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EDINBURGH 2017- A Day At The Fringe- Joe Sellman-Leava
by Natalie O'Donoghue - Aug 17, 2017

Edinburgh Festival Fringe performer Joe Sellman-Leava blogs for BWW to give us an insight into a typical day for him at the Edinburgh Festival Fringe.

COMBUSTION, LABELS, OCTOPUS and More Set for Summer 2017 at Tara Arts
by BWW News Desk - Apr 12, 2017

As Tara Arts celebrates its 40th anniversary throughout 2017, the company continues to put the experiences of the UK's diverse communities centre stage.

Full Programme Announced for Southbank Centre's Alchemy Festival
by BWW News Desk - Mar 15, 2017

Southbank Centre's international multi-arts festival Alchemy returns for its eighth year from Friday 19 - Monday 29 May celebrating the dynamic cultural connections and exchange of ideas between South Asia and the UK.

International Leaders In Performance And Dance Join Southbank Centre's Summer Programme
by BWW News Desk - Mar 1, 2017

Today Southbank Centre announces a powerful international line-up for its summer performance and dance programme, with a host of UK premieres.

EDINBURGH 2016: BWW Q&A - Labels
by Natalie O'Donoghue - Jul 11, 2016

Broadway World speaks to Michael Woodman co-artistic director of Worklight who produced hit Fringe show Labels.

Photo Flash: Meet the Cast of LABELS at Theatre Royal Stratford East
by BWW News Desk - Apr 22, 2016

Theatre Royal Stratford East Launches its new 80 Seat Theatre Space in Gerry's opposite, with a multi-award winning Edinburgh hit, examining how we use words, the line between curiosity and fear, and the rise of anti-immigration rhetoric. 2016 sees Theatre Royal Stratford East put new voices and bold new shows on a brand new stage. LABELS runs now through 30 April 2016. BroadwayWorld has a first look at the cast in action below!

Stratford East to Launch New 80-Seat Space with Joe Sellman-Leava's LABELS
by BWW News Desk - Apr 5, 2016

Theatre Royal Stratford East Launches its new 80 Seat Theatre Space in Gerry's opposite, with a multi-award winning Edinburgh hit, examining how we use words, the line between curiosity and fear, and the rise of anti-immigration rhetoric. Having already piloted the space in 2015 with Lynette Linton's Chicken Palace, Alexis Gregory's Slap directed by Rikki Beadle-Blair and Femi Elufowoju workshop production of The Secret Lives of Baba Segi's Wives (sell-out shows), 2016 sees Theatre Royal Stratford East put new voices and bold new shows on a brand new stage. LABELS runs 5 - 30 April, press night on Thursday 7 April, 8pm.

Stratford East to Launch New 80-Seat Space with Joe Sellman-Leava's LABELS
by BWW News Desk - Feb 12, 2016

Theatre Royal Stratford East Launches its new 80 Seat Theatre Space in Gerry's opposite, with a multi-award winning Edinburgh hit, examining how we use words, the line between curiosity and fear, and the rise of anti-immigration rhetoric. Having already piloted the space in 2015 with Lynette Linton's Chicken Palace, Alexis Gregory's Slap directed by Rikki Beadle-Blair and Femi Elufowoju workshop production of The Secret Lives of Baba Segi's Wives (sell-out shows), 2016 sees Theatre Royal Stratford East put new voices and bold new shows on a brand new stage. LABELS runs 5 - 30 April, press night on Thursday 7 April, 8pm.

BWW Review: ADELAIDE FRINGE 2016: LABELS Points Out The Stupidity Of The Us/Them Divide
by Barry Lenny - Feb 12, 2016

Joe Sellman-Leava makes us laugh, makes us angry, and makes us very glad to have met him, albeit far too briefly.

Joe Sellman-Leava's Brings Award-Winning LABELS to the Studio
by Sally Henry Fuller - Jan 18, 2016

The award winning show Labels By Joe Sellman-Leava (UK) draws on writer and performer Joe Sellman-Leava's experiences of mixed heritage to explore the broader issues of racism, immigration and displacement.

EDINBURGH 2015 - BWW Reviews: LABELS, Pleasance Courtyard, August 8 2015
by Natalie O'Donoghue - Aug 9, 2015

This intimate new show from the award-winning Worklight Theatre draws on writer/performer Joe Sellman-Leava's experiences of mixed heritage and racism. Labels examines the way we use words, the line between curiosity and fear, and the rise of anti-immigration rhetoric.

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