English Touring Theatre announced a season of five plays, including world premieres of APPLICATION 39, LANNY, and PERICLES, alongside a new production of ROMEO AND JULIET, touring venues across the UK.
Theatre by the Lake will present the world premiere of THE FARMER'S WIFE, a new play by Hannah Khalil inspired by Helen Rebanks' best-selling memoir, directed by Artistic Director Liz Stevenson at the Keswick venue.
Theatro Technis has shared photos ahead of its premiere of LOVE OMAR, a backstage-comedy drama and 'love letter to theatre' by Hannah Khalil. Check out the photos here!
Shakespeare's Globe announced a series of climate-focused events during London Climate Week, including a free Climate Open House with stage readings and an off-grid matinee of A MIDSUMMER NIGHT'S DREAM.
Written by acclaimed playwright Hannah Khalil, Love Omar is a love letter to theatre set backstage at Chichester Festival Theatre in 1983 when Omar Sharif starred in Terence Rattigan's The Sleeping Prince.
After premiering at the Royal Court Theatre, the Olivier Award-nominated Blue Mist will embark on a National tour this June and July. Learn more about the upcoming show here!
Golden Thread Productions will present its 2026 Season in celebration of the company’s 30th Anniversary. The season includes new plays, festivals, and commissions highlighting Middle Eastern and SWANA artists and stories.
As part of Bristol Old Vic’s 260th anniversary celebrations, Artistic Director Nancy Medina has announced a bold new initiative to bring high-quality theatre directly into Bristol’s state secondary schools.
Some Soho Theatre audience members at My English Persian Kitchen over the next month may be more enticed by what comes after the show than by the show itself. That’s because Hannah Khalil’s one-woman show has the distinction of featuring onstage cooking.
Isabella Nefar will reprise her starring role in the hit show My English Persian Kitchen, Hannah Khalil's life-affirming play, inspired by an original true story by best-selling cookery author Atoosa Sepehr, directed by Chris White.
Part of the Edinburgh Festival Fringe's inaugural Sāo Paulo showcase, What's in the Kitchen is an immersive and intimate culinary experience taking audiences through the five senses - smell, hearing, vision, taste and touch. Learn how to attend!
Bristol Old Vic has announced a flurry of extra shows for Winter/Spring alongside classic summer family work – now on sale. Learn more about the lineup here!
Following sold out and acclaimed runs at the 2024 Edinburgh Festival Fringe and in London, Soho Theatre has announced the return of My English Persian Kitchen, Hannah Khalil’s life-affirming play.
Bristol Old Vic’s re-energised Literary Department announced three writers who will be joining Winsome Pinnock as part of the theatre’s Five Year Commitment residency.
Irish Repertory Theatre will present Not Beckett, an international rolling premiere of five new short plays presented as staged readings. Learn more and see how to attend.
Not Beckett is an international 'rolling world premiere' presenting 5 new short plays in conversation with Samuel Beckett's work, written by femme-identifying and non-binary playwrights of diversified Irish descent across the globe.
On the press night for My English Persian Kitchen, the smell of chopped onion, mint, and garlic wafts down the stairs of Soho Theatre. Hannah Khalil’s atmospheric play, combining true storytelling and live cooking, turns these scents into stories rooted in real life. Fresh from the Traverse programme at Edinburgh Fringe, the show comes to Soho for its London run.
Jermyn Street Theatre has announced its Autumn Season. Learn more about the lineup here!
Soho Theatre and Traverse Theatre will present the World Premiere of My English Persian Kitchen, Hannah Khalil’s life-affirming new play, directed by Chris White opening at the Edinburgh Fringe Festival from 1 – 25 August before transferring to London for a three-week run from 16 September to 5 October.
Cast announced for CUTTING THE TIGHTROPE: THE DIVORCE OF POLITICS FROM ART.
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