La MaMa in association with Talking Band is now presenting the world premiere of The Door Slams, A Glass Trembles written and directed by Paul Zimet with music by Ellen Maddow. Let's see what the critics had to say about the new play...
Downtown experimental theatre company Talking Band, now in its fifth decade, has premiered The Door Slams, A Glass Trembles at La MaMa. Get a first look at production photos here!
La MaMa in association with Talking Band will present the world premiere of The Door Slams, A Glass Trembles written and directed by Paul Zimet with music by Ellen Maddow.
Cause Celebre Productions’ public reading of Susan Charlotte’s play 'THE PEOPLE VERSUS LENNY BRUCE' will take place at The New York Society for Ethical Culture.
Rehearsals are underway for Cause Celebre Productions’ upcoming public reading of Susan Charlotte’s play “THE PEOPLE VERSUS LENNY BRUCE”. See photos of the cast in rehearsals!
Cause Célèbre Productions in association with The Writers Guild of America East and The New York Society For Ethical Culture will present a staged reading of “The People Versus Lenny Bruce” a play by Susan Charlotte.
Talking Band will close its lauded and sold-out 50th Anniversary Season with the world premiere of Shimmer and Herringbone. Learn more about the show and see how to purchase tickets.
These ladies don't lunch; they launch, twist, lurch, pop and topple. Meet Lorca, Topo, Nivea and Pinny: the more-sweet-than-tart troupe in LEMON GIRLS OR ART FOR THE ARTLESS. The comedic performance-art-within-a-play follows a group of New York City senior (70ish) girlfriends, all alumnae of Lemon Elementary. As they find their footing in a youth-paced world, they step outside their comfort zones and onto the stage. Artistically in it together even if they’re not always sure what “it” is, the Lemon Girls show us that age is just a number: '5-6-7-8!'
La MaMa will present the world premiere of Lemon Girls or Art for the Artless. Written and composed by OBIE and Drama Desk Award winning playwright and composer Ellen Maddow, Lemon Girls or Art for Artless is a comedic and revelatory celebration of older women and the thrill of making unlikely art.
The Tony Award-winning theatre has announced a fresh season of work – on its various stages in the East Village - that explores new rituals of our time from a multiplicity of perspectives and speaks to the epic changes of the 21st century.
Celebrating Broadway's legendary Cole Porter! The York Theatre Company launches their 50th Anniversary Season with its acclaimed Musicals in Mufti series celebrating the legendary Broadway composer Cole Porter. The series honors the illustrious songwriter behind such classics as Anything Goes, Kiss Me, Kate, Gay Divorce, Silk Stockings, Red, Hot and Blue, and Can-Can, to name a few.
La MaMa presents the world premiere of City of No Illusions, the newest work from seminal theater company Talking Band. Written and directed by four-time Obie winner Paul Zimet, City of No Illusions is a dark comedy set inside a funeral home that has become a refuge for two asylum seekers. Featuring original music by Ellen Maddow and an international cast of 12 performers, City of No Illusions is scheduled to run at La MaMa's Downstairs Theater (66 E 4th St) from February 8 through 24, with an opening night of February 13.
Dale Soules (Orange Is The New Black, Hands On A Hardbody) will step into a reading of Michael Raver's new political drama, Evening. Bedlam Artistic Director Eric Tucker will direct the reading on September 24th in New York. Soules replaces the previously announced Roberta Maxwell.
Bedlam Artistic Director Eric Tucker will direct a reading of Michael Raver's new political drama, Evening on September 24th. The piece will feature Roberta Maxwell (Brokeback Mountain, Lincoln Center's Our Town), Michael Potts (The Book of Mormon, Jitney, The Iceman Cometh) Jack Wetherall (Queer as Folk, Skintight), Vince Nappo (Reign, TFANA's The Merchant of Venice), Kelley Curran (Sense and Sensibility, TFANA's The Winter's Tale) and Michael Raver (The Persians, Death Comes for The War Poets).
In Skintight, Jodi Isaac's son Benjamin is in the midst of a semester abroad in Hungary, where he's been exploring his family's roots as Eastern European Jews. Now self-identified Americans, the Isaac family has been living in the United States for nearly 100 years, and memories of Jodi's grandparents' lives in Hungary are distant ones. But Jewish experiences of the Holocaust in Hungary in the 1930s and 1940s loom large in the history of any family of Hungarian Jewish descent.
In Skintight, both Jodi, a woman in her mid-40s, and Elliot, her 70-year-old father, grapple with what it means to age in modern society. Elliot, a successful fashion designer and businessman, is in a relationship with a much younger man, while Jodi, a lawyer, is dealing with the emotional fallout of her husband leaving her for a much younger woman.
Until the 1980s, mainstream culture and advertising often cast women as sex objects, and framed their images to appeal to the male gaze. Historically, men in advertisements were represented as figures of authoritative masculinity (such as the Marlboro Man), but rarely sexualized.