Atlanta's nationally acclaimed Alliance Theatre and Jennings Hertz Artistic Director Susan V. Booth have announced the 2016/17 Season for the Alliance Stage, Hertz Stage, Theatre for Youth and Families, and the Kathy and Ken Bernhardt Theatre for the Very Young series. The 48th season includes seven world premieres, five musicals, five productions by Atlanta playwrights, and exceptional productions for youth and families. The 2016/17 season marks the Alliance's last in its current theater space before it undergoes a complete renovation, its first since it was built in 1968.
Yale School of Drama presents the tenth annual Carlotta Festival of New Plays, May 8-15 at the Iseman Theater (1156 Chapel Street,). The Carlotta Festival is comprised of three fully-produced plays by graduating playwrights performed in repertory of twelve performances over eight days.
Yale School of Drama presents the tenth annual Carlotta Festival of New Plays, May 8-15 at the Iseman Theater (1156 Chapel Street,). The Carlotta Festival is comprised of three fully-produced plays by graduating playwrights performed in repertory of twelve performances over eight days.
Frances Black Projects presents The Most Beautiful Thing in the World. Written and performed by Gabriel Levey, co-created with Kate Tarker, directed by Carter Gill and designed by Paul Lieber. This weekend, April 9-12 at Cloud City, 85 North 1stStreet, Brooklyn. Tickets are $18 and available online atwww.francesblackprojects.com.
Frances Black Projects presents The Most Beautiful Thing in the World. Written and performed by Gabriel Levey, co-created with Kate Tarker, directed by Carter Gill and designed by Paul Lieber. April 9-12 at Cloud City, 85 North 1stStreet, Brooklyn. Tickets are $18 and available online atwww.francesblackprojects.com.
Cutting Ball Theater closes its 12th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. This year's festival, which will run tonight, June 8 to July 14, features two new works and five new translations in staged readings. Like the 2011 festival, which featured workshops of two Cutting Ball commissioned works, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.
Cutting Ball Theater closes its 12th season with the adventurous RISK IS THIS.THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage.
Cutting Ball Theater closes its 12th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. This year's festival, which will run June 8 to July 14, features two new works and five new translations in staged readings. Like the 2011 festival, which featured workshops of two Cutting Ball commissioned works, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.
This summer is going to be busy with Boxcar's biggest project to date: Three sizzling Tennessee Williams plays running in repertory. Sound insane for a black box theatre? That's exactly why Boxcar's Artistic Directors thought to do it. With three rolling openings one week after another, the ensemble will then go into a traditional nightly rep schedule with Cat on a Hot Tin Roof (Directed by Jeffrey Hoffman), A Streetcar Named Desire (Directed by Rebecca Longworth) and The Glass Menagerie (Directed by Jessica Holt). The Tenn Will Project, as it is being referred to as by the artistic team, caps off a very ambitious 13-play season by Boxcar, and defines their season of 'Re-Imagining the Familiar.'
This summer is going to be busy with Boxcar's biggest project to date: Three sizzling Tennessee Williams plays running in repertory. Sound insane for a black box theatre? That's exactly why Boxcar's Artistic Directors thought to do it. With three rolling openings one week after another, the ensemble will then go into a traditional nightly rep schedule with Cat on a Hot Tin Roof (Directed by Jeffrey Hoffman), A Streetcar Named Desire (Directed by Rebecca Longworth) and The Glass Menagerie (Directed by Jessica Holt). The Tenn Will Project, as it is being referred to as by the artistic team, caps off a very ambitious 13-play season by Boxcar, and defines their season of 'Re-Imagining the Familiar.'
This summer is going to be busy with Boxcar's biggest project to date: Three sizzling Tennessee Williams plays running in repertory. Sound insane for a black box theatre? That's exactly why Boxcar's Artistic Directors thought to do it. With three rolling openings one week after another, the ensemble will then go into a traditional nightly rep schedule with Cat on a Hot Tin Roof (Directed by Jeffrey Hoffman), A Streetcar Named Desire (Directed by Rebecca Longworth) and The Glass Menagerie (Directed by Jessica Holt). The Tenn Will Project, as it is being referred to as by the artistic team, caps off a very ambitious 13-play season by Boxcar, and defines their season of 'Re-Imagining the Familiar.'
San Francisco's cutting-edge Cutting Ball Theater presents the fourth installation in this season's Hidden Classics Reading Series, Thomas Middleton's WOMEN BEWARE WOMEN.
San Francisco's cutting-edge Cutting Ball Theater presents the fourth installation in this season's Hidden Classics Reading Series, Thomas Middleton's WOMEN BEWARE WOMEN.
But soft, what light through yonder window breaks... it's not your parents Shakespeare. On September 14th, San Francisco's most innovative and daring ensemble, Boxcar Theatre (www.boxcartheatre.org), opens its much-anticipated 2009 / 2010 season with Romeo & Julien, a new bent on the Bard in with a transgender male in the role of the female ingénue.
But soft, what light through yonder window breaks... it's not your parents Shakespeare. On September 14th, San Francisco's most innovative and daring ensemble, Boxcar Theatre (www.boxcartheatre.org), opens its much-anticipated 2009 / 2010 season with Romeo & Julien, a new bent on the Bard in with a transgender male in the role of the female ingénue.
