Jacques Offenbach News

The Dallas Opera is proud to announce its ambitious 2017-2018 Season, "Motives Unmasked!" consisting of five entertaining and varied mainstage productions, including a dazzling U.S. premiere and a new Dallas Opera production of a very early opera by Viennese wunderkind Erich Wolfgang Korngold.

Joining the world-wide 500th anniversary commemorations of the creation in Venice of the world's first ghetto, Salon/Sanctuary Concerts' eighth season explores the musical worlds shaped by ancestors and descendents of exiles. From Esther to Shylock, from Troubadors to Dowland, we glimpse at fault lines of acceptance refracted through the prism of music.

The Michigan Philharmonic performed its annual Phright Night concert last Saturday at the PARC in Plymouth; as always, it was a huge success. The symphony harvested some scary tunes at its beloved Halloween POPS concert.  Maestro Nan Washburn entered the building on her motorized scooter, drawing thunderous applause from patrons. She opened the concert using a large wooden spoon as her conductor's baton, then quickly switched it out with a professional one.  The selections were wonderful, and very much a treat for the ears.

NEW YORK, NEW YORK (July 25, 2016)—Conducted by Semyon Bychkov in May 2016, the 13th annual Vienna Philharmonic Summer Night Concert Schönbrunn will be released on CD, DVD, Blu-Ray, and digital platforms by Sony Classical on August 12 and broadcast on PBS's Great Performances on Today, September 30 at 9 p.m. (check local listings.). The Summer Night Concerts are presented free each year in the gardens of Vienna's Imperial Schönbrunn Palace, and Mr. Bychkov—conducting the event for the first time—led the Vienna Philharmonic in front of its largest Summer Night Concert audience ever (102,000 spectators). The performance reached an additional 585,000 people through TV and radio, having been broadcast by 83 stations on five continents.

At one point during WASTE OF SPACE, Chris Dwan began singing the lyric 'We're connected in our own sort of universe' again and again. That line came from an original track, 'All I Know,' co-written with Ross Baum. Making his New York City solo concert debut at Feinstein's/54 Below on September 6, Dwan did create his own sort of the universe, but the connections remained a bit unclear.

Jacques Offenbach wrote 'No. 66!' (The castle in the air) in 1856 for his own small theatre, a wooden auction hall at the Champs-Elysees in Paris. Now, this unknown opera-comique can be seen in a former blacksmith's - the theatre of the Amsterdam Marionette Theatre.

Metropolitan Opera mezzo-soprano Rebecca Ringle joins fortepianist Kenneth Merrill in our season opener concert, distilling the public splendor of the opera house for the private intimacy of the recital.

Joining the world-wide 500th anniversary commemorations of the creation in Venice of the world's first ghetto, Salon/Sanctuary Concerts' eighth season explores the musical worlds shaped by ancestors and descendents of exiles. From Esther to Shylock, from Troubadors to Dowland, we glimpse at fault lines of acceptance refracted through the prism of music.

Amsterdams Marionetten Theater

NEW YORK, NEW YORK (July 25, 2016)—Conducted by Semyon Bychkov in May 2016, the 13th annual Vienna Philharmonic Summer Night Concert Schönbrunn will be released on CD, DVD, Blu-Ray, and digital platforms by Sony Classical on August 12 and broadcast on PBS's Great Performances on Friday, September 30 at 9 p.m. (check local listings.). The Summer Night Concerts are presented free each year in the gardens of Vienna's Imperial Schönbrunn Palace, and Mr. Bychkov—conducting the event for the first time—led the Vienna Philharmonic in front of its largest Summer Night Concert audience ever (102,000 spectators). The performance reached an additional 585,000 people through TV and radio, having been broadcast by 83 stations on five continents.

With an original libretto by Hector Cremieux and Ludovac Halevy and now directed by Ralph Bott and orchestrated by Jon Smith, this version is based on 2nd version, of 1874. The sub-title is Opera Feerie which translates as "extravaganza", and in 1874 it was an absolute extravaganza. The cast was comprised of 42 named principals; 100 choristers (men, women and children), and sufficient dancers for four Grand Ballets (10 Principals, 16 corphees and 60 dames des corps de ballet) … A grand total of 228 performers Offenbach's comic, bitingly satirical, witty and occasionally "naughty" parody of the tragic Orpheus legend involving the Mount Olympus Gods of classical Greek mythology is a farcical, merry romp that has delighted audiences the world over since its Paris premiere in 1858.

