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BWW Review: SALOME, National Theatre

BWW Review: SALOME, National Theatre

by Marianka Swain — May 10, 2017

Salome, that dancing seductress who demanded the head of John the Baptist, has been reclaimed by Yael Farber in this new feminist interpretation (the RSC stages Oscar Wilde's more familiar take next month).

BWW Review: THE FERRYMAN, Royal Court

BWW Review: THE FERRYMAN, Royal Court

by Kelly McElroy — May 5, 2017

Butterworth's writing offers an exquisite balance of humour and drama, revelry and mourning, surprise and expectation.

AN AMERICAN IN PARIS Extends Booking to January 2018!

AN AMERICAN IN PARIS Extends Booking to January 2018!

by BWW News Desk — April 27, 2017

Christopher Wheeldon's stunning reinvention of the Oscar winning film An American in Paris has been ecstatically received by audiences and critics since opening at the beautifully restored Dominion Theatre on 21 March 2017.

BWW Review: Disney's DER GLOECKNER VON NOTRE DAME

BWW Review: Disney's DER GLOECKNER VON NOTRE DAME

by Marcel Konrath — April 26, 2017

Disney ist erwachsen geworden! Nachdem „Der Glockner von Notre Dame' 1999 seine Welturauffuhrung in Berlin feierte, halt nun eine neue Inszenierung Einzug im majestatischen Theater des Westens.

QPAC and The Royal Ballet Take Dance Into The Community

QPAC and The Royal Ballet Take Dance Into The Community

by BWW News Desk — April 18, 2017

Community workshop and participation project, We All Dance, commenced this week as part of the 2017 QPAC International Series residency program that frames the exclusive main stage season from The Royal Ballet at the Queensland Performing Arts Centre (QPAC).

BWW Review: THE WINTER'S TALE, Barbican

BWW Review: THE WINTER'S TALE, Barbican

by Cindy Marcolina — April 7, 2017

In the Barbican's vast space, Cheek by Jowl presents their formidable, modern-dress take on Shakespeare's account of blind jealousy, suspicion, abandonment, loss, and young love.

BWW Review: THE GOAT, OR WHO IS SYLVIA?, Theatre Royal Haymarket

BWW Review: THE GOAT, OR WHO IS SYLVIA?, Theatre Royal Haymarket

by Marianka Swain — April 6, 2017

The late, great Edward Albee is certainly having a West End 'moment', but it rather places this particular revival at a disadvantage, comparing unfavourably as it does with the shattering, unforgettable Who's Afraid of Virginia Woolf? a few streets away.

BWW Review: THE KID STAYS IN THE PICTURE, Royal Court

BWW Review: THE KID STAYS IN THE PICTURE, Royal Court

by Marianka Swain — March 24, 2017

While An American in Paris captures the dreamy glamour of old Hollywood, Simon McBurney rivetingly evokes its seedy, cynical underbelly, from backroom deals to drug busts and mobsters.

BWW Review: ESCAPED ALONE, Bristol Old Vic

BWW Review: ESCAPED ALONE, Bristol Old Vic

by Tim Wright — March 24, 2017

Caryl Churchill has rightly claimed her spot as one Britain's greatest living playwrights but her latest work Escaped Alone, falls short of her best.

BWW Review: FUNNY GIRL, Bristol Hippodrome

BWW Review: FUNNY GIRL, Bristol Hippodrome

by Tim Wright — March 23, 2017

'I'm the greatest star, I am by far, but no one knows it' is the claim by aspiring vaudeville music show actress Fanny Brice at the top of Funny Girl.


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