Greer Grimsley News

The Dallas Opera is extremely proud to present the season opener of the company's grand 2018-2019 "Swept Away" Season: Richard Wagner's haunting nineteenth-century masterpiece, The Flying Dutchman (Der fliegende Hollander), a work not seen on The Dallas Opera stage since January of 1994.

In an onstage presentation following the July 1 performance of Richard Wagner's Gotterdammerung, San Francisco Opera General Director Matthew Shilvock presented former general director David Gockley with the San Francisco Opera Medal, the Company's highest honor. An industry pioneer who helped shape the operatic repertory and build new audiences for the artform, Gockley served ten years at the helm of San Francisco Opera and is currently the Company's General Director Emeritus.

San Francisco Opera's presentation of Richard Wagner's Der Ring des Nibelungen (The Ring of the Nibelung) opens tonight with the first of three complete cycles, each presented over the course of one week as the composer originally intended, from June 12 through July 1 at the War Memorial Opera House. Encompassing four operas-Das Rheingold, Die Walkure, Siegfried and Gotterdammerung-and more than 17 hours, Wagner's Ring is one of the most ambitious works of music, theater and stagecraft ever created.

The San Diego Opera's last concert this season was billed as 'One Amazing Night.' The program was originally scheduled to feature soprano Lise Lindstrom and tenor Rene Barbera, but Barbera was released from his commitment when he was offered a Teatro alla Scala debut as Ernesto in a new production of Don Pasquale. He's sung multiple time in San Diego, and will likely return, but the company understood a La Scala debut means too much to an opera singer's career to stand in his way. Bass-baritone Greer Grimsley, who had previously performed with Lindstrom in the San Diego production of Salome, was an effective stand-in. Earlier this season Grimsley played the pirate king here in Pirates of Penzance with surprising comic flair, though best known for dark and heroic roles.

Complementing the highly-anticipated performances of Richard Wagner's Der Ring des Nibelungen on the stage of the War Memorial Opera House (June 12-July 1), San Francisco Opera presents its ongoing Ring Festival of ancillary events and activities. Designed to deepen public engagement and provide informative, fun ways to explore Wagner's profound masterwork, the Ring Festival offers a diverse schedule of lectures, exhibitions, film screenings, musical programs and opportunities to hear from artists, production team members and Wagner experts.

German soprano Evelyn Herlitzius, scheduled to make her San Francisco Opera debut as Brunnhilde in Wagner's Der Ring des Nibelungen (The Ring of the Nibelung), has withdrawn from the upcoming engagement due to health reasons. While San Francisco Opera regrets this casting change, the Company is honored to welcome in her stead the equally acclaimed Swedish soprano Irene Theorin as Brunnhilde, the pivotal heroine of Wagner's magnum opus. A celebrated Brunnhilde, Theorin's engagement will mark her first complete Ring in the United States with three cycles of the work at the War Memorial Opera House, June 12-July 1, 2018.

Beginning Tuesday, May 1 at 10 a.m., tickets to individual performances within Richard Wagner's four-opera cycle, Der Ring des Nibelungen (The Ring of the Nibelung), will be available for purchase. Previously offered only as complete cycle packages, tickets for Das Rheingold, Die Walkure, Siegfried and Gotterdammerung will go on sale for the first time.

The San Diego Opera's new production of Puccini's Turandot held rapt attention throughout its three acts in spite of a dark plot that's implausible even for opera, and a lead character less loveable than Lady Macbeth. Powerful men from other kingdoms flock to win Princess Turandot's hand by answering three riddles. This being long before the internet, none of the men seem familiar with them when Turandot asks for solutions. This is a serious oversite on their part. Twelve suitors, in the past year alone, have experienced the beheading failure entails. The 13th, Calaf of Tartary, succeeds only to have Turandot renege on her promise to marry the one who has the answers. When her father the emperor insists an oath is an oath, Calaf puts his head on the block again by swearing he will die if Turandot discovers his name by morning, otherwise she must marry him. She agrees, determined to discover his name before the sun rises.

ise Lindstrom has returned to San Diego to sing the lead in Puccini's Turandot. We spoke for nearly an hour in a rehearsal room at the San Diego Civic Center where she'd just finished working on makeup for the performance. You might think that someone with Lindstrom's powerful voice would have known, and been told from the age of twelve or so, that she was destined to become an opera star. But it didn't happen that way for the well-known dramatic soprano, nor is it likely to for any other would-be diva. No matter how potentially great your voice is, it takes a bit of luck and a whole lot of hard work to become a success.

