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Birth Place: Uppsala, SWEDEN

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Playhouse On Park Will Stream KENNEDY: BOBBY'S LAST CRUSADE

Playhouse on Parka??s 12th Main Stage Season will open with KENNEDY: BOBBYa??S LAST CRUSADE by David Arrow. The play was produced and filmed at the Theatre at St. Clements in NYC for Playhouse on Park audiences. The film of the play will be available to stream at home between September 16 - October 4 for $20.

Broadway Rewind: Watch Scenes from A LITTLE NIGHT MUSIC with Angela Lansbury and Catherine Zeta-Jones!

Today we rewind to 2009, when A Little Night Music returned to Broadway for the first Time. The revival, which played at the Walter Kerr Theatre for 425 performances, starred Angela Lansbury, Catherine Zeta-Jones, Erin Davie, Hunter Ryan Herdlicka, and Aaron Lazar. With music and lyrics by Stephen Sondheim and book by Hugh Wheeler, the musical is inspired by the Ingmar Bergman film Smiles of a Summer Night, it involves the romantic lives of several couples. 

Former Drama Desk President William Wolf Passes Away

BroadwayWorld is saddened to report that William Wolf, former President of the Drama Desk, has passed away from COVID-19 complications on Saturday, March 28. He is survived by his wife, Lillian Kramer Wolf.

BWW Feature: BROADWAY VS. HOLLYWOOD PARTE 4° I Film Tratti Dai Musical Di Stephen Sondheim

Ha appena compiuto 90 anni, ma Stephen Sondheim non da segno di voler abbandonare la scena musicale. Sempre impegnato nella supervisione di revival dei suoi musical o al lavoro su nuovi show, Sondheim è considerato il simbolo del musical On Broadway: gli è stato dedicato un teatro sulla 43° strada e ha al suo attivo 8 Tony Award, 16 Drama Desk Awards, 8 Grammy, e 1 Oscar.

South Bay Musical Theatre Announces 2020-2021 Season

South Bay Musical Theatre (SBMT) has announced the titles for the Company's upcoming 2020-2021 season. The 2020-2021 season will include JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT (September 26 - October 17, 2020), A LITTLE NIGHT MUSIC (January 30 - February 20, 2021) and THE KING AND I (May 15 - June 5, 2021).

Zoetic Stage Will Present Sondheim's A LITTLE NIGHT MUSIC

– Zoetic Stage (@ZoeticStageMIA) and the Adrienne Arsht Center for the Performing Arts of Miami-Dade County (@ArshtCenter) are proud to present Stephen Sondheim's A LITTLE NIGHT MUSIC, the Tony Award-winning musical, based on the Ingmar Bergman film Smiles of a Summer Night that explores the affairs surrounding actress Desirée Armfeldt and the men who love her. Playing March 19 – April 12, 2020 in the intimate Carnival Studio Theater (Ziff Ballet Opera House), A LITTLE NIGHT MUSIC continues Zoetic Stage's 2019-2020 season and the Arsht Center's 2019-2020 Theater Up Close Series.

A LITTLE NIGHT MUSIC, MAME and More to be Performed in 42nd Street Moon's 2020-2021 Season

San Francisco's 42nd Street Moon (Daren A.C. Carollo and Daniel Thomas, Co-Executive Directors) has announced the titles for the Company's upcoming 2020-2021 season. The 2020-2021 season will include A LITTLE NIGHT MUSIC (September 24 - October 11, 2020), MAME (December 3 - 20, 2020), THE SCOTTSBORO BOYS (February 11 - 29, 2021), A GRAND NIGHT FOR SINGING (April 15 - May 2, 2021), WONDERFUL TOWN (May 13 - June 13, 2021) and MY SISTER EILEEN (May 20 - June 13, 2021).

42nd Street Moon Announces 2020-2021 Season

San Francisco's 42nd Street Moon (Daren A.C. Carollo and Daniel Thomas, Co-Executive Directors) has announced the titles for the Company's upcoming 2020-2021 season. The 2020-2021 season will include A LITTLE NIGHT MUSIC (September 24 - October 11, 2020), MAME (December 3 - 20, 2020), THE SCOTTSBORO BOYS (February 11 - 29, 2021), A GRAND NIGHT FOR SINGING (April 15 - May 2, 2021), WONDERFUL TOWN (May 13 - June 13, 2021) and MY SISTER EILEEN (May 20 - June 13, 2021).

BWW Review: PERSONA, Riverside Studios

Persona transfers somewhat uneasily from screen to stage in Paul Schoolman's new adaptation, but retains its intellectual heft and eerily subversive quality.

Strindberg's THE PELICAN and ISLE OF THE DEAD Will Have World Premieres Together at TNC

Sweden's greatest modernist playwright, August Strindberg, returned from the Continent to Stockholm in 1906, where he lived out his last seven years. There he wrote 'The Pelican' for his Intimate Theater in 1907 and 'Isle of the Dead' (Toten-Insel) immediately after as its prologue. The latter was unpublished until 1918 and rediscovered in the early 60s, when it was found and promptly dismissed as an incomplete fragment. The two plays were finally reunited by Ingmar Bergman in a radio version in 2003. It was his last dramatic production. From February 6 to 22 August Strindberg Rep, a resident company of Theater for the New City (TNC), will bring the two plays to the stage together for the first time in history. It will also be the world premiere of new English translations of both plays by Robert Greer, Artistic Director of Strindberg Rep, who helms the production.

Noche Flamenca Presents ENTRE TU Y YO at The Joyce Theater

Soledad Barrio & Noche Flamenca, the renowned company founded by Artistic Director Martín Santangelo and dancer Soledad Barrio, returns to The Joyce Theater November 19 a?" December 1 with a new version of Entre Tú y Yo (Between You and Me), an evening-length program of duets, solos, and ensemble works that premiered at the Connelly Theater to acclaim earlier this year. Apollinaire Scherr, in a review for The Financial Times, described Entre Tú y Yo a?oeas flamenco puroa?"the Spanish art stripped to its flammable core.a?? Brian Seibert wrote in The New York Times, a?oeThe visual design is no more elaborate than cafe chairs and a spotlight. The wonderful musicians and the dancers' feet are barely amplified. That's all in accord with the company aesthetic: bare bones, nothing to hide behind, nothing to get in the way.a?? Andrew Gilbert, writing in the San Jose Mercury News, has said of the work, a?oeStarring the incandescent Soledad Barrio, this production features a superlative cast of Spain's leading flamenco artists. While Barrio is unquestionably the star of Entre Tú y Yo, Santangelo is far less concerned about dazzling audiences with fiery footwork than in maintaining the soul-bearing connection between all the artists on stage.a??

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