BroadwayWorld Spain te invita a ver el nuevo musical PALOMA SAN BASILIO EN LA DECIMA MUSA dentro del 62º Festival de Merida. ¡Entra y participa!

Madison Opera partners with Wisconsin Public Radio to present recorded broadcast of Offenbach's The Tales of Hoffmann today, May 21.

Madison Opera partners with Wisconsin Public Radio to present recorded broadcasts of Puccini's La Boheme today, May 14, and Offenbach's The Tales of Hoffmann on Saturday, May 21.

Madison Opera partners with Wisconsin Public Radio to present recorded broadcasts of Puccini's La Bohème on Saturday, May 14 and Offenbach's The Tales of Hoffmann on Saturday, May 21. Both broadcasts begin at 1pm and listeners can tune into WPR on 88.7FM or stream online at www.wpr.org/listen-live.

March 4, 2016 (BOSTON, MA)—Boston Ballet's 52nd season continues with Kaleidoscope, a vibrant fusion of works by the most influential choreographic voices of the 20th century. The first of four works presented in this dynamic program is George Balanchine's Kammermusik No. 2, a “fascinating” and “unremitting” ballet, followed by the dazzling and technically demanding The Vertiginous Thrill of Exactitude by William Forsythe that returns to Boston Ballet after a critically acclaimed Company premiere last season (Brian Seibert, The New York Times). Adding to the evening's exceptional program is the graceful Pas de Quatre by unsung choreographer Leonid Yakobson, a classically romantic work noted for its “distinctive movement sensibility” (Roslyn Sulcas,The New York Times). Concluding the program is Léonide Massine's colorful Gaîté Parisienne, an effervescent ballet that evokes Moulin Rouge and Paris in the early 1900s, and ends with an unforgettable can-can.  Kaleidoscope will run March 17–26, 2016 at the Boston Opera House. 

Madison Opera presents Jacques Offenbach's The Tales of Hoffmann on Friday, April 15 and Sunday, April 17 in Overture Hall at the Overture Center for the Arts. This will be the company's first production in twenty years of Offenbach's masterpiece, which moves in a fantasy world. It offers showpiece arias for the bravura cast, the gorgeous 'Barcarolle,' and a truly moving tribute to what it means to be an artist.

March 4, 2016 (BOSTON, MA)—Boston Ballet's 52nd season continues with Kaleidoscope, a vibrant fusion of works by the most influential choreographic voices of the 20th century. The first of four works presented in this dynamic program is George Balanchine's Kammermusik No. 2, a “fascinating” and “unremitting” ballet, followed by the dazzling and technically demanding The Vertiginous Thrill of Exactitude by William Forsythe that returns to Boston Ballet after a critically acclaimed Company premiere last season (Brian Seibert, The New York Times). Adding to the evening's exceptional program is the graceful Pas de Quatre by unsung choreographer Leonid Yakobson, a classically romantic work noted for its “distinctive movement sensibility” (Roslyn Sulcas,The New York Times). Concluding the program is Léonide Massine's colorful Gaîté Parisienne, an effervescent ballet that evokes Moulin Rouge and Paris in the early 1900s, and ends with an unforgettable can-can.  Kaleidoscope will run March 17–26, 2016 at the Boston Opera House. 

General Director Plácido Domingo has announced the repertory and artist roster for the company's 2016/17 season. Created by Mr. Domingo in collaboration with Music Director James Conlon and President and CEO Christopher Koelsch, the season will include six mainstage productions and a classic musical presented at the Dorothy Chandler Pavilion. A total of 40 performances will take place in that venue, while an additional 13 performances will be presented elsewhere through the company's Off Grand initiative. 

The two hilarious comic opera 's presented were Mozart's Bastien und Bastienne and Offenbach's La Chanson de Fortunio.