Topping off an incredible year, The Boy With Tape On His Face (aka New Zealander Sam Wills) announces his debut West End theatre run at the Duchess Theatre starting tonight, 17th December culminating on 5th January 2013. He brings his critically acclaimed 5 star hit show to the capital this Christmas for a strictly limited season of 22 performances only.
A fresh take on sketch comedy, KROLL SHOW showcases Kroll's incredible ability to create memorable and hilarious characters that pop off the screen. Eight episodes begin on Wednesday, January 16 at 10:30 p.m., following all-new episodes of "Workaholics."
The company will also present a family matinee program that features kid-friendly Parsons Dance classics on Saturday, January 26 at 2pm. Both programs will include David Parsons' stroboscopic masterwork Caught. The Joyce Theater is located at 175 Eighth Avenue (at 19th Street), NYC. Tickets range in price from $10-$59. Ticket prices are subject to change. Tickets are available by phone at 212-242-0800 or online at Joyce.org.
David Parsons and Parsons Dance return to The Joyce Theater from January 15-27, 2013, with a program that includes two new works: Dawn to Dusk by David Parsons, and Black Flowers by former Parsons Dancer Katarzyna Skarpetowska.
Fresh from the acclaimed release of their new CD, Like A Bridge, world jazz ensemble, LUA HADAR with TWIST presents the premiere of their new Live Concert DVD, Like a Bridge, a 70-minute Live Studio Concert directed by Emmy award-winner Lawrence Jordan, shot at the legendary Fantasy Studios in Berkeley, California.
Seattle Shakespeare Company opens its new season at the Playhouse at Seattle Center with the epic romance Antony and Cleopatra. Director John Langs, who staged the company's block-buster production of Hamlet, helms the legendary and tragic affair of two charismatic world leaders caught between their own desires and the duty they owe their country.
Scottsdale Center for the Performing Arts will celebrate Thanksgiving weekend with performances by Béla Fleck and the Marcus Roberts Trio on Friday, Nov. 23, and The Capitol Steps on Saturday and Sunday, Nov. 24 and 25.
A three-day genre-bending celebration of music will be uncovered at the Brisbane Powerhouse tonight, October 26-28 as Restrung returns to Brisbane for the second time. Catered to local audiences with a truly omnivorous music taste, Restrung bridges the borders between rock, folk, world music, jazz, contemporary classical and electronica.
Shattered Globe Theatre kicks off its 2012/13 Season with BURN THIS by Lanford Wilson, directed by Linda Gillum, playing now through November 18, 2012 at Theater Wit, 1229 W. Belmont Ave. in Chicago. The production features Shattered Globe ensemble members Kate LoConti and Brad Woodard, with Ryan Kitley and Jake Szczepaniak. Get a first look at the show in the photos below!
The annual New York City Cabaret Convention -- conceived, launched, and brilliantly sustained for the past 23 seasons by The Mabel Mercer Foundation --has honored many specific people and events across the past two decades. Legendary performers, composers, lyricists, and their anniversaries have all had their day and their due as the Convention grew in visibility, stature, and acclaim.
The annual New York City Cabaret Convention -- conceived, launched, and brilliantly sustained for the past 23 seasons by The Mabel Mercer Foundation --has honored many specific people and events across the past two decades. Legendary performers, composers, lyricists, and their anniversaries have all had their day and their due as the Convention grew in visibility, stature, and acclaim.
Shattered Globe Theatre kicks off its 2012/13 Season with BURN THIS by Lanford Wilson, directed by Linda Gillum, playing tonight, October 18 - November 18, 2012 at Theater Wit, 1229 W. Belmont Ave. in Chicago. The production features Shattered Globe ensemble members Kate LoConti and Brad Woodard, with Ryan Kitley and Jake Szczepaniak. Tickets for BURN THIS are currently available at www.shatteredglobe.org or by calling (773) 795-8150. The press performance is Sunday, October 21 at 3 pm.
The horror and humanity of WWI are brought vividly to life in the national tour of 'War Horse,' the 2011 Tony Award-winning Best Play featuring the remarkable life-size, and life-like, horses of Handspring Puppet Company.
A three-day genre-bending celebration of music will be uncovered at the Brisbane Powerhouse on October 26-28 as Restrung returns to Brisbane for the second time. Catered to local audiences with a truly omnivorous music taste, Restrung bridges the borders between rock, folk, world music, jazz, contemporary classical and electronica.
Topping off an incredible year, The Boy With Tape On His Face (aka New Zealander Sam Wills) announces his debut West End theatre run at the Duchess Theatre starting on 17th December culminating on 5th January 2013. He brings his critically acclaimed 5 star hit show to the capital this Christmas for a strictly limited season of 22 performances only.
Fresh from the acclaimed release of their new CD, Like A Bridge, world jazz ensemble, LUA HADAR with TWIST presents the premiere of their new Live Concert DVD, Like a Bridge, a 70-minute Live Studio Concert directed by Emmy award-winner Lawrence Jordan, shot at the legendary Fantasy Studios in Berkeley, California.
Seattle Shakespeare Company opens its new season at the Playhouse at Seattle Center with the epic romance Antony and Cleopatra. Director John Langs, who staged the company's block-buster production of Hamlet, helms the legendary and tragic affair of two charismatic world leaders caught between their own desires and the duty they owe their country.
Much Ado About Nothing is described as 'one of Shakespeare's best comedies, because it combines elements of robust hilarity with more serious meditations on honor, shame, and court politics. The sparkling wordplay of Beatrice and Benedick are at the centre of this romantic comedy, which also brims with villainy, schemes, and deceit. Much Ado About Nothing is a joyful comedy that ends with multiple marriages and no deaths.'
Hard to believe, but Sweeney Todd first bowed on Broadway in late 1979 and I was in New York to witness the brilliant achievement of Sondheim, Angela Lansbury and Len Cariou and the entire creative team. It is difficult to find just the right words to express how very much this show affected me when I first saw it. Unlike some, who were abhorred by the subject content, I was mesmerized by much more than the twisted tale of revenge, which did indeed appeal to my dark side. It was the unbelievable staging and brilliant score, which to this day, I believe to be Stephen Sondheim's finest work, which grabbed hold of me and blew me away. It is opera in its most grotesque hour, an overwhelming and overpowering experience. Moonlight Amphitheatre is presenting the masterwork now onstage in Vista through October 6. And there's something to be said for seeing this musical outdoors in the night air, it's even more eerie and chilling: especially if it's a spectacular endeavor, which it truly proves to be with new artistic director Steven Glaudini's clockwork staging, and the exceedingly brilliant work from every member of the top-notch ensemble.
