Since 2004, director Mallory Catlett has worked across disciplines to expand the boundaries of theater. Through original works with her own company, Restless NYC, and collaborations with some of today's leading artists-composer Mika Karlsson (The Echo Drift), Dread Scott (Decision), Aaron Landsman (City Council Meeting & Perfect City)-Catlett creates theater that The New York Times calls "lurid, feverish and powerful." She has been called a "downtown treasure" by Time Out New York.
Abrons Arts Center is pleased to present the world premiere of Aloha, Aloha, or When I Was a Queen (April 4-21), a solo play written and performed by Eliza Bent and directed by Knud Adams. In 1996, a young Eliza Bent, along with a friend, created, directed and starred in an amateur historical film for a school project. In it, Bent portrayed Hawaii's last reigning monarch, Queen Liliuokalani. 22 years later, Bent uses her home movie as a jumping off point to lead audiences on a journey that grapples with personal history, legacy, and cultural appropriation. In the tradition of Spalding Gray, Fran Lebowitz, and David Sedaris, Bent's humorous cringe-inducing stories chart a young Bostonian's education in race and appropriation.
Esther and Schmuli are shy young Orthodox Jews embarking on an arranged marriage, despite barely knowing each other. Abe and Julia are high-profile celebrities embarking on a dangerously flirtatious correspondence, despite being married to other people. On the surface, the lives of these two couples couldn't be more different. But Anna Ziegler's funny, insightful, and mysterious new drama explores the hidden connections between seemingly disparate people, drawing audiences into an intriguing puzzle and a deeply sympathetic look at modern love.
Hot off the success of the critically acclaimed KPOP last fall, Drama Desk and Obie Award-winning Ma-Yi Theater Company and The Public Theater announce TEENAGE DICK, a new play by Mike Lew (Tiger Style!), being given its world premiere Off-Broadway, June 12 - July 15, 2018, at The Public Theater, 425 Lafayette St.
UCLA's Center for the Art of Performance (CAP UCLA) welcomes the return of Taylor Mac, the genre-defying winner of a 2017 MacArthur 'Genius' Grant, recipient of the 2017 Edward M. Kennedy Prize for Drama, and a finalist for the 2017 Pulitzer Prize for Drama, in the epic 24-hour performance art concert, A 24-Decade History of Popular Music, in its entirety in four six-hour chapters March 15, 17, 22 and 24 at 6 p.m. at The Theatre at Ace Hotel in downtown Los Angeles. Single tickets are now available for $45-$250 online at cap.ucla.edu and theatre.acehotel.com, via AXS by phone at 888-929-7849 and in person at The Theatre at Ace Hotel box office.
Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director), has extended the world premiere of Aleshea Harris's Relentless Award-winning Is God Is, directed by Taibi Magar, a second time, through March 31.
Yale Repertory Theatre (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents Father Comes Home From the Wars, Parts 1, 2 & 3 by Suzan-Lori Parks, directed by Liz Diamond, March 16-April 7, at the University Theatre (222 York Street). Opening Night is Thursday, March 22. Father Comes Home From the Wars, Parts 1, 2 & 3 is a co-production with San Francisco's American Conservatory Theater, where it will play April 25-May 20.
The American Theatre Wing (Heather Hitchens, President & CEO) announced today that the 2018 Jonathan Larson® Grants recipients areJay Adana (music and lyrics), Andrew R. Butler & Andrew Farmer (music, lyrics, and book), Emily Kaczmarek & Zoe Sarnak (music, lyrics, and book), and Mark Sonnenblick(music and lyrics). Four prestigious, unrestricted grants of $10,000 each, as well as additional support in the form of residencies, concerts, and recording grants, totaling over $48,000, will be presented on Monday, March 19, 2018 at a private event at the WNYC Greene Space. The event will feature special performances of the recipients' work.
Before a performance of the play America is Hard to See, audience members have the opportunity to wander across a canvas map of Miracle Village. What appears as a gridded crisscrossing of rural living quarters is home to a community of men - sex offenders - who are finding a way to move forward. Travis Russ, artistic director at Life Jacket Theatre Company, calls this Southern Florida community one of many "little dots" on a map, where real people have stories to tell. In his case, Russ decided that the stories within Miracle Village should be told onstage. In a phone interview with BroadwayWorld, Russ discussed bringing the residents' true stories to the theatre.
Energetic, Engaging and Emotional, THE VIEW UPSTAIRS takes the audience back to a historic moment in the LGBTIQ past to give a voice to the patrons of The UpStairs Lounge in an effort to explain the past, present and future of the still repressed minority.
