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Casting Announced For The World Premiere Of Paul Auster's CITY OF GLASS

Vivienne Acheampong, Mark Edel-Hunt, Chris New and Jack Tarlton will star in the first stage adaptation of a Paul Auster novel in the UK, City of Glass, a brand new production by Tony Award-winning 59 Productions in a co-production with HOME, Manchester (4-18 March) and Lyric Hammersmith (20 April - 13 May).

Cast Announced for UK Tour of RUNNING WILD

Children's Touring Partnership is delighted to announce the full cast for the first UK Tour of Running Wild by Michael Morpurgo in an adaptation by Samuel Adamson, beginning at Chichester Festival Theatre on 10 February 2017. 

BWW Review: ANNIE GET YOUR GUN, Crucible, Sheffield

Annie Get Your Gun is another crowd-pleasing musical from Sheffield Theatres, featuring a winning performance from Anna-Jane Casey and showcasing many of Irving Berlin's finest songs.

BWW Review: MATTHEW BOURNE'S THE RED SHOES, Sadler's Wells

Lucky Londoners are now treated to a Matthew Bourne extravaganza every festive season and in comparison to recent year's revivals of previously seen Bourne works, the excitement is palpable at Sadler's Wells as audiences prepare for the world premiere of Bourne's take on the 1948 film, The Red Shoes.

BWW Review: THE COMMITMENTS, Theatre Royal, Glasgow

The Commitments is a fantastically feel good celebration of soul. Direct from a phenomenally successful, record breaking two year run in London's West End, The Commitments is based on the BAFTA award-winning film classic.

Photo Flash: WILD HONEY at Hampstead Theatre

Theatre presents Michael Frayn's Wild Honey, directed by 's Associate Artist Howard Davies and Jonathan Kent. This comedy of errors, drawn from Chekhov's untitled - and posthumously discovered - early play, is a tale of nineteenth century Russian life replete with classic misunderstandings, irrepressible desires and nostalgia for a vanishing world.

BWW Review: ONCE IN A LIFETIME, Young Vic

After a 2016 programme that included Blue/Orange and Yerma, the first offering in the Young Vic's new season is a revival of George S. Kaufman and Moss Hart's Once in a Lifetime, which also marks comedian Harry Enfield's stage debut.

BWW Review: BURIED CHILD, Trafalgar Studios, 1 December 2016

This revival of Sam Shepard's apocalyptic 1978 play has gained resonance since 2016's most apocalyptic political development - namely, Donald Trump cynically harnessing Midwestern anger and disillusionment. The latter is on display in heightened, American Gothic form in this Pulitzer Prize-winning piece, teeming with tragic mysteries, family skeletons and a (literally) buried past.

BWW Review: THIS HOUSE, Garrick Theatre

James Graham's political masterpiece makes its long-awaited West End transfer after runs at the National Theatre in 2012-13 and Chichester Festival this September. It takes over from the Branagh Theatre Company at the Garrick for a timely, yet limited, season.

Photo Flash: In Rehearsal for WILD HONEY at Hampstead Theatre

Hampstead Theatre presents Michael Frayn's Wild Honey, directed by Howard Davies and Jonathan Kent. This comedy of errors, drawn from Chekhov's untitled - and posthumously discovered - early play, is a tale of nineteenth century Russian life replete with classic misunderstandings, irrepressible desires and nostalgia for a vanishing world. The show begins December 2, and BroadwayWorld has a sneak peek at the cast in rehearsal below!

Photo Flash: Chichester's THIS HOUSE Begins Tonight at the Garrick

James Graham's critically acclaimed political drama This House will transfer to the Garrick Theatre, directed by Headlong Artistic Director Jeremy Herrin, following its upcoming run at Chichester's Minerva Theatre and having originally played two sell-out seasons at the National Theatre. Performances began 19 November for an official opening tonight 30 November 2016. BroadwayWorld has a look at the show at Chichester below!

BWW Review: THE CHILDREN, Royal Court, 24 November 2016

Three sixty-something retired scientists talk to one another in a remote seaside cottage for two hours. It doesn't sound like theatrical gold, but in Lucy Kirkwood's deft hands, an unassuming premise becomes transformed by a quiet dramatic alchemy. The Children isn't a play that shouts, but it's one whose whispers carry far and linger even longer - a warm, funny and devastating portrait of the end of the world as we know it.

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