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DON GIOVANNI Opens the Paris Opera's 2023-24 Season

The Paris Opera opens its 23/24 season with a new production of Don Giovanni. If Mozart's masterpiece has fascinated generations since its Prague premiere in 1787, it is not only because his score achieves an unparalleled convergence of comedy and drama, but also because its expressive force deepens tenfold the myth of Don Giovanni, the philanderer who defies God and society.

The Atlanta Opera Announces Teams For 96-HOUR OPERA PROJECT, June 9-12

The Atlanta Opera has announced that five creative teams have been selected to participate in the second annual 96-Hour Opera Project, a composition competition and showcase that pairs composers and librettists to write ten-minute operas. Bringing their completed works to Atlanta, the teams will workshop and rehearse their productions over four days from June 9–12, with travel, housing, singers, pianists and rehearsal space provided.

Warner Theatre To Screen THE MET LIVE: DON GIOVANNI, May 20

The Met: Live in HD, the Metropolitan Opera's award-winning series of live high-definition cinema simulcasts, presents Mozart's DON GIOVANNI on Saturday, May 20 at 12:55 pm ET, in the Warner Theatre's Oneglia Auditorium (Main Stage). 

Review: Splendid Singing, Erratic Direction Mark the Met's New DON GIOVANNI from Van Hove

While I’ve always been bothered by the cruelties and misogyny of the main character, Mozart’s DON GIOVANNI has (musically) been my favorite of the composer’s operas, though either casting or design has been a regular issue in bringing off the work at its best. Happily, the Met’s new production by Belgian provocateur Ivo van Hove is a success for me, with a cast filled with wonderful singers--and the Met orchestra and chorus sounding great under debutante Nathalie Stutzmann.

Interview: Charles H. Eaton of DON GIOVANNI at Minnesota Opera

Don Giovanni is an egotistical and infamous womanizer, brazen in his shameless seductions. But his betrayals soon catch up to him when divine retribution exacts the ultimate price. Set in the 1930s, this new production centers the women who cross paths with Don Giovanni and ultimately deliver his grim fate. Mozart's sharp and otherworldly opera seamlessly blends dark comedy with biting social commentary, all set to some of opera's most stirring music.

Remote Announces Artistic Team For Mixed-Reality Performance Piece Inspired By Ntozake Shange's Novel, LILIANE

Remote Theater, an award-winning theater collective born at the start of the pandemic, today announced the artistic team for a mixed-reality piece (using augmented and virtual reality) inspired by late Obie-award winning playwright Ntozake Shange's coming of age novel, Liliane. It is also the first day of the production's Kickstarter campaign where it seeks to raise funds to offset the costs required for this production. The production - titled Your Mind, Girls, is the First Battleground For Freedom - is set to launch in early 2024 in the San Francisco Bay Area.

Review Roundup: Ivo van Hove's DON GIOVANNI Opens at the Metropolitan Opera

Ivo van Hove, the Tony Award–winning director of Broadway’s A View from the Bridge, is making a major Met debut with Mozart’s Don Giovanni (May 5–June 2), re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the work’s dark corners. Read what the critics have to say!

FESTIVAL OPERA Announces 2023 Summer Season

Festival Opera has announced plans for the company's 2023 season highlighted by a bold new production of Georges Bizet's Carmen, a work at the heart of the repertory and one of the most performed operas in the world, set for August 18 and 20 at the Lesher Center for the Arts.

Mozart's DIE ZAUBERFLÖTE Gets Its First New Met Staging In 19 Years From Director Simon McBurney

Mozart's Die Zauberflöte (May 19–June 10), one of opera's most beloved works, receives its first new Met staging in 19 years from acclaimed English director Simon McBurney. In his Met debut, McBurney lets loose a volley of theatrical flourishes, incorporating projections, aerial and sound effects, physical comedy, a hovering platform, and acrobatics to match the spectacle and drama of Mozart's work. Maestro Nathalie Stutzmann—having made her Met debut earlier this season with Don Giovanni—performs Mozart double duty leading both productions running simultaneously. With the pit raised, the Met Orchestra musicians will interact with the cast. Gareth Morrell conducts the May 27 performance.

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