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BWW Review: THE OPEN, The Space

The year is 2050. Brexit has happened (but it's now an obsolete word and people would rather use a?oeThe Break-upa??) and the economy has crashed, leading the United States to buy the island. Trump did what Trump does, and Great Britain has been turned into the Great British Golf Course - or GBCG. When dystopia is done well, it becomes a mirror onto the contemporary world and the perils that come with it. Regrettably, Florence Bell's The Open drives a compelling concept into a wall.

PHOTO FLASH: Look Inside Rehearsals with John Hannah in The Titanic Orchestra

Four tramps huddle together at an abandoned railway station, full of vodka-fuelled dreams of escaping on one of the passing trains. But the trains never stop. Until one day, a dishevelled stranger is thrown into their midst. He claims to be the great illusionist Harry Houdini, and promises that together they will perform the most astonishing vanishing act the world has ever seen.

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