Abrons Arts Center is pleased to present the world premiere of Aloha, Aloha, or When I Was a Queen (April 4-21), a solo play written and performed by Eliza Bent and directed by Knud Adams. In 1996, a young Eliza Bent, along with a friend, created, directed and starred in an amateur historical film for a school project. In it, Bent portrayed Hawaii's last reigning monarch, Queen Liliuokalani. 22 years later, Bent uses her home movie as a jumping off point to lead audiences on a journey that grapples with personal history, legacy, and cultural appropriation. In the tradition of Spaulding Gray, Fran Leibowitz, and David Sedaris, Bent's humorous cringe-inducing stories chart a young Bostonian's education in race and appropriation.
Princess Cruises today revealed the artwork for "The Secret Silk," the third production created in collaboration with Oscar-, Tony- and Grammy award-winning composer Stephen Schwartz ("Wicked", "Pippin", "Godspell"). Created by Katie Rodgers of Paper Fashion, the "The Secret Silk" artwork was commissioned specifically to reflect the whimsical nature of the production.
In response to popular demand, Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director) extends the world premiere of Aleshea Harris's Relentless Award-winning Is God Is, directed by Taibi Magar by two weeks, through March 25. In this play, which dauntlessly cracks jokes as it eviscerates, twin sisters Anaia (Alfie Fuller) and Racine (Dame-Jasmine Hughes) undertake a murderous journey from the Dirty South to the California desert, seeking payback for a horrendous act. Is God Is treats both morality and genre as notions to be exploded, drawing on the ancient, the modern, the tragic, the Spaghetti Western, hip-hop and Afropunk in its subversion of theatrical constructs.
A Chronicle of the Madness of Small Worlds, a pairing of two hilariously profound monologues from legendary playwright Mac Wellman's story collection, adapted and directed by Elena Araoz, has extended its run Next Door at New York Theatre Workshop through Sunday, February 11. The production is produced and sponsored by Harvey and Kathleen Guion and Dan McCarthy.
Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director) today announces the complete cast and creative team for the world premiere of Aleshea Harris's Relentless Award-winning Is God Is, directed by Taibi Magar (Ars Nova's Underground Railroad Game), February 6 - March 11, 2018. The play, with which Soho Rep. reopens its longtime Tribeca theater, dauntlessly cracks jokes as it eviscerates. Alfie Fuller and Dame-Jasmine Hughes play Anaia and Racine, twin sisters who undertake a murderous journey from the Dirty South to the California desert, seeking payback for a horrendous act. Is God Is treats both morality and genre as notions to be exploded, drawing on the ancient, the modern, the tragic, the Spaghetti Western, hip-hop and Afropunk in its subversion of theatrical constructs.
Next Door at New York Theatre Workshop (79 East 4th Street) continues its inaugural season with the New York premiere of Mac Wellman's A Chronicle of the Madness of SmallWorlds, adapted for the stage and directed by Elena Araoz. The production runs in NYTW's newly renovated 65-seat black box space begins performances on January 17. The production is produced and sponsored by Harvey and Kathleen Guion.
The American Theatre Wing (Heather Hitchens, President and CEO) and The Village Voice (Peter Barbey, CEO; Stephen Mooallem, Editor-in-Chief) are have just announced that the 63rd Annual Obie Awards will be held on Monday, May 21, 2018, and will move to a new venue, Terminal 5 (610 West 56th Street). Emmy and Obie-winning actor John Leguizamo, currently starring in Latin History for Morons on Broadway, will host. Tickets to the 2018 Obie Awards can be purchased at www.ObieAwards.com.
Next Door at New York Theatre Workshop (79 East 4th Street) continues its inaugural season with the New York premiere of Mac Wellman's A Chronicle of the Madness of Small Worlds, adapted for the stage and directed by Elena Araoz. The production runs in NYTW's newly renovated 65-seat black box space from January 17 through February 5, 2018. The production is produced and sponsored by Harvey and Kathleen Guion.
Life Jacket Theatre Company (Travis Russ, Artistic Director) is proud to announce the world premiere production of America is Hard to See, a new play with music written and directed by Travis Russ (Gorey: The Secret Lives Of Edward Gorey) with music and lyrics by Priscilla Holbrook (from the band, Susan Jane). Performances begin January 30, 2018 at HERE (145 6th Avenue). Opening night is set for February 2, 2018, with a limited run through February 24, 2018.
Mickey Mantle School PS 811@140 is pleased to announce that the American Theatre Wing, best known as the creator of the Antoinette Perry Tony Awards, is awarding the THEATRE ARTS PROGRAM at The Mickey Mantle School PS 811@149 with a Classroom Resource Grant from the Andrew Lloyd Webber Initiative.
