Hershy Kay News

Lincoln Center for the Performing Arts (LCPA) announces a week devoted to dance from Saturday, May 30 to Thursday, June 4, 2020.

New York City Ballet has announced the week four schedule for their six-week digital spring season. See the details below!

Diablo Ballet presents the second program of their 26th season, Balanchine & Beyond, Feb 7 a?" 8 at the Del Valle Theatre in Walnut Creek. The programs features selections from five ballets including George Balanchine's, Who Cares? set to the music of Gershwin; the choreographic debut of company dancer Michael Wells; the bravura Esmerelda; and the celebration of female choreographers with works by Sally Streets and Penny Saunders.

Diablo Ballet presents the second program of their 26th season, Balanchine & Beyond, Feb 7 a?" 8 at the Del Valle Theatre in Walnut Creek. The programs features selections from five ballets including George Balanchine's, Who Cares? set to the music of Gershwin; the choreographic debut of company dancer Michael Wells; the bravura Esmerelda; and the celebration of female choreographers with works by Sally Streets and Penny Saunders.

San Francisco Ballet and Artistic Director & Principal Choreographer Helgi Tomasson will launch the 2020 Repertory Season with SPELLBOUND: SF Ballet's Opening Night Gala on Thursday, January 16, 2020. One of the Bay Area's most anticipated annual events, the Gala, this year chaired by Patricia Dale Roberts, begins with a cocktail reception and black-tie fundraising dinner at San Francisco City Hall at 5 pm. The evening's performance begins at 8 pm and will feature twelve pieces, including three world premieres by current and former members of SF Ballet's Company: Val Caniparoli, Choreographer in Residence Yuri Possokhov, and Myles Thatcher.

I am often asked what my all time favorite Broadway musical is. I always reply A Chorus Line. I consider it to be a perfect musical in every way. The show's original director/choreographer Michael Bennett captured the heart and soul of the dancer so beautifully in what I consider to be his masterwork. Marvin Hamlisch's music and Edward Kleban's lyrics were and still are one of the most inventive theatre scores ever written. James Kirkwood and Nicholas Dante's book (based off of taped interviews of Broadway dancers conducted by Bennett) frame the songs to sheer perfection. Paul's monologue in the show is actually based on Dante's true story.

Seven of the world's leading ballet talents, all dancers with the New York City Ballet, will grace the Township Auditorium stage March 31, as the University of South Carolina Department of Theatre and Dance presents the14th Annual Ballet Stars of New York Gala Performance.

The lack of permanence that allows new artists endless chances to bring their own interpretations to classic material is the most significant aspect that separates live theatre from movies and television. But in musical theatre, it's sometimes the case that a director/choreographer such as Jerome Robbins or Bob Fosse may create visuals that become so indelible in the public's mind that they become fixtures of most remountings. In the case of A CHORUS LINE, it's the whole show.

La opereta de Bernstein regresa a Barcelona en el centenario de su autor los dias 18 y 20 de octubre

Reagle Music Theatre of Greater Boston, celebrating its 50th Anniversary Summer Season, was still in its first decade when A CHORUS LINE opened on Broadway in 1975, kicking off its run of 6,137 performances. The groundbreaking musical was nominated for twelve Tony Awards, winning nine, and took home the 1976 Pulitzer Prize for Drama. Forty-three years later, it remains a classic for elevating the nameless boys and girls who toil on the line to marquee status. Without the singers and dancers in the chorus, there could be no musical theater; and without musicals, the theater world would be a quieter, more subdued place.

2018 is the 100th anniversary of the birth of Leonard Bernstein. Sydney Philharmonia Choirs will acknowledge thissignificant anniversary by participating in the global celebrations to honour Bernstein's legacy, with two planned performances of the choral masterpiece, Candide (1956) on Saturday 29th September and Sunday 30th September 2018 at the Sydney Opera House.

Leonard Bernstein was arguably one of the most versatile musicians the world has ever known. If you are a lover of classical music, you know that his recordings and compositions were the stuff legend is made of; and if you are a musical theatre geek, you know that Bernstein wrote some of the most innovative and genre-merging theatrical scores that still have not been topped to this day.

As The Music Center wraps up its 14th season of Glorya Kaufman Presents Dance at The Music Center, Angelenos have the opportunity to see some of the world's finest dancers perform a mix of iconic ballets and new pieces in The Music Center's BalletNOW.  Following the popularity of the first BalletNOW in 2015, The Music Center commissioned this highly innovative three-performance program, featuring international ballet sensation and New York City Ballet Principal Tiler Peck as curator.  Peck created a mixed repertory to highlight the versatility and athleticism of today's ballet dancers including pieces that pair classical dancers with their contemporaries in other dance genres. 

One of the finest ballet companies in the country is in town this week at the Kennedy Center for two programs that feature the work of some of the world's most famous choreographers.

Returning to the Opera House stage for their annual engagement, New York City Ballet (NYCB) brings two dynamic and vibrant programs of repertory, June 6–11, including four D.C. premieres by some of today's most innovative choreographers—Justin Peck, Alexei Ratmansky, and Christopher Wheeldon—along with classic works by George Balanchine. All performances will be accompanied by the New York City Ballet Orchestra.

Beautiful Season Closing Performance by Sarasota Ballet of De Valois, Balanchine, Robbins

Pennsylvania Ballet's Short Run of Romance Provides Rich Tapestry This Weekend

Nashville Ballet boldly steps into the future with a 2017-2018 performance season that promises to showcase the full spectrum of the art, from the pinnacle of classical ballet to fearless contemporary works. The upcoming season will be rounded out by the return of highly anticipated fan favorites and the 10th year of Nashville's Nutcracker.

Nashville Ballet steps into its future with a bold 2017-2018 performance season that showcases the full spectrum of the art, from the pinnacle of classical ballet to fearless contemporary works.

Balanchine choreographed 425 works over the course of 60-plus years, and his works are considered masterpieces and performed by ballet companies all over the world. So you can image how thrilled I was to find out Los Angeles Ballet was going to present BALANCHINE: MASTER OF THE DANCE as their final selection of their 2016/2017 season. In it, three of his most outstanding ballet choreographies are presented: Divertimento No. 15 featuring music by Wolfgang Amadeus Mozart; Prodigal Son with music by Sergei Prokofiev; and Who Cares? with music by George Gershwin, adapted and orchestrated by Hershy Kay.