The Met: Live in HD, the Metropolitan Opera's award-winning series of live high-definition cinema simulcasts, will begin its 13th season on October 6, with the Met's grand production of Verdi's Aida, starring one of the world's most acclaimed sopranos, Anna Netrebko.

Accelerating his arrival as Music Director by two seasons, Yannick Nezet-Seguin will take up the post in time for the start of the Metropolitan Opera's 2018-19 season, it was announced today.

San Francisco Opera presents Richard Wagner's Der Ring des Nibelungen (The Ring of the Nibelung) in three complete cycles, each presented over the course of one week as the composer originally intended, from June 12 through July 1 at the War Memorial Opera House. Encompassing four operas-Das Rheingold, Die Walkure, Siegfried and Gotterdammerung-and more than 17 hours, the story and music of Wagner's Ring are the acme of the operatic artform and one of the most ambitious works of music, theater and stagecraft ever created. In anticipation of the performances, San Francisco Opera today announced a schedule for its Ring Festival events designed to provide the public, from first-timers to experienced Ring-goers, with enriching activities including lectures, symposia, film screenings, musical programs, public discussions and a Ring Community Day for families.

The Dallas Opera is proud to announce its spectacular 2018-2019 Season, "Swept Away," consisting of five captivating mainstage productions, including a passionate Puccini pairing during the month of March, designed to melt the last blast of winter, followed by the company's first-ever Falstaff.

Houston Grand Opera ( HGO ) presents Richard Strauss's chilling one - act drama, Elektra, January 19 February 2, the first HGO performances in 25 years. The Sir David McVicar production stars internationally acclaimed soprano Christine Goerke, who owns the title role as one of the most fearless and formidable dramatic sopranos of the day ( New York Times ).

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE PRINCE OF EGYPT, KINKT BOOTS, THE LITTLE MERMAID, and more!

The Pirates of Penzance--opera or operetta? The answer to that question seems important to some opera lovers who believe a 'serious' opera company doesn't do operettas. Too bad for them if their doubts made them miss out on San Diego Opera's hugely entertaining production. A nearly sold-out audience laughed frequently as Gilbert and Sullivan made fun of inept but kind-hearted pirates, cowardly policeman trying their best, and even Queen Victoria, who made a non-singing appearance with the signature rotation of the raised royal hand. While musicologists, historians and purists at home argued about the correct classification of the work, excellent operatic singers delivered clever lyrics and threw themselves into the light-heartedly silly plot.

Pacific Symphony's 39th season is off and soaring like a heaven-bound rocket, beginning with a grand opening to remember! Featuring Beethoven's Symphony No. 5, "Don Juan" by Strauss, and selections from Wagner's "Die Walkure," from the composer's "Ring" cycle, performed by the orchestra for the first time since 1988. The concert is conducted by Music Director Carl St.Clair, who led Wagner's "Ring Cycle" to critical acclaim as music director of the German National Theater and Staatskapelle in Weimar, Germany. And, featured in his first-ever appearance with the Symphony is international opera star, Greer Grimsley, whose stunning bass-baritone brings Wotan dramatically to life.

OPERA San Antonio presents the first production of its 2017-18 season, Giuseppe Verdi's Italian opera Macbeth, based on the dark and powerful Shakespearean drama.

General Director David Bennett's first complete season

LA Opera presents Giacomo Puccini's thrilling masterpiece, Tosca, conducted by Music Director James Conlon. The final mainstage presentation of the company's 2016/17 season, Tosca is a revival of the production staged by the company in 2013, directed by Tony and Olivier Award winner John Caird. There will be seven performances from April 22 through May 13, taking place at the Dorothy Chandler Pavilion (135 North Grand Avenue, Los Angeles CA 90012).