With music, comedy and a kickin' band, Mario Cantone brings his pre-Broadway tour, On the Way to Broadway, to Parker Playhouse on Saturday, June 13 at 8 p.m. The new show features his irreverent humor and wickedly funny impersonations.
This week's New York Times In Performance video features a scene from Dael Orlandersmith's solo show FOREVER
The Program Launch for the second half of 2015 shows that the Independent Music Theatre team comprising Luckiest Productions (David Campbell, Lisa Campbell and Richard Carroll), Neglected Musicals (Michelle Guthrie), and Neil Gooding Productions, the driving force behind Hayes Theatre Company, have no intention of slowing down are staying true to their vision to provide a permanent home for small-scale musical theatre and cabaret.
NiGHTMARE BOY is the solo outfit from one Barrie-James O'Neill. Born and raised in Glasgow, Scotland, he now resides in Los Angeles, California exploring a variety of artistic passions. His newest venture is into film and he has just released his very first short film entitled SCUMBaG.
The New York premiere of FOREVER, the fourth production of the New York Theatre Workshop (NYTW) (Artistic Director James C. Nicola and Managing Director Jeremy Blocker), created and performed by Pulitzer Prize finalist Dael Orlandersmith (Monster, The Gimmick) and directed by Neel Keller (The Nether), officially opens tonight, May 4, 2015 at New York Theatre Workshop (79 E. 4th Street New York, NY 10003). FOREVER runs through Sunday, May 31, 2015.
The New York premiere of FOREVER, the fourth production of the New York Theatre Workshop (NYTW) (Artistic Director James C. Nicola and Managing Director Jeremy Blocker), created and performed by Pulitzer Prize finalist Dael Orlandersmith (Monster, The Gimmick) and directed by Neel Keller (The Nether), begins previews tonight, April 22nd and officially opens on Monday, May 4, 2015 at New York Theatre Workshop (79 E. 4th Street New York, NY 10003).
Tickets for the New York premiere of FOREVER, the fourth production of the New York Theatre Workshop (NYTW) (Artistic Director James C. Nicola and Managing Director Jeremy Blocker) 2014/15 Season are now on sale at www.nytw.org. Created and performed by Pulitzer Prize finalist Dael Orlandersmith (Monster, The Gimmick) and directed by Neel Keller (The Nether), FOREVER begins previews on Wednesday, April 22nd and officially opens on Monday, May 4, 2015 at New York Theatre Workshop (79 E. 4th Street New York, NY 10003). FOREVER runs through Sunday, May 31, 2015.
Long Wharf Theatre, led by Artistic Director Gordon Edelstein and Managing Director Joshua Borenstein, presents Forever, written and performed by Dael Orlandersmith, from January 2 through February 1, 2015 on Stage II. The press opening is tonight, January 7 at 7:30 pm. BroadwayWorld has a first look at Orlandersmith onstage below!
Long Wharf Theatre, led by Artistic Director Gordon Edelstein and Managing Director Joshua Borenstein, presents Forever, written and performed by Dael Orlandersmith, from January 2 through February 1, 2015 on Stage II. The press opening is Wednesday, January 7 at 7:30 pm.
Netflix has shared the slate of movies and TV shows which will be available for streaming beginning January 2015. Check out the list below!
The Hollywood Reporter shares details on the highly anticipated Finding Nemo sequel, FINDING DORY.
Long Wharf Theatre, led by Artistic Director Gordon Edelstein and Managing Director Joshua Borenstein, presents Forever, written and performed by Dael Orlandersmith, from January 2 through February 1, 2015 on Stage II. The press opening is Wednesday, January 7 at 7:30 pm.
Ed Dixon's world premiere production attempts a whole new genre- the intellectual farce.
Today international spoken song duo Janice Kephart (Washington D.C.) and Luke Gartner-Brereton (Brisbane, Australia) announce the release of Christmas Delight, eight original songs set to classical guitar distributed through CDBaby and soon on iTunes and Amazon.
Tuesday, November 11 My lifelong friend, Jane Parham arrived in town for the invited dress rehearsaltomorrow and I had lunch with her at Sonoma Grill. Have I mentioned that Sonoma Grill is awesome? So is Jane. We had a marvelous time and then I took her to the theater to see the set. While we were standing there, Zach Moore ran a sound cue, Bizet's Symphony in C… loudly. Both Jane and I burst into tears. Got to introduce her to Ted Pappas who greeted her like an old friend. Good times.
Pittsburgh Public Theater's 40th anniversary Season of Legends continues with the world premiere of L'Hotel, written by Broadway veteran Ed Dixon and directed by The Public's Producing Artistic Director, Ted Pappas. L'Hotel runs tonight, November 13 - December 14, 2014 at the O'Reilly Theater, Pittsburgh Public Theater's home in the heart of Downtown's Cultural District.
Tuesday, November 4 Started the day REALLY early with packing. They're moving me to housing right next to the theater. The Pennsylvanian is a lovely place but it's a HIKE and the weather is about to turn cold, so I'm really glad to be getting closer to work. After the move we did some trouble areas of the play and tightened the up considerably. Then I did an interview with Bill O'Driscoll from the City Paper. Forgot to mention, I did interviews with Sharon of the Post-Gazette and Alice Carter from the Tribune last week. Both were very enjoyable. We did a run through in the afternoon and it was the first time the first act had come together. The show is an ensemble piece so almost the entire cast is onstage all the time. This means everyone has to be on their toes ALL THE TIME or cues will be missed. This was the first time everyone kept the ball in the air for the entire first act. The second act wasn't as fortunate… one step at a time.
A never-before-released documentary film produced by The Doors is out today, November 11.
Tuesday, October 28 We started the new week with the top of act two. We sat around and read it. We've started doing this in comfy chairs in a circle rather than around a table and it's very intimate. Then we started at the top. Everyone's on stage from the beginning and it's so marvelous to see how at this point, everyone is really inside the characters so it goes really quickly in a kind of short hand. We got all the way up to the "eleven o'clock number" moment of the second act and quit there.
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