of Music City Confidential! Here's where you'll find all the news that's fit to print (or not-depending on your perspective) from Nashville's ever-growing, ever-fascinating live theater industry.
Let's face it: You have to give Paul Vasterling, the grand poobah (as both artistic director and CEO of Nashville Ballet, what other title suits him best?) of all things musical/dancical/theatrical in Music City, a whole bunch of credit for the imaginative-heretofore unexperienced-heights he has hel
Inspired by the original work choreographed by Vaslav Nijinsky and performed to the glorious music composed by Igor Stravinsky for the original Ballets Russes production, Nashville Ballet's rendition of Rite of Spring further underscores the company's artistic range and the depth of artistic directo
If there is an onstage moment more breathtaking, more purely theatrical, than the one during Nashville's Nutcracker when the green upstage curtain falls at the end of the exquisitely danced "Waltz of the Flowers," I simply cannot recall it nor would I want to-for it is during that brief respite from
With new and expressive choreography by Paul Vasterling - set to Prokofiev's timelessly beautiful 1944 score - Nashville Ballet opens its 26th season with a sumptuous remounting of Cinderella which captures, once more, the sheer artistry of the company's dancers while giving audiences exactly what t
How do I even begin to describe Nashville Ballet's Mollie Sansone? She's exquisitely beautiful and superbly talented, with a spectacular line and an amazingly athletic yet graceful ability to bring any dance to more vivid life than you might first expect.
In his tenth season with Nashville ballet, Jon Upleger is the very epitome of grace, class and talent, thrilling audiences with his artistry and complete devotion to his craft.
In the past year-and-a-half of interviewing actors and dancers for our 'A Life in the Theater' and 'This Dancer's Life' series, I've been struck by something very interesting: While actors love to talk about themselves and what makes them do what they do, dancers tend to be more circumspect and to t
With the North American premiere of Twyla Tharp's The Story Teller generating most of the buzz prior to opening night, Nashville Ballet's Director's Choice winter series provided a much-needed jolt of electricity to the city's midwinter arts calendar.
Nashville Ballet will reprise its beloved local take on the classic Christmas tale when Nashville's Nutcracker returns to TPAC's Jackson Hall December 10-19 with exciting new visual elements and the return of critically acclaimed dancer and actor Eric Harris as Drosselmeyer.
Nashville Ballet will reprise its beloved local take on the classic Christmas tale when Nashville's Nutcracker returns to TPAC's Jackson Hall December 10-19 with exciting new visual elements and the return of critically acclaimed dancer and actor Eric Harris as Drosselmeyer.
Nashville Ballet will reprise its beloved local take on the classic Christmas tale when Nashville's Nutcracker returns to TPAC's Jackson Hall December 10-19 with exciting new visual elements and the return of critically acclaimed dancer and actor Eric Harris as Drosselmeyer.
The resulting production that comes from Vasterling's unerringly skillful choreography and his clearly developed vision for the piece - exquisitely expressed through Baird's costume and scenic design, Scott Leathers' stunningly evocative lighting design and the beautiful music of Felix Mendelssohn p
With each passing year and with each new offering, Vasterling and the other powers-that-be at Nashville Ballet gain new admirers for their troupe, whose skills are confidently and expertly highlighted by the choices made in regard to the company's repertoire.
With the strains of 'Auld Lang Syne' mere moments away, minds are apt to be caught up in reflection, remembering the year now ending as a new one awaits just over the horizon.
Nashville Ballet ushers in the holiday season in glorious style with its revival of artistic director Paul Vasterling's visionary re-interpretation of The Nutcracker, onstage at TPAC's Andrew Jackson Hall through December 20.
Since its preeminence among the city's artistic entities became de facto, Nashville Ballet has consistently launched the real artistic season in Music City each year -- and with the return of Giselle to the company's program after a seven-year hiatus, the 2009-2010 season is off to a rousing start.
